Tubuh sebagai Manifesto: Pandangan Politik Sally Rooney dalam Normal People

Chintya Dewi, Ferdinal Ferdinal, Sudarmoko Sudarmoko
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Abstract

This research explores the role of the body in the Irish literary work, Normal People. Written by renowned Irish author Sally Rooney, the novel narrates how contemporary Irish society experiences shifts in its social structure. It delves into the lives of young Irish characters as they navigate social and political upheaval in relation to the Western culture that serves as their cultural axis. This culture is, in part, represented through the colonized form of the body. Rooney elevates this concept to emphasize her political stance that the body has become a manifesto in the ideological struggle against the encroaching Western influences. By employing Lucien Goldmann’s theoretical framework, this article demonstrates the intersection of the body and alcohol, connecting the historical memory of the Republic of Ireland with Northern Ireland. Moreover, the article contends that the United States of America has colonized the bodies of the Republic of Ireland’s society through the consumer patterns of popular culture introduced in television advertisements.Keywords – Alcohol, Colonization, Political Beliefs, Popular Culture, Television Commercials.
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身体即宣言莎莉-鲁尼在《正常人》中的政治观点
本研究探讨了身体在爱尔兰文学作品《正常人》中的作用。这部小说由爱尔兰知名作家莎莉-鲁尼(Sally Rooney)创作,叙述了当代爱尔兰社会如何经历社会结构的转变。小说深入描写了爱尔兰青年人物的生活,他们在社会和政治动荡中与作为其文化轴心的西方文化的关系。这种文化在某种程度上是通过身体的殖民化形式表现出来的。鲁妮提升了这一概念,以强调她的政治立场,即身体已成为反对西方影响侵蚀的意识形态斗争的宣言。通过运用吕西安-戈德曼(Lucien Goldmann)的理论框架,本文展示了身体与酒精的交集,将爱尔兰共和国与北爱尔兰的历史记忆联系起来。此外,文章还认为,美国通过电视广告中引入的大众文化消费模式,对爱尔兰共和国社会的身体进行了殖民化。 关键词 - 酒精、殖民化、政治信仰、大众文化、电视广告。
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