How do you Meme Trump, Noah? Shaping a New Memescape in The Daily Show with Trevor Noah (January 2016 – December 2019)

Nashwa Elyamany
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Abstract

With The Daily Show’s popularity for late-night televised political satire, the infotainment genre has progressively turned into a major venue for mass-mediated political discourse in the US. Arguably, the show employs creative political memes in tandem with a plethora of multimodal strategies that all function in collegiality in revival of a journalism of critical inquiry showcasing how political dissent is negotiated and mitigated. Set against this backdrop, this paper argues for a new conceptualization of “digital memes” to incorporate the visuals integrated in talk show monologues. These visuals have undergone a shift from being merely “aesthetic-expressive” graphics to share many of the internet meme’s features and hence make them mount to be a sub-genre of memes. More specifically, the study extends scholarship on political memes proposing a more nuanced methodological and analytical framework premised on meme-inherent news values and host-specific converging communication accommodation strategies. The paper is an attempt to introduce an inclusive approach that draws on various perspectives that can do better justice to the rich complexity inherent to memes. For the purpose, a corpus of 235 meme instances from January 2016 to December 2019 in The Daily Show with Trevor Noah’s entertainment-based, ideologically-driven political commentary was examined. This is to capture how the intervention of memetic aesthetics in the topical monologue of the show as far as Trump’s administration is concerned can alter the trajectory of political satire. Findings showcase that the emerging memes in the late-night show, particularly image macro memes, have superseded late-night television as the leading edge of political satire.
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你觉得特朗普怎么样,诺亚?与特雷弗·诺亚在《每日秀》中塑造一个新的记忆逃避(2016年1月至2019年12月)
随着《每日秀》因深夜电视政治讽刺而广受欢迎,信息娱乐类型已逐渐成为美国大众政治话语的主要场所,该节目采用了创造性的政治模因,以及大量的多模式策略,所有这些策略都在合作中发挥作用,以复兴批判性调查新闻,展示政治异见是如何协商和缓解的。在此背景下,本文主张对“数字模因”进行新的概念化,将视觉融入脱口秀独白中。这些视觉效果已经从仅仅是“美学表达”的图形转变为分享互联网模因的许多特征,从而使其成为模因的一个子类型。更具体地说,这项研究扩展了对政治模因的研究,提出了一个更细致的方法论和分析框架,其前提是模因固有的新闻价值观和主持人特定的融合传播适应策略。这篇论文试图引入一种包容性的方法,该方法借鉴了各种观点,可以更好地理解模因固有的丰富复杂性。为此,研究了2016年1月至2019年12月《每日秀》中235个模因实例的语料库,其中包括特雷弗·诺亚基于娱乐、意识形态驱动的政治评论。就特朗普政府而言,这是为了捕捉模因美学在节目主题独白中的干预如何改变政治讽刺的轨迹。研究结果表明,深夜秀中新兴的模因,尤其是图像宏观模因,已经取代深夜电视成为政治讽刺的前沿。
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来源期刊
International Journal of Arabic-English Studies
International Journal of Arabic-English Studies Arts and Humanities-Literature and Literary Theory
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: The aim of this international refereed journal is to promote original research into cross-language and cross-cultural studies in general, and Arabic-English contrastive and comparative studies in particular. Within this framework, the journal welcomes contributions to such areas of interest as comparative literature, contrastive textology, contrastive linguistics, lexicology, stylistics, and translation studies. The journal is also interested in theoretical and practical research on both English and Arabic as well as in foreign language education in the Arab world. Reviews of important, up-to- date, relevant publications in English and Arabic are also welcome. In addition to articles and book reviews, IJAES has room for notes, discussion and relevant academic presentations and reports. These may consist of comments, statements on current issues, short reports on ongoing research, or short replies to other articles. The International Journal of Arabic-English Studies (IJAES) is the forum of debate and research for the Association of Professors of English and Translation at Arab Universities (APETAU). However, contributions from scholars involved in language, literature and translation across language communities are invited.
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