Taking Liberties

IF 0.7 3区 文学 Q3 COMMUNICATION Translator Pub Date : 2000-04-01 DOI:10.1080/13556509.2000.10799057
Mary Helen Mcmurran
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引用次数: 5

Abstract

Abstract This article offers a survey of translation practices in early novels, focusing on their source in a common European education in rhetoric and paying particular attention to translations of French and English novels written and translated between 1650 and 1800, the period generally recognized as the birth of the novel. The freedoms taken with translations can be traced to certain rhetorical exercises common from the Middle Ages through the 18th century. Yet, during the 18th century, as the novel was emerging, translators evince a particular predilection for amplifying sentiment and forging techniques of realism – the two primary developments of the eighteenth-century novel. Translators and translator-novelists identified that the ‘interest’ of the novel bore directly on the notion of sensibility, and that the translator’s goal was to develop this interest. They therefore foregrounded affectivity as the target of their revisions.
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摘要:本文回顾了早期小说的翻译实践,重点关注了它们在欧洲共同修辞学教育中的来源,并特别关注了1650年至1800年间创作和翻译的法语和英语小说的翻译,这一时期通常被认为是小说的诞生时期。翻译的自由可以追溯到中世纪到18世纪常见的一些修辞练习。然而,在18世纪,随着小说的出现,译者表现出一种特别的偏好,即放大情感和锻造现实主义技巧——这是18世纪小说的两个主要发展。翻译家和翻译小说家认为,小说的“兴趣”直接与感性的概念有关,而译者的目标就是培养这种兴趣。因此,他们把情感作为修订的目标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Translator
Translator Multiple-
CiteScore
1.20
自引率
14.30%
发文量
22
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