ghazal体裁的发展史

D. Tukhlieva
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引用次数: 0

摘要

抒情作品从古至今都没有失去它的重要性,因为它具有一定的调性,与其他文学类型相比,它的规模较小,可以快速而容易地储存在人们的记忆中,具有广泛的审美效果,适合不同年龄和文学训练的读者,并且具有多种体裁。乌兹别克斯坦古典文学的重要组成部分是抒情作品。ghazal体裁是这些抒情作品中最重要的一种。古典时期的歌词在体裁上是多样化的,包括各种体裁,如fard, rubai, tuyuk, qit 'a, ghazal, muhammas, musaddas, masnavi和qasida。每一种都有自己的起源和发展历史。尤其是加扎勒,是东方诗歌中颇受欢迎的一种体裁。最初,它是一种专门以爱情为主题的诗歌类型,随着时间的推移,主题和形式的可能性范围都在扩大。这种体裁的诗歌长期以来在诗歌中占据着突出的地位。本文分析了ghazal的词汇和术语含义,简要的起源,作为一个体裁的发展阶段,形式和内容的变化,导致其扩张的内外因素,主要阿拉伯语和波斯语的ghazal作品和乌兹别克文学的代表,他们对该体裁的内容和形式的贡献。在进行这些分析时,本文作者参考了古典理论家如库达马·伊本·贾法尔、沙姆苏丁·穆罕默德·伊本·凯斯·拉兹、喀布尔·穆罕默德、拉希迪丁·瓦特瓦特、谢赫·艾哈迈德·塔拉齐、侯赛因·瓦兹·卡什菲的作品,以及阿拉伯、波斯、乌兹别克文学史,特别是东方学家如卡纳尼、Y.E.Bertels、I.M.Filshtinsky、m.l.r reysner、a.m orzoev、a.a atesh、a.a hayitmetov、o.o nosirov、r.o orzibekov和其他研究ghazal文学类型的人的作品。研究者比较了他们的科学著作、观点、异同,并对伽扎勒体裁的历史和特点进行了解释和评论。
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HISTORY OF THE DEVELOPMENT OF THE GHAZAL GENRE
Lyrical works hare not lost their importance since the earliest times to the present day as they are tuned in a certain tone, short in size compared to other literary geners, can be stored quickly and easily in people's memory, have a wide range of aesthetic effects, are suitable for different age and literary training of readers and possess a variety of genres. A significant part of Uzbek classical literature is lyrical works. The ghazal genre is one of the most important of these lyrical works. The lyrics of the classical period are diverse in terms of a genre and include a variety of genres, such as fard, rubai, tuyuk, qit’a, ghazal, muhammas, musaddas, masnavi and qasida. Each has its own genesis and history of development. Especially, ghazal is a popular genre in oriental poetry. Originally it emerged as a genre of poetry created exclusively on the theme of love, and over time, the range of possibilities in terms of both theme and form expanded. Poems of this genre have long occupied a prominent place in the poetry. In this article, the lexical and terminological meanings of the ghazal, a brief genesis, the stages of its development as a genre, changes in form and content, internal and external factors that led to its expansion, the main Arabic and Persian works of the ghazal genre and representatives of Uzbek literature, their contributions to the content and form of the genre are analyzed. In carrying out these analyses, the author of the article refers to the works of classical theorists such as Kudama ibn Jafar, Shamsuddin Muhammad ibn Kays Razi, Kabul Muhammad, Rashididdin Watwat, Sheikh Ahmad Tarazi, Husayn Waz Kashifi and the history of Arabic, Persian, Uzbek literature, in particular, the orientalists as Kanani, Y.E.Bertels, I.M.Filshtinsky, M.L.Reysner, A.Mirzoev, A.Atesh, A.Hayitmetov, O.Nosirov, R.Orzibekov and others who studied the ghazal genre. The researcher compares their scientific works, opinions, similarities, differences, explaines, and comments on the history and characteristics of the ghazal genre.
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