G. Fallada 的《狼群中的狼》和 F. M. Dostoevsky 的《罪与罚》小说中的 "堕落女人 "形象:比较分析

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Nauchnyi Dialog Pub Date : 2023-12-07 DOI:10.24224/2227-1295-2023-12-9-265-280
L. A. Melnikova
{"title":"G. Fallada 的《狼群中的狼》和 F. M. Dostoevsky 的《罪与罚》小说中的 \"堕落女人 \"形象:比较分析","authors":"L. A. Melnikova","doi":"10.24224/2227-1295-2023-12-9-265-280","DOIUrl":null,"url":null,"abstract":"The image of the “fallen woman” in the novels of G. Fallada’s “Wolf Among Wolves” and F. M. Dostoevsky’s “Crime and Punishment” is examined. Traces of the literary influence of the Russian classic on the poetics of the German writer’s novel at the thematic and character levels are identified. It is established that the key motif in both works is the theme of moral resurrection of the fallen individual. It is shown that, in addressing the problem of the “humiliated and insulted”, both authors incorporate the image of the “fallen woman” into the system of characters in their novels. It is noted that the writers pay special attention to the reasons for her social downfall. Through the use of comparative-historical analysis, parallels in the images of “fallen” women presented in these works — Petra Ledig and Sonya Marmeladova — are identified. The author of the article concludes that the heroines share a number of common features: Christian semantics of their names, moral purity despite physical vice, a tendency towards selfsacrifice, great inner strength despite outward timidity, a desire to show mercy, the ability to motivate their loved ones towards spiritual rebirth and thereby “rebirth” themselves. The results of the study allow to demonstrate the significance of F. M. Dostoevsky’s humanistic ideas for the aesthetic principles and worldview position of G. Fallada in the novel “Wolf Among Wolves”.","PeriodicalId":43602,"journal":{"name":"Nauchnyi Dialog","volume":"3 4","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Image of “Fallen Woman” in Novels of G. Fallada’s “Wolf Among Wolves” and F. M. Dostoevsky’s “Crime and Punishment”: Comparative Analysis\",\"authors\":\"L. A. Melnikova\",\"doi\":\"10.24224/2227-1295-2023-12-9-265-280\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The image of the “fallen woman” in the novels of G. Fallada’s “Wolf Among Wolves” and F. M. Dostoevsky’s “Crime and Punishment” is examined. Traces of the literary influence of the Russian classic on the poetics of the German writer’s novel at the thematic and character levels are identified. It is established that the key motif in both works is the theme of moral resurrection of the fallen individual. It is shown that, in addressing the problem of the “humiliated and insulted”, both authors incorporate the image of the “fallen woman” into the system of characters in their novels. It is noted that the writers pay special attention to the reasons for her social downfall. Through the use of comparative-historical analysis, parallels in the images of “fallen” women presented in these works — Petra Ledig and Sonya Marmeladova — are identified. The author of the article concludes that the heroines share a number of common features: Christian semantics of their names, moral purity despite physical vice, a tendency towards selfsacrifice, great inner strength despite outward timidity, a desire to show mercy, the ability to motivate their loved ones towards spiritual rebirth and thereby “rebirth” themselves. The results of the study allow to demonstrate the significance of F. M. Dostoevsky’s humanistic ideas for the aesthetic principles and worldview position of G. Fallada in the novel “Wolf Among Wolves”.\",\"PeriodicalId\":43602,\"journal\":{\"name\":\"Nauchnyi Dialog\",\"volume\":\"3 4\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-12-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nauchnyi Dialog\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24224/2227-1295-2023-12-9-265-280\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nauchnyi Dialog","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24224/2227-1295-2023-12-9-265-280","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

摘要

本文考察了费拉达小说《狼中之狼》和陀思妥耶夫斯基小说《罪与罚》中“堕落女人”的形象。在主题和人物层面上,找出了俄罗斯古典文学对德国作家小说诗学影响的痕迹。可以确定的是,这两部作品的关键主题都是堕落个体的道德复活。研究表明,两位作者在处理“屈辱和侮辱”问题时,都将“堕落的女人”形象融入到小说的人物体系中。值得注意的是,作者特别关注她社会衰落的原因。通过使用比较历史分析,在这些作品中呈现的“堕落”女性形象——佩特拉·莱迪格和索尼娅·马尔梅拉多娃——的相似之处被识别出来。文章的作者总结说,这些女主人公有一些共同的特点:她们名字的基督教语义,尽管身体上有罪恶,但道德上纯洁,自我牺牲的倾向,尽管外表怯懦,但内心强大,表现出怜悯的愿望,能够激励她们的亲人获得精神上的重生,从而“重生”自己。研究结果可以证明陀思妥耶夫斯基的人文主义思想对小说《狼中之狼》中G.法拉达的美学原则和世界观立场的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Image of “Fallen Woman” in Novels of G. Fallada’s “Wolf Among Wolves” and F. M. Dostoevsky’s “Crime and Punishment”: Comparative Analysis
The image of the “fallen woman” in the novels of G. Fallada’s “Wolf Among Wolves” and F. M. Dostoevsky’s “Crime and Punishment” is examined. Traces of the literary influence of the Russian classic on the poetics of the German writer’s novel at the thematic and character levels are identified. It is established that the key motif in both works is the theme of moral resurrection of the fallen individual. It is shown that, in addressing the problem of the “humiliated and insulted”, both authors incorporate the image of the “fallen woman” into the system of characters in their novels. It is noted that the writers pay special attention to the reasons for her social downfall. Through the use of comparative-historical analysis, parallels in the images of “fallen” women presented in these works — Petra Ledig and Sonya Marmeladova — are identified. The author of the article concludes that the heroines share a number of common features: Christian semantics of their names, moral purity despite physical vice, a tendency towards selfsacrifice, great inner strength despite outward timidity, a desire to show mercy, the ability to motivate their loved ones towards spiritual rebirth and thereby “rebirth” themselves. The results of the study allow to demonstrate the significance of F. M. Dostoevsky’s humanistic ideas for the aesthetic principles and worldview position of G. Fallada in the novel “Wolf Among Wolves”.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Nauchnyi Dialog
Nauchnyi Dialog HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
215
期刊最新文献
Functional Potential of Multilingual Text in Urban Space: a Linguistic-Semiotic Perspective Royal Council of England in 1483 and Usurpation of Power by Richard III Reparations Withdrawals Of Metallurgical Equipment in Central and Eastern European Countries at Final Stage of Great Patriotic War (1944—1945) Vyatka Church Seals of Synodal Period: an Attempt at Classification (Collection of Sphragistics at P.V. Alabin Kirov Regional Local Lore Museum) Counterintelligence Activities of Gendarmerie Railway Police before and during World War I
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1