遥远而无名的国度:弗里达·劳伦斯和凯特琳·托马斯的旅行叙事

IF 0.2 3区 文学 0 LITERATURE Comparative Critical Studies Pub Date : 2020-11-03 DOI:10.3366/ccs.2020.0378
Katherine Collins
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引用次数: 0

摘要

不是我而是风。。。弗里达·劳伦斯(Frieda Lawrence)和凯特琳·托马斯(Caitlin Thomas。虽然这两本书都没有被宣传为“旅行书”,但这两本作品都具有女性旅行写作评论文学中的许多特征,比如回忆录被视为情感流露,在个人领域之外几乎没有权威,除了对作者各自文学配偶的亲密了解之外,几乎没有兴趣。这篇文章中的分析表明,尽管弗里达和凯特琳试图逃离在英国压迫他们的性别和阶级限制,但他们还是将其应用于他们在旅行中遇到的个人。谈到观点和观看的问题,文章探讨了两位叙述者在设置场景时选择将自己放在窗户后面的频率,这表明观看者和被观看者之间的相互关系比最初想象的更复杂。
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A Far Away and Nameless State: The Travel Narratives of Frieda Lawrence and Caitlin Thomas
Not I But the Wind ... and Leftover Life to Kill, the somewhat obscure mid-twentieth-century memoirs by Frieda Lawrence and Caitlin Thomas, were written, at least in part, in the countries that the authors eventually made their permanent home: New Mexico and Italy, respectively. While neither was marketed as a ‘travel book’, both works share many of the characteristics identified in the critical literature on women's travel writing, such as the way the memoirs were received as emotional outpourings with little authority outside the personal sphere and little of interest aside from their intimate knowledge of the authors' respective literary spouses. The analysis presented in this article shows that while Frieda and Caitlin sought to escape the gendered and classed strictures that so oppressed them in England, they applied them nevertheless to the individuals they encountered on their travels. Turning to the issue of viewpoints and watching, the article explores the frequency with which both narrators chose to position themselves behind windows as they set their scenes, indicating a more complex interrelation between watcher and watched than might first be assumed.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
29
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