{"title":"文艺复兴时期数学家的艺术","authors":"R. Mirek","doi":"10.24917/20841043.9.1.8","DOIUrl":null,"url":null,"abstract":"Piero della Francesca is best known as a painter but he was also a mathematician. His treatise \nDe prospectiva pingendi is a superb example of a union between the fne arts and mathemati‑ \ncal sciences of arithmetic and geometry. In this paper, I explain some reasons why his paint‑ \ning is considered as a part of perspective and, therefore, can be identifed with a branch of \ngeometry.","PeriodicalId":30403,"journal":{"name":"Argument Biannual Philosophical Journal","volume":"13 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Renaissance mathematician’s art\",\"authors\":\"R. Mirek\",\"doi\":\"10.24917/20841043.9.1.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Piero della Francesca is best known as a painter but he was also a mathematician. His treatise \\nDe prospectiva pingendi is a superb example of a union between the fne arts and mathemati‑ \\ncal sciences of arithmetic and geometry. In this paper, I explain some reasons why his paint‑ \\ning is considered as a part of perspective and, therefore, can be identifed with a branch of \\ngeometry.\",\"PeriodicalId\":30403,\"journal\":{\"name\":\"Argument Biannual Philosophical Journal\",\"volume\":\"13 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Argument Biannual Philosophical Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24917/20841043.9.1.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Argument Biannual Philosophical Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24917/20841043.9.1.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Piero della Francesca is best known as a painter but he was also a mathematician. His treatise
De prospectiva pingendi is a superb example of a union between the fne arts and mathemati‑
cal sciences of arithmetic and geometry. In this paper, I explain some reasons why his paint‑
ing is considered as a part of perspective and, therefore, can be identifed with a branch of
geometry.