《出埃及记》中的女神:尼娜·佩利的逾越节受虐狂和跨排他性激进女权主义,以及古代世界的女性神性

IF 0.1 4区 哲学 0 RELIGION JOURNAL OF FEMINIST STUDIES IN RELIGION Pub Date : 2022-04-01 DOI:10.2979/jfemistudreli.38.1.23
Caryn Tamber-Rosenau
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摘要

摘要:Nina Paley的动画音乐剧Seder-Masochism重新想象了出埃及记的故事。对Paley来说,出埃及记并不是上帝与以色列关系的顶峰,而是女神宗教的沉默。Paley大量引用了一些“女神女权主义者”的作品,认为YHVH的崛起扼杀了“女神”。这篇文章讨论了在古代世界,特别是古代以色列和犹大,逾越节受虐狂是如何描绘女神崇拜的。Tamber-Rosenau探讨了Paley对女神的电影描绘如何与古代女神的学术现状相互作用。然后,她展示了电影的中心论点——上帝让女神沉默并杀死了她——是如何与佩利的反跨性别意识形态联系在一起的。
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The Goddess in the Exodus: Nina Paley’s Seder-Masochism and Trans-Exclusionary Radical Feminism, and Female Divinity in the Ancient World
Abstract:Nina Paley’s animated musical Seder-Masochism reimagines the story of the Exodus. To Paley, the Exodus is not the pinnacle of God’s relationship with Israel but the silencing of Goddess religion. Paley draws heavily on the work of some “goddess feminists” to argue that YHVH’s rise killed “the Goddess.” This article discusses how Seder-Masochism portrays goddess worship in the ancient world in general and ancient Israel and Judah in particular. Tamber-Rosenau explores how Paley’s filmic portrayals of goddesses interact with the current state of scholarship on ancient goddesses. She then shows how the film’s central thesis that God silenced and killed the Goddess connects with Paley’s antitransgender ideology.
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期刊介绍: The Journal of Feminist Studies in Religion, the oldest interdisciplinary, inter-religious feminist academic journal in religious studies, is a channel for the publication of feminist scholarship in religion and a forum for discussion and dialogue among women and men of differing feminist perspectives. Active electronic and combined electronic/print subscriptions to this journal include access to the online backrun.
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