Pub Date : 2024-02-26DOI: 10.1080/10371397.2024.2317722
Mizuki Masuyama
Puccini’s opera Madama Butterfly has long been viewed in Japan and abroad as demeaning Japan, portraying Japanese women as helpless victims of a cruel society, easily exploited by Japanese and Amer...
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Pub Date : 2024-02-15DOI: 10.1080/00043249.2024.2309113
Published in Art Journal (Vol. 82, No. 4, 2023)
发表于《艺术杂志》（第 82 卷第 4 期，2023 年）
{"title":"Editorial Board and Information for Authors","authors":"","doi":"10.1080/00043249.2024.2309113","DOIUrl":"https://doi.org/10.1080/00043249.2024.2309113","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 4, 2023)","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-15DOI: 10.1080/00043249.2023.2281217
Maggie Borowitz
This article explores a suite of six prints made by the Mexican artist Magali Lara in 1984 that present a series of views onto bathrooms. Although the artist never pictures bodies, the images manag...
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Pub Date : 2024-02-15DOI: 10.1080/00043249.2023.2281216
Basia Sliwinska
This essay engages with activist artistic practice of Sera Waters, an Adelaide-based Australian textile artist. Waters unstitches deep histories in an attempt to repair what was broken by settler c...
{"title":"Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures","authors":"Basia Sliwinska","doi":"10.1080/00043249.2023.2281216","DOIUrl":"https://doi.org/10.1080/00043249.2023.2281216","url":null,"abstract":"This essay engages with activist artistic practice of Sera Waters, an Adelaide-based Australian textile artist. Waters unstitches deep histories in an attempt to repair what was broken by settler c...","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-15DOI: 10.1080/00043249.2023.2283366
Bernadette Doolan
Published in Art Journal (Vol. 82, No. 4, 2023)
发表于《艺术杂志》（第 82 卷第 4 期，2023 年）
{"title":"Dreaming of Childhood","authors":"Bernadette Doolan","doi":"10.1080/00043249.2023.2283366","DOIUrl":"https://doi.org/10.1080/00043249.2023.2283366","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 4, 2023)","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-15DOI: 10.1080/00043249.2023.2281221
Olivia K. Young
In this article, I conceptualize the term “black op art” to consider how black artists are centralizing speculative sensory effects as both object and subject within their work and therefore as dyn...
{"title":"Black Op Art","authors":"Olivia K. Young","doi":"10.1080/00043249.2023.2281221","DOIUrl":"https://doi.org/10.1080/00043249.2023.2281221","url":null,"abstract":"In this article, I conceptualize the term “black op art” to consider how black artists are centralizing speculative sensory effects as both object and subject within their work and therefore as dyn...","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-15DOI: 10.1080/00043249.2023.2282195
Jayne Cole Southard
Published in Art Journal (Vol. 82, No. 4, 2023)
发表于《艺术杂志》（第 82 卷第 4 期，2023 年）
{"title":"Negotiating Art and Space in Midtown Manhattan","authors":"Jayne Cole Southard","doi":"10.1080/00043249.2023.2282195","DOIUrl":"https://doi.org/10.1080/00043249.2023.2282195","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 4, 2023)","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139762039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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