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Gladstone and Ireland: a financial approach 格莱斯顿与爱尔兰:金融方法
IF 0.4 Pub Date : 2024-04-01 DOI: 10.1093/hisres/htae005
Douglas Kanter
This article examines William Gladstone’s Irish policy through the prism of his commitment to ‘sound’ finance, a fiscal programme involving low taxation, minimal government expenditure, balanced budgets and free trade. These prescriptions, it argues, served as an unintentional stimulus to Irish nationalism while also encouraging Gladstone’s receptivity to Home Rule, because by the 1880s he had become convinced that the cost of governing Ireland within the framework of the Union was imperilling ‘sound’ finance throughout the United Kingdom. Viewed from the vantage of fiscal policy, it concludes, Gladstone’s approach to Ireland was characterized by ideological rigidity rather than political adaptability.
这篇文章通过威廉-格莱斯顿对 "稳健 "财政的承诺这一棱镜来审视他的爱尔兰政策,"稳健 "财政是一项涉及低税收、最低政府开支、平衡预算和自由贸易的财政计划。报告认为,这些规定无意中刺激了爱尔兰民族主义,同时也鼓励格莱斯顿接受地方自治,因为到了 19 世纪 80 年代,他已经确信在联邦框架内治理爱尔兰的成本危及整个英国的 "稳健 "财政。从财政政策的角度来看,该书的结论是,格莱斯顿对爱尔兰的态度是意识形态上的僵化,而非政治上的适应性。
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引用次数: 0
The Oxford Handbook of Japanese Philosophy 牛津日本哲学手册
IF 0.5 Pub Date : 2024-03-24 DOI: 10.1080/10371397.2024.2323195
B.V.E. Hyde
Published in Japanese Studies (Ahead of Print, 2024)
发表于《日本研究》(2024 年提前出版)
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引用次数: 0
The Economy of Whiteness: Make-Up and Female Sexuality in Transactional Modern Love in Uno Chiyo’s Early Works 白色经济:宇野千代早期作品中交易型现代爱情中的化妆与女性性欲
IF 0.5 Pub Date : 2024-03-24 DOI: 10.1080/10371397.2024.2328557
Sadahisa Watanabe
This article analyzes female make-up and modern consumerism in Uno Chiyo’s early short stories Shifun no kao (‘Painted face’, 1921) and Rōjo Manon (‘The old woman Manon’, 1928). These works were pu...
本文分析了宇野千代早期短篇小说《画脸》(Shifun no kao,1921 年)和《老妇人曼侬》(Rōjo Manon,1928 年)中的女性化妆和现代消费主义。这些作品于 1928 年出版。
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引用次数: 0
Making beds in early modern England: sleep, matter and environmental change 现代早期英格兰的铺床:睡眠、物质和环境变化
IF 0.4 Pub Date : 2024-03-19 DOI: 10.1093/hisres/htae001
Holly Fletcher
Bringing environmental history, the history of medicine and the history of poverty into conversation with material culture studies, this article argues that sleep management in early modern England involved environmental practices in which bodies and matter were interwoven. Using records relating to the Worshipful Company of Upholders in London as a starting point, the article uncovers for the first time the range of animal and plant matter upon which early modern people slept. In so doing it transforms our view of the sleeping conditions of the early modern poor and demonstrates the significance of place-specific, material knowledge for health care practices.
本文将环境史、医学史和贫困史与物质文化研究结合起来,论证了现代早期英格兰的睡眠管理涉及身体与物质相互交织的环境实践。文章以伦敦监护人协会的相关记录为起点,首次揭示了早期现代人睡眠所依赖的动植物物质的范围。这改变了我们对现代早期穷人睡眠条件的看法,并证明了特定地点的物质知识对保健实践的重要意义。
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引用次数: 0
Accuracy and Dignity: Staging Madama Butterfly in Occupied Japan 准确与尊严:在被占领的日本上演《蝴蝶夫人
IF 0.5 Pub Date : 2024-02-26 DOI: 10.1080/10371397.2024.2317722
Mizuki Masuyama
Puccini’s opera Madama Butterfly has long been viewed in Japan and abroad as demeaning Japan, portraying Japanese women as helpless victims of a cruel society, easily exploited by Japanese and Amer...
长期以来,普契尼的歌剧《蝴蝶夫人》一直被日本国内外视为贬低日本的作品,将日本女性描绘成残酷社会中无助的受害者,很容易被日本人和美国人利用。
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引用次数: 0
Philosophy’s Illustrious Companions 哲学的杰出伙伴
IF 0.5 Pub Date : 2024-02-15 DOI: 10.1080/00043249.2023.2282193
Michael Corris
Published in Art Journal (Vol. 82, No. 4, 2023)
发表于《艺术杂志》(第 82 卷第 4 期,2023 年)
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引用次数: 0
Editorial Board and Information for Authors 编辑委员会和作者须知
IF 0.5 Pub Date : 2024-02-15 DOI: 10.1080/00043249.2024.2309113
Published in Art Journal (Vol. 82, No. 4, 2023)
发表于《艺术杂志》(第 82 卷第 4 期,2023 年)
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引用次数: 0
Funding Information 资金信息
IF 0.5 Pub Date : 2024-02-15 DOI: 10.1080/00043249.2023.2309116
Published in Art Journal (Vol. 82, No. 4, 2023)
发表于《艺术杂志》(第 82 卷第 4 期,2023 年)
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引用次数: 0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies "玛嘉俐-拉拉未被描绘的身体的力量:玛嘉俐-拉拉未被描绘的身体的力量
IF 0.5 Pub Date : 2024-02-15 DOI: 10.1080/00043249.2023.2281217
Maggie Borowitz
This article explores a suite of six prints made by the Mexican artist Magali Lara in 1984 that present a series of views onto bathrooms. Although the artist never pictures bodies, the images manag...
本文探讨了墨西哥艺术家玛加利-拉拉(Magali Lara)于 1984 年创作的一套六幅版画,这些版画展现了一系列浴室景观。虽然艺术家从未描绘过人体,但这些图像却展示了......
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引用次数: 0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures 关心到注意到:塞拉-沃特斯(Sera Waters)错乱的过去、专注的赔偿以及为可生存的未来讲述真相
IF 0.5 Pub Date : 2024-02-15 DOI: 10.1080/00043249.2023.2281216
Basia Sliwinska
This essay engages with activist artistic practice of Sera Waters, an Adelaide-based Australian textile artist. Waters unstitches deep histories in an attempt to repair what was broken by settler c...
这篇文章探讨了澳大利亚阿德莱德纺织艺术家塞拉-沃特斯(Sera Waters)的积极艺术实践。沃特斯将深厚的历史缝合起来,试图修复被殖民者破坏的历史。
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引用次数: 0
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