IF 0.4 Pub Date : 2024-04-01DOI: 10.1093/hisres/htae005
Douglas Kanter
This article examines William Gladstone’s Irish policy through the prism of his commitment to ‘sound’ finance, a fiscal programme involving low taxation, minimal government expenditure, balanced budgets and free trade. These prescriptions, it argues, served as an unintentional stimulus to Irish nationalism while also encouraging Gladstone’s receptivity to Home Rule, because by the 1880s he had become convinced that the cost of governing Ireland within the framework of the Union was imperilling ‘sound’ finance throughout the United Kingdom. Viewed from the vantage of fiscal policy, it concludes, Gladstone’s approach to Ireland was characterized by ideological rigidity rather than political adaptability.
{"title":"Gladstone and Ireland: a financial approach","authors":"Douglas Kanter","doi":"10.1093/hisres/htae005","DOIUrl":"https://doi.org/10.1093/hisres/htae005","url":null,"abstract":"This article examines William Gladstone’s Irish policy through the prism of his commitment to ‘sound’ finance, a fiscal programme involving low taxation, minimal government expenditure, balanced budgets and free trade. These prescriptions, it argues, served as an unintentional stimulus to Irish nationalism while also encouraging Gladstone’s receptivity to Home Rule, because by the 1880s he had become convinced that the cost of governing Ireland within the framework of the Union was imperilling ‘sound’ finance throughout the United Kingdom. Viewed from the vantage of fiscal policy, it concludes, Gladstone’s approach to Ireland was characterized by ideological rigidity rather than political adaptability.","PeriodicalId":0,"journal":{"name":"","volume":"62 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140585542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
IF 0.5 Pub Date : 2024-03-24DOI: 10.1080/10371397.2024.2323195
B.V.E. Hyde
Published in Japanese Studies (Ahead of Print, 2024)
发表于《日本研究》(2024 年提前出版)
{"title":"The Oxford Handbook of Japanese Philosophy","authors":"B.V.E. Hyde","doi":"10.1080/10371397.2024.2323195","DOIUrl":"https://doi.org/10.1080/10371397.2024.2323195","url":null,"abstract":"Published in Japanese Studies (Ahead of Print, 2024)","PeriodicalId":0,"journal":{"name":"","volume":"7 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140300038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
IF 0.5 Pub Date : 2024-03-24DOI: 10.1080/10371397.2024.2328557
Sadahisa Watanabe
This article analyzes female make-up and modern consumerism in Uno Chiyo’s early short stories Shifun no kao (‘Painted face’, 1921) and Rōjo Manon (‘The old woman Manon’, 1928). These works were pu...
本文分析了宇野千代早期短篇小说《画脸》(Shifun no kao,1921 年)和《老妇人曼侬》(Rōjo Manon,1928 年)中的女性化妆和现代消费主义。这些作品于 1928 年出版。
{"title":"The Economy of Whiteness: Make-Up and Female Sexuality in Transactional Modern Love in Uno Chiyo’s Early Works","authors":"Sadahisa Watanabe","doi":"10.1080/10371397.2024.2328557","DOIUrl":"https://doi.org/10.1080/10371397.2024.2328557","url":null,"abstract":"This article analyzes female make-up and modern consumerism in Uno Chiyo’s early short stories Shifun no kao (‘Painted face’, 1921) and Rōjo Manon (‘The old woman Manon’, 1928). These works were pu...","PeriodicalId":0,"journal":{"name":"","volume":"42 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140199594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
IF 0.4 Pub Date : 2024-03-19DOI: 10.1093/hisres/htae001
Holly Fletcher
Bringing environmental history, the history of medicine and the history of poverty into conversation with material culture studies, this article argues that sleep management in early modern England involved environmental practices in which bodies and matter were interwoven. Using records relating to the Worshipful Company of Upholders in London as a starting point, the article uncovers for the first time the range of animal and plant matter upon which early modern people slept. In so doing it transforms our view of the sleeping conditions of the early modern poor and demonstrates the significance of place-specific, material knowledge for health care practices.
{"title":"Making beds in early modern England: sleep, matter and environmental change","authors":"Holly Fletcher","doi":"10.1093/hisres/htae001","DOIUrl":"https://doi.org/10.1093/hisres/htae001","url":null,"abstract":"Bringing environmental history, the history of medicine and the history of poverty into conversation with material culture studies, this article argues that sleep management in early modern England involved environmental practices in which bodies and matter were interwoven. Using records relating to the Worshipful Company of Upholders in London as a starting point, the article uncovers for the first time the range of animal and plant matter upon which early modern people slept. In so doing it transforms our view of the sleeping conditions of the early modern poor and demonstrates the significance of place-specific, material knowledge for health care practices.","PeriodicalId":0,"journal":{"name":"","volume":"8 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140199534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
IF 0.5 Pub Date : 2024-02-26DOI: 10.1080/10371397.2024.2317722
Mizuki Masuyama
Puccini’s opera Madama Butterfly has long been viewed in Japan and abroad as demeaning Japan, portraying Japanese women as helpless victims of a cruel society, easily exploited by Japanese and Amer...
{"title":"Accuracy and Dignity: Staging Madama Butterfly in Occupied Japan","authors":"Mizuki Masuyama","doi":"10.1080/10371397.2024.2317722","DOIUrl":"https://doi.org/10.1080/10371397.2024.2317722","url":null,"abstract":"Puccini’s opera Madama Butterfly has long been viewed in Japan and abroad as demeaning Japan, portraying Japanese women as helpless victims of a cruel society, easily exploited by Japanese and Amer...","PeriodicalId":0,"journal":{"name":"","volume":"32 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139977366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
IF 0.5 Pub Date : 2024-02-15DOI: 10.1080/00043249.2024.2309113
Published in Art Journal (Vol. 82, No. 4, 2023)
发表于《艺术杂志》(第 82 卷第 4 期,2023 年)
{"title":"Editorial Board and Information for Authors","authors":"","doi":"10.1080/00043249.2024.2309113","DOIUrl":"https://doi.org/10.1080/00043249.2024.2309113","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 4, 2023)","PeriodicalId":0,"journal":{"name":"","volume":"101 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
IF 0.5 Pub Date : 2024-02-15DOI: 10.1080/00043249.2023.2281217
Maggie Borowitz
This article explores a suite of six prints made by the Mexican artist Magali Lara in 1984 that present a series of views onto bathrooms. Although the artist never pictures bodies, the images manag...
{"title":"“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies","authors":"Maggie Borowitz","doi":"10.1080/00043249.2023.2281217","DOIUrl":"https://doi.org/10.1080/00043249.2023.2281217","url":null,"abstract":"This article explores a suite of six prints made by the Mexican artist Magali Lara in 1984 that present a series of views onto bathrooms. Although the artist never pictures bodies, the images manag...","PeriodicalId":0,"journal":{"name":"","volume":"29 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139909775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
IF 0.5 Pub Date : 2024-02-15DOI: 10.1080/00043249.2023.2281216
Basia Sliwinska
This essay engages with activist artistic practice of Sera Waters, an Adelaide-based Australian textile artist. Waters unstitches deep histories in an attempt to repair what was broken by settler c...
{"title":"Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures","authors":"Basia Sliwinska","doi":"10.1080/00043249.2023.2281216","DOIUrl":"https://doi.org/10.1080/00043249.2023.2281216","url":null,"abstract":"This essay engages with activist artistic practice of Sera Waters, an Adelaide-based Australian textile artist. Waters unstitches deep histories in an attempt to repair what was broken by settler c...","PeriodicalId":0,"journal":{"name":"","volume":"40 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}