Pub Date : 2023-12-12DOI: 10.1080/10371397.2023.2281137
Jenny Hall, Sally McLaren
This special issue of Japanese Studies provides a snapshot of the teaching and researching of Japan through the initial years of the pandemic. It records experiences and reflections by scholars of ...
本期《日本研究》特刊简要介绍了大流行病初期日本的教学和研究情况。它记录了日本学者的经验和反思。
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Pub Date : 2023-12-12DOI: 10.1080/10371397.2023.2272848
John Elijah Bender
Published in Japanese Studies (Vol. 43, No. 3, 2023)
发表于《日本研究》（第 43 卷第 3 期，2023 年）
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In his late thirteenth-century collection of playful and amusing recipes, which this article calls magic tricks, Richard de Grimhill, a low-ranking Worcester noble, collected a trick ‘to make a ring jump in the manner of a locust’, alongside other instructions to animate domestic objects such as eggs, loaves of bread and spit-roasting chickens. Using a source base of 100 late medieval manuscripts, this article demonstrates that rings and other domestic objects were animated in various ways: through sleight of hand, by exploiting the chemical properties of mercury, or with a mixture of mercury, sulphur, and saltpetre. Placing these three methods in their manuscript and cultural contexts, I underscore that late medieval European people experienced magic tricks as a form of both cognitive play and playful experimentation with chemical knowledge. They thus have broader implications for late medieval European approaches to the possibilities and limitations of the human mind and physical matter.
理查德-德-格里姆希尔（Richard de Grimhill）是伍斯特的一名低级贵族，他在 13 世纪晚期收集的俏皮有趣的秘方（本文称之为魔术）中，收集了一个 "让戒指以蝗虫的方式跳跃 "的小把戏，以及其他让鸡蛋、面包和烤鸡等家用物品活起来的说明。这篇文章利用 100 份中世纪晚期手稿的资料库，展示了戒指和其他家用物品的各种活化方法：通过技巧、利用汞的化学特性或使用汞、硫磺和硝石的混合物。将这三种方法置于手稿和文化背景中，我强调中世纪晚期的欧洲人将魔术技巧视为一种认知游戏和化学知识的游戏性实验。因此，它们对中世纪晚期欧洲人如何看待人类心灵和物理物质的可能性和局限性具有更广泛的影响。
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Pub Date : 2023-12-08DOI: 10.1080/00043249.2023.2273736
Published in Art Journal (Vol. 82, No. 3, 2023)
发表于《艺术杂志》（第 82 卷第 3 期，2023 年）
{"title":"Editorial Board and Information for Authors","authors":"","doi":"10.1080/00043249.2023.2273736","DOIUrl":"https://doi.org/10.1080/00043249.2023.2273736","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 3, 2023)","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-08DOI: 10.1080/00043249.2023.2241955
Ken Gonzales-Day
My work as a visual artist and scholar frequently engages with issues associated with racialized violence, lynching, queer identity, and post-colonial responses to historic displays of racial diffe...
{"title":"Race, Whiteness, and Absence in Studio Practice","authors":"Ken Gonzales-Day","doi":"10.1080/00043249.2023.2241955","DOIUrl":"https://doi.org/10.1080/00043249.2023.2241955","url":null,"abstract":"My work as a visual artist and scholar frequently engages with issues associated with racialized violence, lynching, queer identity, and post-colonial responses to historic displays of racial diffe...","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-08DOI: 10.1080/00043249.2023.2241960
Joseph M. Pierce (Cherokee Nation)
This essay explores choreographies of grief and collectivity, embodiment and tenderness. It focuses on the work of devynn emory, a Lenape/Blackfoot choreographer, dance artist, acute care and hospi...
{"title":"Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body","authors":"Joseph M. Pierce (Cherokee Nation)","doi":"10.1080/00043249.2023.2241960","DOIUrl":"https://doi.org/10.1080/00043249.2023.2241960","url":null,"abstract":"This essay explores choreographies of grief and collectivity, embodiment and tenderness. It focuses on the work of devynn emory, a Lenape/Blackfoot choreographer, dance artist, acute care and hospi...","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138561304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-08DOI: 10.1080/00043249.2023.2242221
Mitchell Herrmann
Published in Art Journal (Vol. 82, No. 3, 2023)
发表于《艺术杂志》（第 82 卷第 3 期，2023 年）
{"title":"Avant-Garde Redux: McLuhan and the Art of Media","authors":"Mitchell Herrmann","doi":"10.1080/00043249.2023.2242221","DOIUrl":"https://doi.org/10.1080/00043249.2023.2242221","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 3, 2023)","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138561004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-08DOI: 10.1080/00043249.2023.2242223
ksenia fir
Published in Art Journal (Vol. 82, No. 3, 2023)
发表于《艺术杂志》（第 82 卷第 3 期，2023 年）
{"title":"Breaking Out of the Known","authors":"ksenia fir","doi":"10.1080/00043249.2023.2242223","DOIUrl":"https://doi.org/10.1080/00043249.2023.2242223","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 3, 2023)","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138560776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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