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Politics and Literature in Mongolia (1921–1948)最新文献

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A Closer Union 更紧密的联盟
Pub Date : 2020-09-01 DOI: 10.2307/j.ctv15d809p.13
Simon Wickhamsmith
The Great Repression left Mongolian letters without many of its leading voices, but this also enabled the Party to revive literature in a way more favorable to its ideological trajectory. The first Congress of Mongolian Writers, held in the spring of 1948, was the culmination of a decade’s political development in which writers were encouraged to write about the benefit of labor (D. Sengee’s ‘The Shock Workers’ [Udarnik, 1941] and Ts. Damdinsüren’s ‘How Soli Changed’ [Soli solison ni, 1945]) and so develop a Mongolian Socialist Realism. Through a closer connection with Soviet policy, helped by Mongolia’s moral and practical support of the Soviet Union during the Great Patriotic War, the Writers’ Congress helped to define the ideological basis for Mongolian literature for the next three decades.
大镇压使蒙古文学界失去了许多主要的声音,但这也使党能够以一种更有利于其意识形态轨迹的方式复兴文学。1948年春召开的第一届蒙古作家大会,是十年政治发展的高潮,在此期间,作家们被鼓励写劳动的好处(D. Sengee的《震撼的工人》[Udarnik, 1941]和Ts. damdins ren的《Soli如何改变》[Soli solison ni, 1945]),从而发展了蒙古社会主义现实主义。通过与苏联政策的密切联系,以及在卫国战争期间蒙古在道义和实践上对苏联的支持,作家代表大会帮助确定了蒙古文学未来三十年的思想基础。
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引用次数: 2
Landscape Re-Envisioned 景观Re-Envisioned
Pub Date : 2020-09-01 DOI: 10.2307/j.ctv15d809p.7
Simon Wickhamsmith
One of the more complex developments in the post-revolutionary period was in the Mongolian people’s understanding of their traditional, intimate relationship with the landscape. Mongolian nomadic life has always been linked inextricably with the cycle of the seasons, with the weather, and with the topographical features, which function as both waymarks and as ancestral presence. Despite its impulse towards industrialization and urbanization, Mongolian socialism acknowledged such links, and writers drew on their own connection with their homeland (nutag) to enhance and promote the new revolutionary society through a literature that celebrated the interaction of humans, livestock and the steppe. A competition based upon the theme of the revolutionary response to ‘homeland’ (nutag) resulted in a greater interest in this dynamic, as shown in D. Natsagdorj’s 1933 poem ‘My Homeland’ (Minii Nutag).
在后革命时期,蒙古人对他们与自然的传统亲密关系的理解发生了更复杂的变化。蒙古人的游牧生活一直与季节的循环、天气和地形特征有着千丝万缕的联系,它们既是路标,也是祖先的存在。尽管蒙古社会主义向着工业化和城市化发展,但它承认这种联系,作家们利用他们自己与祖国(努塔格)的联系,通过颂扬人类、牲畜和草原之间的相互作用的文学来加强和促进新的革命社会。一场以对“祖国”(nutag)的革命反应为主题的竞赛导致了对这种动态的更大兴趣,正如d.n atsagdorj在1933年的诗“我的祖国”(Minii nutag)所示。
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引用次数: 0
Staging a Revolution 掀起一场革命
Pub Date : 2015-10-01 DOI: 10.7765/9781784996765
R. Willie
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引用次数: 21
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Politics and Literature in Mongolia (1921–1948)
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