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American Cultural History: A Very Short Introduction最新文献

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1. American culture in red, white, and black 1. 红色、白色和黑色的美国文化
Pub Date : 2018-08-23 DOI: 10.1093/ACTRADE/9780190200589.003.0002
E. Avila
“American culture in red, white, and black” explains how diverse Americans planted the seeds of a new national culture during the colonial period, one that took shape through the contributions of people from Europe, Africa, and the Americas. Even as rival colonial powers usurped Indian land, and as Anglo-Americans expanded the institution of slavery in the South, a homegrown American culture took shape that reflected a synthesis of European, African, and indigenous influences. Women also made distinct contributions to this new culture, even as they found limits to their independence and free expression. The growing print culture in colonial America, which saw the publication of newspapers, provided a vital network of communication.
“红白黑的美国文化”解释了不同的美国人如何在殖民时期播下新的民族文化的种子,这种文化是通过来自欧洲、非洲和美洲的人们的贡献而形成的。即使当敌对的殖民势力侵占印第安人的土地,当盎格鲁-美国人在南方扩大奴隶制制度的时候,一种本土的美国文化已经形成,它反映了欧洲、非洲和本土影响的综合。女性也对这种新文化做出了独特的贡献,尽管她们发现自己的独立和自由表达受到了限制。在殖民时期的美国,印刷文化的发展,报纸的出版,提供了一个重要的交流网络。
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引用次数: 0
2. Mass culture and mass politics, 1800–1860 2. 大众文化和大众政治,1800-1860
Pub Date : 2018-08-23 DOI: 10.1093/actrade/9780190200589.003.0003
E. Avila
In the aftermath of the American Revolution, the framers of the Constitution confronted the task of forging a new national identity. “Mass culture and mass politics, 1800–1860” describes a surging phase of modernization in the United States between the Revolution and the Civil War, fueled by new technologies of communication and transportation. It outlines the burgeoning working class and a new middle class born of a market revolution and abstract economic forces. The impact of the developing theater arts, the influence of African Americans on the regionally distinct Southern culture, and the discovery of western lands and peoples that inspired new forms of cultural expression during the antebellum period are also described.
在美国独立战争之后,宪法的制定者们面临着建立一个新的国家身份的任务。《大众文化与大众政治,1800-1860》一书描述了美国在独立战争和内战期间,在通讯和交通新技术的推动下,现代化进程的高潮阶段。它概述了新兴的工人阶级和新兴的中产阶级,这些中产阶级诞生于市场革命和抽象的经济力量。发展中的戏剧艺术的影响,非洲裔美国人对地区独特的南方文化的影响,以及在内战前时期启发新的文化表现形式的西部土地和民族的发现。
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引用次数: 0
3. The age of the city, 1860–1900 3.城市时代,1860-1900
Pub Date : 2018-08-23 DOI: 10.1093/actrade/9780190200589.003.0004
E. Avila
In the aftermath of the Civil War, Americans united in an impulse to commemorate the lives lost and to coordinate that effort with new campaigns for civic beautification. “The age of the city, 1860–1900” describes how the new titans of industry, such as Carnegie and Rockefeller, sponsored the erection of new monuments and statues and endowed lavish facilities for parks, cemeteries, railroad stations, universities, museums, office buildings, and hotels. Yet this monumental display of sumptuous wealth hid new depths of poverty and squalor, as well as new heights of social unrest. In this tumultuous environment, a new set of cultural experiences and institutions provided a semblance of order against a backdrop of conflict and chaos.
南北战争结束后,美国人在一种冲动下团结起来,纪念逝去的生命,并与新的城市美化运动相协调。《城市时代,1860-1900》描述了新的工业巨头,如卡内基和洛克菲勒,如何赞助建立新的纪念碑和雕像,并为公园、墓地、火车站、大学、博物馆、办公楼和酒店捐赠了大量设施。然而,这种巨大的财富展示掩盖了贫困和肮脏的新深度,以及社会动荡的新高度。在这个动荡的环境中,一套新的文化经验和制度在冲突和混乱的背景下提供了一种秩序的表象。
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引用次数: 0
5. The suburbanization of American culture 5. 美国文化的郊区化
Pub Date : 2018-08-23 DOI: 10.1093/actrade/9780190200589.003.0006
E. Avila
After World War II, the United States emerged as the world’s dominant superpower, inaugurating a golden age of prosperity and abundance. Depression and war were over, affording time to enjoy the comforts of domestic normalcy. Yet the cultural record of that moment belied the cause for optimism. “The suburbanization of American culture” describes how postwar American culture registered a new set of spatial and racial tensions and codified a new suburban way of life. It considers Hollywood’s film noir genre; the soaring popularity of television in the 1950s; the development of shopping malls and theme parks; the increasing automobile culture; the rise of pop art and rock and roll; and the American youth radicalized by the Vietnam War.
第二次世界大战后,美国成为世界上占主导地位的超级大国,开启了一个繁荣富足的黄金时代。大萧条和战争结束了,人们有时间享受国内正常生活的舒适。然而,当时的文化记录掩盖了乐观的理由。《美国文化的郊区化》描述了战后美国文化如何记录了一系列新的空间和种族紧张关系,并编纂了一种新的郊区生活方式。它考虑了好莱坞的黑色电影类型;20世纪50年代电视的迅速普及;商场和主题公园的发展;日益增长的汽车文化;波普艺术和摇滚的兴起;以及被越南战争激化的美国青年。
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引用次数: 0
Introduction: The stories of American history and why they matter 简介:美国历史的故事及其重要性
Pub Date : 2018-08-23 DOI: 10.1093/ACTRADE/9780190200589.003.0001
E. Avila
The book opens in explaining that this very short introduction to American cultural history emphasizes culture as a driving force in American history. Cultural history is the history of stories, their origins, transmission, and significance in time. However, no work of cultural history can disentangle the cultural from political, economic, and social processes of change. The relationship between culture and identity needs to be understood along with the spatial context of cultural production and its physical location within distinct geographies. American culture has been the sum of diverse global influences, from almost every part of the world, but it has not contained itself within national boundaries.
这本书一开始就解释说,这篇对美国文化史的简短介绍强调了文化在美国历史中的推动作用。文化史是故事的历史,故事的起源、传播和时间意义。然而,没有一部文化史著作能够将文化与政治、经济和社会变化过程分开。文化与身份之间的关系需要与文化生产的空间背景及其在不同地理位置中的物理位置一起理解。美国文化是几乎来自世界各地的各种全球影响的总和,但它并没有把自己局限在国界之内。
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引用次数: 0
4. The new mass culture, 1900–1945 4. 新的大众文化,1900-1945
Pub Date : 2018-08-23 DOI: 10.1093/ACTRADE/9780190200589.003.0005
E. Avila
A profound shift was underway in American culture at the turn of the twentieth century—a shift away from the Victorian ideals of the industrial era and toward a new set of values structured by a corporatizing economy. “The new mass culture, 1900–1945” describes how as an overflow of manufactured goods spilled outward from industrial centers, a new consumer ethic, pushed by a burgeoning advertising industry, exhorted men and women to indulge their growing spending power and leisure time. The early twentieth century witnessed the birth of a new mass culture, based on the new technologies of sight and sound. Cinema, advertising, and radio dominated this new cultural landscape.
在二十世纪之交,美国文化正在发生一场深刻的转变——从维多利亚时代的工业时代的理想转向一套由公司化经济构成的新价值观。《1900-1945年的新大众文化》描述了随着大量制成品从工业中心向外溢出,一种新的消费伦理在蓬勃发展的广告业的推动下,鼓励男男女女尽情享受他们日益增长的消费能力和闲暇时间。二十世纪初,以视觉和听觉新技术为基础的一种新的大众文化诞生了。电影、广告和广播主宰了这一新的文化景观。
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引用次数: 0
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American Cultural History: A Very Short Introduction
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