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The Novel and the Sea最新文献

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The Mariner’s Craft 水手的船
Pub Date : 2021-06-08 DOI: 10.2307/j.ctv1j666t4.7
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引用次数: 0
Sea Fiction beyond the Seas 海外的海洋小说
Pub Date : 2021-06-08 DOI: 10.2307/j.ctv1j666t4.12
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引用次数: 0
Acknowledgments 致谢
Pub Date : 2021-06-08 DOI: 10.2307/j.ctv1j666t4.4
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引用次数: 0
Index 指数
Pub Date : 2021-06-08 DOI: 10.2307/j.ctv1j666t4.16
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引用次数: 0
Remarkable Occurrences at Sea and in the Novel 《海上奇事》与《小说
Pub Date : 2021-06-08 DOI: 10.2307/j.ctv1j666t4.8
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引用次数: 0
Sea Fiction in the Nineteenth Century: 19世纪的海上小说:
Pub Date : 2021-06-08 DOI: 10.2307/j.ctv1j666t4.11
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引用次数: 0
INTRODUCTION: 作品简介:
Pub Date : 2021-06-08 DOI: 10.2307/j.ctv1j666t4.6
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引用次数: 0
Sea Adventure Fiction, 1748–1824? 海上冒险小说,1748-1824 ?
Pub Date : 2021-06-08 DOI: 10.2307/j.ctv1j666t4.9
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引用次数: 0
List of Illustrations 插图一览表
Pub Date : 2021-06-08 DOI: 10.2307/j.ctv1j666t4.3
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引用次数: 0
AFTERWORD: 后记:
Pub Date : 1995-12-31 DOI: 10.7228/manchester/9781526125798.003.0014
Feurat Alani
The Afterword offers some critical reflections upon the collection as a whole, which displays a stimulatingly wide range of approaches to works of art ranging from the Renaissance to our own time. While contributors do not always distinguish between writing about art and words within pictures, the volume rightly stresses the graphic qualities of language, and ‘the pictural characteristics of writing itself’. The book also makes three cogent points about the history of intermedial encounters. Early modern works seem at first to stage a paragone between pictures and words but actually exemplify their interdependence; reflecting the influence of Lessing, the long nineteenth century stresses their competition; and in the twentieth and twenty-first centuries works of art become intermedial hybrids, irreducible to the straightforward categories of visual or verbal. This rich collection of essays shows how, since the Renaissance, the paragonal competition between image and word gradually gives way to full cooperation.
后记提供了对整个收藏的一些批判性反思,它展示了从文艺复兴时期到我们自己时代的艺术作品的令人兴奋的广泛方法。虽然作者并不总是区分艺术写作和图片中的文字,但这本书正确地强调了语言的图形品质,以及“文字本身的图像特征”。这本书还提出了三个令人信服的关于中间接触历史的观点。早期的现代作品起初似乎是图片和文字之间的典范,但实际上是它们相互依存的例证;反映莱辛的影响,漫长的十九世纪强调他们的竞争;在二十世纪和二十一世纪,艺术作品成为中间的混合体,无法简化为视觉或语言的直接类别。这本丰富的文集表明,自文艺复兴以来,图像和文字之间的典范竞争逐渐让位给充分的合作。
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引用次数: 0
期刊
The Novel and the Sea
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