{"title":"Developing a Critical Perspective of Creative Agency in Digital Environments","authors":"Nicholas Leonard","doi":"10.15340/97860588873123","DOIUrl":"https://doi.org/10.15340/97860588873123","url":null,"abstract":"","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123665747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Activist organisations worldwide have long struggled with attaining recognition. Feminist activists, in particular, struggle with attaining recognition without essentialisation. Female activists, especially those arguing for women’s rights and equality amidst other civil and human rights arguments, are often grouped together and essentialized, allowing women’s voices to build strategic coalition narratives but simultaneously defining and limiting their identities as “feminine” (Arfaoui & Moghadam, 2016; Moghadam, 2014a, 2014b; Newsom, 2004). Significantly, this type of activist strategic essentialism is often coopted within larger nationalist and international strategic narratives as a type of commodification of soft power. A recent example of this is the promotion of women’s “new” rights to drive in Saudi Arabia by Crown Prince Mohammed bin Salman as a means of gaining international, particularly US support for his “moderninsation” efforts, while simultaneously still remaining one of the most oppressive regimes for women (Newsom, 2018) and while still arresting many of the leaders of the women’s right to drive movement within that nation (El Sirgany & Clarke, 2018; Yaakoubi, 2018). Feminist activists are therefore challenged to create narratives of femininity and resistance
{"title":"Strategic Narratives and Essentialising Visualisations: A Decade of the Affective, Embodied Activism of FEMEN","authors":"Victoria A. Newsom, Ann Kowalski, L. Lengel","doi":"10.15340/97860588873121","DOIUrl":"https://doi.org/10.15340/97860588873121","url":null,"abstract":"Activist organisations worldwide have long struggled with attaining recognition. Feminist activists, in particular, struggle with attaining recognition without essentialisation. Female activists, especially those arguing for women’s rights and equality amidst other civil and human rights arguments, are often grouped together and essentialized, allowing women’s voices to build strategic coalition narratives but simultaneously defining and limiting their identities as “feminine” (Arfaoui & Moghadam, 2016; Moghadam, 2014a, 2014b; Newsom, 2004). Significantly, this type of activist strategic essentialism is often coopted within larger nationalist and international strategic narratives as a type of commodification of soft power. A recent example of this is the promotion of women’s “new” rights to drive in Saudi Arabia by Crown Prince Mohammed bin Salman as a means of gaining international, particularly US support for his “moderninsation” efforts, while simultaneously still remaining one of the most oppressive regimes for women (Newsom, 2018) and while still arresting many of the leaders of the women’s right to drive movement within that nation (El Sirgany & Clarke, 2018; Yaakoubi, 2018). Feminist activists are therefore challenged to create narratives of femininity and resistance","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130673006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Inclusive Visual Communication for Multicultural Users","authors":"Shaima Elbardawil","doi":"10.15340/97860588873124","DOIUrl":"https://doi.org/10.15340/97860588873124","url":null,"abstract":"","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115295054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Future of Television: Some Thoughts","authors":"J. Wahab","doi":"10.15340/97860588873125","DOIUrl":"https://doi.org/10.15340/97860588873125","url":null,"abstract":"","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134054762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Information Literacy in the Digital Age","authors":"Art Silverblatt","doi":"10.15340/97860588873128","DOIUrl":"https://doi.org/10.15340/97860588873128","url":null,"abstract":"","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129122584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Phenomenology of Digital Interfacing: Considerations and Implicationsy","authors":"R. Kenny","doi":"10.15340/97860588873129","DOIUrl":"https://doi.org/10.15340/97860588873129","url":null,"abstract":"","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130042993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-20DOI: 10.15340/978605888731210
A. Aquallo
{"title":"OCCUPY PUNK!: The Interplay of Native Identity, Ideology and the Deconstruction of Meaning, Action and Content through Native Punk Rock","authors":"A. Aquallo","doi":"10.15340/978605888731210","DOIUrl":"https://doi.org/10.15340/978605888731210","url":null,"abstract":"","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116833305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Scale and Sense of Immersion in Twentieth Contemporary Sculpture","authors":"José Teixeira","doi":"10.15340/97860588873127","DOIUrl":"https://doi.org/10.15340/97860588873127","url":null,"abstract":"","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126186052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"FACS-based Facial Expressions Analysis in Political Cartoons","authors":"Uğur Bakan","doi":"10.15340/97860588873126","DOIUrl":"https://doi.org/10.15340/97860588873126","url":null,"abstract":"","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122978910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Coping with the Digital. Chances and Challenges associated with Algorithms, Bots and Virtual Realities in the Digital Society","authors":"J. Harth","doi":"10.15340/97860588873122","DOIUrl":"https://doi.org/10.15340/97860588873122","url":null,"abstract":"","PeriodicalId":127063,"journal":{"name":"Visual Production in the Cyberspace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131268297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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