Pub Date : 2020-04-13DOI: 10.4324/9781351106573-13
E. Moss
{"title":"Scrapbooks","authors":"E. Moss","doi":"10.4324/9781351106573-13","DOIUrl":"https://doi.org/10.4324/9781351106573-13","url":null,"abstract":"","PeriodicalId":127742,"journal":{"name":"Approaching Historical Sources in their Contexts","volume":"25 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134079427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
When we think about landscape, we tend to think of natural scenery, empty of people; of a view, spread in front of our eyes; or of a backdrop, a stage for people’s movements and activities. The anthropology of landscape challenges all of these ideas. By sharing and observing local lives through ethnographic fieldwork, anthropologists have realised that landscapes matter deeply to people: they care about the landscapes they inhabit, materially shaping them and attaching meaning to them. Anthropologists have come to argue that people do not only live in landscapes but also through them: landscape is an intrinsic part of, or even actor in human social and cultural lives, constructed by them both physically and symbolically and, reciprocally, helping to make and unmake relationships and identities.
{"title":"Landscape","authors":"Mark C. J. Stoddart, Christina Knott","doi":"10.4324/9781351106573-3","DOIUrl":"https://doi.org/10.4324/9781351106573-3","url":null,"abstract":"When we think about landscape, we tend to think of natural scenery, empty of people; of a view, spread in front of our eyes; or of a backdrop, a stage for people’s movements and activities. The anthropology of landscape challenges all of these ideas. By sharing and observing local lives through ethnographic fieldwork, anthropologists have realised that landscapes matter deeply to people: they care about the landscapes they inhabit, materially shaping them and attaching meaning to them. Anthropologists have come to argue that people do not only live in landscapes but also through them: landscape is an intrinsic part of, or even actor in human social and cultural lives, constructed by them both physically and symbolically and, reciprocally, helping to make and unmake relationships and identities.","PeriodicalId":127742,"journal":{"name":"Approaching Historical Sources in their Contexts","volume":"99 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124848345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Radio","authors":"Tony Stoller","doi":"10.4324/9781351106573-7","DOIUrl":"https://doi.org/10.4324/9781351106573-7","url":null,"abstract":"","PeriodicalId":127742,"journal":{"name":"Approaching Historical Sources in their Contexts","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127309850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-13DOI: 10.4324/9781351106573-12
Cord Pagenstecher
{"title":"Photo albums","authors":"Cord Pagenstecher","doi":"10.4324/9781351106573-12","DOIUrl":"https://doi.org/10.4324/9781351106573-12","url":null,"abstract":"","PeriodicalId":127742,"journal":{"name":"Approaching Historical Sources in their Contexts","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133438620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cemeteries","authors":"Felix Schulz","doi":"10.4324/9781351106573-4","DOIUrl":"https://doi.org/10.4324/9781351106573-4","url":null,"abstract":"","PeriodicalId":127742,"journal":{"name":"Approaching Historical Sources in their Contexts","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134283031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Historically and presently, restorers and conservators engaging in loss compensation have used fine hand skills to recreate convincing design elements in addition to paper color and texture. These techniques have been documented and taught. In contrast, the focus of this paper is the use of digital surrogates as an alternative for loss compensation of graphic works using digital images and high quality printers. By employing this method, the lost design is reconstituted without compromising the artist’s original intent. The process of producing a digital surrogate will be explained using a case study of a recent treatment of Jacques Callot’s The Siege of La Rochelle, a monumental print from sixteen plates. While producing a facsimile image might seem relatively simple, there are several details in production that can be adjusted to produce a high quality surrogate. Using digital images from a complete print for the reproduction, two methods of production were identified: printing the appropriate design on a paper similar in quality to the original and printing the illusion of paper texture, color and design on a high quality inkjet optimized paper. This paper will focus the techniques used for the final digital surrogate with a discussion on image capture, digital manipulation, paper selection, and surface coatings.
历史上和现在，从事损失赔偿的修复者和修复者除了纸张的颜色和质地外，还使用精细的手工技巧来重现令人信服的设计元素。这些技术已经被记录和教授。相比之下，本文的重点是使用数字替代品作为使用数字图像和高质量打印机的图形作品的损失补偿的替代方案。通过使用这种方法，在不损害艺术家原始意图的情况下，对丢失的设计进行了重建。我们将以雅克·卡洛(Jacques Callot)的《拉罗谢尔之围》(The Siege of La Rochelle)的最新处理为例，解释制作数字替代品的过程。虽然生成传真图像似乎相对简单，但在制作过程中有几个细节可以调整，以生成高质量的替代图像。利用来自完整印刷品的数字图像进行复制，确定了两种生产方法:在与原件质量相似的纸张上打印适当的设计，以及在高质量喷墨优化的纸张上打印纸张纹理，颜色和设计的错觉。本文将重点介绍用于最终数字代理的技术，并讨论图像捕获，数字操作，纸张选择和表面涂层。
{"title":"Digital surrogates","authors":"Adam N. Rabinowitz","doi":"10.4324/9781351106573-9","DOIUrl":"https://doi.org/10.4324/9781351106573-9","url":null,"abstract":"Historically and presently, restorers and conservators engaging in loss compensation have used fine hand skills to recreate convincing design elements in addition to paper color and texture. These techniques have been documented and taught. In contrast, the focus of this paper is the use of digital surrogates as an alternative for loss compensation of graphic works using digital images and high quality printers. By employing this method, the lost design is reconstituted without compromising the artist’s original intent. The process of producing a digital surrogate will be explained using a case study of a recent treatment of Jacques Callot’s The Siege of La Rochelle, a monumental print from sixteen plates. While producing a facsimile image might seem relatively simple, there are several details in production that can be adjusted to produce a high quality surrogate. Using digital images from a complete print for the reproduction, two methods of production were identified: printing the appropriate design on a paper similar in quality to the original and printing the illusion of paper texture, color and design on a high quality inkjet optimized paper. This paper will focus the techniques used for the final digital surrogate with a discussion on image capture, digital manipulation, paper selection, and surface coatings.","PeriodicalId":127742,"journal":{"name":"Approaching Historical Sources in their Contexts","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132818711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-13DOI: 10.4324/9781351106573-10
Sarah Ann Robin
{"title":"Objects","authors":"Sarah Ann Robin","doi":"10.4324/9781351106573-10","DOIUrl":"https://doi.org/10.4324/9781351106573-10","url":null,"abstract":"","PeriodicalId":127742,"journal":{"name":"Approaching Historical Sources in their Contexts","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127035762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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