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Superman of America vs. Ameen Rihani 美国超人vs. Ameen Rihani
Pub Date : 2020-11-16 DOI: 10.5149/northcarolina/9781469659473.003.0002
Swati Rana
This chapter explores the character of the imperialist immigrant that Ameen Rihani represents in his early work. Beginning with an epistolary volume, Letters to Uncle Sam, written from 1917 to 1919, this chapter focuses on The Book of Khalid (1911), a picaresque novel whose titular protagonist seeks as the “Superman of America” to found an Arab empire on the American model. This chapter analyzes the hyperproduction of character in the manic figure of Khalid and its reframing by a wry Editor, essentially the character function of Rihani. It demonstrates how Rihani indicts the American dream and the impossible identifications to which diasporic subjects and Arab Americans in particular are subjected.
本章探讨了Ameen Rihani在其早期作品中所表现的帝国主义移民的性格。本章从1917年至1919年写的书信体《给山姆大叔的信》开始,重点关注《哈立德之书》(1911),这是一部流浪汉小说,其名义上的主人公寻求以“美国超人”的身份建立一个以美国模式为基础的阿拉伯帝国。本章分析了狂躁的哈立德形象中人物的过度生产及其被一个讽刺的编辑所重构,本质上是蕾哈妮的人物功能。它展示了里哈尼是如何控诉美国梦的,以及流散侨民、尤其是阿拉伯裔美国人所承受的不可能的身份认同。
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引用次数: 0
José Garcia Villa’s Book of Grotesques
Pub Date : 2020-11-16 DOI: 10.5149/northcarolina/9781469659473.003.0003
Swati Rana
This chapter explores the ethnic character who severs art from biography through José Garcia Villa’s infamous disavowal of his racial and colonial identity. Focusing on Villa’s autobiographical short story cycle in Footnote to Youth (1933), this chapter rethinks Villa’s disavowal in terms of exposure. The grotesque characters of Villa’s fictive work draw attention to their own twisted forms and expose the social characterization of minorities and of Filipino colonial subjects, specifically their Orientalist and primitivist caricature. This chapter reveals Villa’s insistent disavowal of biography to be the result of social compulsion rather than eccentric choice.
本章通过何塞·加西亚·比利亚臭名昭著地否认自己的种族和殖民地身份,探讨了将艺术与传记割裂的民族性格。本章以比利亚在《青春脚注》(1933)中的自传体短篇故事为中心,从暴露的角度重新思考比利亚的否认。维拉的虚构作品中的怪诞人物吸引了人们对他们自身扭曲形式的关注,并暴露了少数民族和菲律宾殖民地主体的社会特征,特别是他们的东方主义和原始主义漫画。这一章揭示了维拉坚持否认传记是社会强迫的结果,而不是古怪的选择。
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引用次数: 0
Conclusion 结论
Pub Date : 2020-11-16 DOI: 10.5149/northcarolina/9781469659473.003.0007
Swati Rana
The conclusion highlights the double movement of the book as it reveals the figure of the American dream and refracts this figure into all its complexity. Ethnic literature’s shared engagement with and inevitable difference from this figure brings out both ubiquity and unevenness. Constellating distinct literary traditions in this way develops new comparative methods and orientations to ethnic archives, along with a better understanding of how race and ethnicity are being realigned at present. The conclusion emphasizes what characterization as contestation accomplishes—how the interplay of the many facets of character across literary and social worlds breaks down persistent archetypes and foregrounds structural constraints. In closing, the book points to attentiveness, underscoring the agency of literature and of literary critique.
结论部分突出了本书的双重运动,它揭示了美国梦的形象,并将这个形象折射到它的所有复杂性中。民族文学与这一形象的共同接触和必然的差异,带来了普遍性和不平衡性。以这种方式排列不同的文学传统,为民族档案提供了新的比较方法和方向,同时也更好地理解了种族和民族目前是如何重新组合的。结论强调了作为争论的人物塑造完成了什么——跨文学和社会世界的人物的许多方面的相互作用如何打破了持久的原型和前景结构约束。最后,这本书指出了专注,强调了文学和文学批评的作用。
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引用次数: 0
Building American Character 塑造美国性格
Pub Date : 2020-11-16 DOI: 10.5149/northcarolina/9781469659473.003.0005
Swati Rana
This chapter explores the character of model minority through the figure of the first Asian American member of Congress, Dalip Singh Saund, and his autobiography, Congressman from India (1960). Linking the autobiography to the emergence of the model minority myth, this chapter shows how Congressman from India uses the discourse of character building to shape the exemplary figure of Saund, obscuring structural inequality and occluding Saund’s racial presence. This a precarious posture that pivots between race and ethnicity, destabilizing the model that that Saund seeks to build and guiding readers to a critical perspective upon the American dream and Saund’s Cold War propaganda function.
本章通过第一位亚裔美国国会议员达利普·辛格·桑德和他的自传《来自印度的国会议员》(1960)来探讨模范少数族裔的特征。本章将自传与模范少数民族神话的出现联系起来,展示了来自印度的国会议员如何使用性格塑造的话语来塑造桑德的典范人物,模糊了结构不平等并掩盖了桑德的种族存在。这是一种不稳定的姿态,以种族和民族为中心,破坏了桑德试图建立的模型,并引导读者以批判的视角看待美国梦和桑德的冷战宣传功能。
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引用次数: 0
Paule Marshall’s Brown Girls 保罗·马歇尔的布朗女孩
Pub Date : 2020-11-16 DOI: 10.5149/northcarolina/9781469659473.003.0006
Swati Rana
This chapter focuses on Paule Marshall’s characterization of Black upward mobility in the semiautobiographical novel, Brown Girl, Brownstones (1959). While the main characters of mother and daughter are often opposed in terms of their orientation toward the American dream, this analysis draws them together in a chiasmus of character shaped by their shared experience of racism. The Brooklyn brownstone emblematizes the difficult succession of European and non-European immigrants, and Barbadian immigrants in particular, reorienting readers toward a structural critique. Shaped not just by individual will but by determinative social forces, the spectacular figure of self making is brought into focus as a constrained character to be integrated rather than disavowed.
本章重点讨论保罗·马歇尔在半自传体小说《棕色女孩,褐石屋》(1959)中对黑人向上流动的刻画。虽然母亲和女儿的主要角色在美国梦的方向上经常是对立的,但这种分析将她们聚集在一起,因为她们共同的种族主义经历塑造了她们的性格。布鲁克林的褐石屋象征着欧洲和非欧洲移民,尤其是巴巴多斯移民的艰难继承,将读者重新导向结构性批评。不仅受个人意志的影响,而且受决定性的社会力量的影响,自我创造的壮观形象作为一个受约束的角色被纳入关注,而不是被否认。
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引用次数: 0
Many Parts of Pocho Pocho的许多部分
Pub Date : 2020-11-16 DOI: 10.5149/northcarolina/9781469659473.003.0004
Swati Rana
This chapter focuses on racial betrayal across José Antonio Villarreal’s life and work. It analyzes the overdetermined character of Villarreal’s semiautobiographical novel, Pocho (1959), into which protagonist and author are collapsed. Readings excavate two dynamic and interrelated fields of characterization: the queer figure of El Malinche who emblematizes assimilative desire and the masculinist figure of El Macho who has a revolutionary consciousness of colonial subjection. Pocho reveals rather than reproducing the dominant heteropatriarchal order from which minority and Chicano masculinity take their bearings, exposing the discontinuous character of author and protagonist.
本章主要讲述何塞·安东尼奥·比利亚雷亚尔生活和工作中的种族背叛。它分析了比利亚雷亚尔半自传体小说《波乔》(1959)中过度决定的性格,主人公和作者都崩溃了。阅读挖掘了两个动态且相互关联的人物塑造领域:象征同化欲望的酷儿形象埃尔·马林奇和具有殖民统治革命意识的男子主义形象埃尔·马乔。《波乔》揭示了而不是再现了少数民族和墨西哥裔美国人的男性气概所依赖的占主导地位的异性父权秩序,暴露了作者和主角的不连续性格。
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引用次数: 0
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Race Characters
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