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A Cultural History of Law in the Modern Age最新文献

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Wrongs A Conversation with Filmmaker Joshua Oppenheimer 与电影制作人约书亚·奥本海默的对话
Pub Date : 1900-01-01 DOI: 10.5040/9781474206624.ch-008
Richard K. Sherwin, D. Celermajer
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引用次数: 0
Constitution Performance Evidence in Aboriginal Land Claims 原住民土地诉讼中的宪法履行证据
Pub Date : 1900-01-01 DOI: 10.5040/9781474206624.ch-003
C. Elliott
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引用次数: 3
Agreements Truth, Politics, and the Value of Performing Impersonations 协议、真相、政治和表演模仿的价值
Pub Date : 1900-01-01 DOI: 10.5040/9781474206624.ch-005
Diana Taylor
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引用次数: 0
Property and PossessionOn the Illegality of Situational Art 财产与占有论情境艺术的非法性
Pub Date : 1900-01-01 DOI: 10.5040/9781474206624.ch-007
A. Young
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引用次数: 0
Arguments Should Videos of Trees Have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY 关于树的视频是否应该存在的争论?前南问题国际法庭非自然物合法仪式之探讨
Pub Date : 1900-01-01 DOI: 10.5040/9781474206624.ch-006
Susan Schuppli
Arguments, or the rhetorical construction of truth about historical events, have always lain at the heart of legal trials. In this sense, it is not bare facts in themselves but how they can be assembled into a coherent and convincing narrative that provides the foundation for law’s findings on the truth. However, through the course of the twentieth century, the materials upon which arguments could be built have radically altered. This chapter sets out to explore mediated evidence, the role of scientific expertise, and the ways in which they combine to create new legal assemblages. More specifically, it considers how visual media, especially videos and photographs, are increasingly engaged in the construction of the arguments that legal practitioners deploy and that courts are called upon to adjudicate. As visual images proliferate in courts, visual rhetoric and visual argumentation unfold alongside the traditional rhetoric of words alone (Sherwin 2007). This broadening of the rhetorical spectrum within legal practice calls for new forms of expertise and eloquence based on an expanded capacity to decode, in order to meaningfully examine, visual evidence and visual advocacy.
争论,或对历史事件真相的修辞构建,一直是法律审判的核心。从这个意义上说,问题不在于事实本身,而在于如何将它们组合成一个连贯的、令人信服的叙述,为法律对真相的发现提供基础。然而,在二十世纪的进程中,论点赖以建立的材料已经发生了根本性的变化。本章将探讨中介证据,科学专业知识的作用,以及它们结合起来创造新的法律组合的方式。更具体地说,它考虑了视觉媒体,特别是视频和照片,如何越来越多地参与构建法律从业人员部署的论点和要求法院裁决的论点。随着视觉图像在法庭上的激增,视觉修辞和视觉辩论与传统的文字修辞一起展开(Sherwin 2007)。法律实践中修辞范围的扩大需要基于扩大解码能力的新形式的专业知识和口才,以便有意义地检查,视觉证据和视觉宣传。
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引用次数: 0
Codes Judging the Rwandan Soundscape 判断卢旺达音景的代码
Pub Date : 1900-01-01 DOI: 10.5040/9781474206624.ch-004
James E K Parker
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引用次数: 2
期刊
A Cultural History of Law in the Modern Age
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