A Sonata Theory Handbook最新文献

英文中文

The Basics 最基本的

A Sonata Theory Handbook

Pub Date : 2021-01-21 DOI: 10.1093/OSO/9780197536810.003.0004

James A. Hepokoski

Following the first three introductory chapters, chapter 4 lays out the essentials of Sonata Theory’s understanding of the guidelines within which classical sonatas work. This is the chapter that summarizes the approach’s technical details and terminology: Sonata Theory in a nutshell. It begins with an overview of the five sonata types and notes that the “Type 3” or the “textbook” sonata, with exposition, development, and recapitulation, is by far the most common. It proceeds to move through each of the action zones of a typical “two-part exposition”—primary theme (P), transition (TR and medial caesura), secondary theme (S), and closing zone (C), noting the various commonly encountered, “default” options within each zone, and how each zone is vectored toward a generically expected cadence. The several issues involved with determining where secondary themes begin and end—within Sonata Theory’s view of things—are given special attention. Along with way it introduces some concepts new to this handbook, such as that of the “narrative” grouping of S (concluding cadentially with the EEC) and the thematic portions of any C that might follow: “the S/C thematic complex.” Following a close study of expositional practice, the chapter moves on, similarly, to describe standard features of developments, recapitulations, and codas. It ends with a few remarks on the Type 1 sonata and its expanded variant, which will be revisited in more detail at the end of chapter 11 and in chapter 12.

继前三个导论章节之后，第四章列出了奏鸣曲理论对古典奏鸣曲工作的指导原则的理解的要点。这一章概括了奏鸣曲理论的技术细节和术语。它首先概述了五种奏鸣曲类型，并指出“类型3”或“教科书”奏鸣曲，具有阐述，发展和再现，是迄今为止最常见的。它继续通过典型的“两部分展示”的每个行动区域——主要主题(P)、过渡(TR和中间停顿)、次要主题(S)和结束区域(C)，注意到每个区域中常见的各种“默认”选项，以及每个区域如何向一般预期的节奏方向发展。在奏鸣曲理论对事物的看法中，确定次要主题开始和结束的几个问题被给予了特别的关注。此外，它还介绍了本手册的一些新概念，例如S的“叙事”分组(以EEC结尾)和任何C的主题部分，可能会紧随其后:“S/C主题综合体”。在仔细研究了解释性的实践之后，本章继续类似地描述了发展、重述和结尾的标准特征。它以对1型奏鸣曲及其扩展变体的一些评论结束，这将在第11章和第12章结束时更详细地重新审视。

{"title":"The Basics","authors":"James A. Hepokoski","doi":"10.1093/OSO/9780197536810.003.0004","DOIUrl":"https://doi.org/10.1093/OSO/9780197536810.003.0004","url":null,"abstract":"Following the first three introductory chapters, chapter 4 lays out the essentials of Sonata Theory’s understanding of the guidelines within which classical sonatas work. This is the chapter that summarizes the approach’s technical details and terminology: Sonata Theory in a nutshell. It begins with an overview of the five sonata types and notes that the “Type 3” or the “textbook” sonata, with exposition, development, and recapitulation, is by far the most common. It proceeds to move through each of the action zones of a typical “two-part exposition”—primary theme (P), transition (TR and medial caesura), secondary theme (S), and closing zone (C), noting the various commonly encountered, “default” options within each zone, and how each zone is vectored toward a generically expected cadence. The several issues involved with determining where secondary themes begin and end—within Sonata Theory’s view of things—are given special attention. Along with way it introduces some concepts new to this handbook, such as that of the “narrative” grouping of S (concluding cadentially with the EEC) and the thematic portions of any C that might follow: “the S/C thematic complex.” Following a close study of expositional practice, the chapter moves on, similarly, to describe standard features of developments, recapitulations, and codas. It ends with a few remarks on the Type 1 sonata and its expanded variant, which will be revisited in more detail at the end of chapter 11 and in chapter 12.","PeriodicalId":164617,"journal":{"name":"A Sonata Theory Handbook","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133552328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Type 2 Sonata 2型索纳塔

A Sonata Theory Handbook

Pub Date : 2021-01-21 DOI: 10.1093/acprof:oso/9780195146400.003.0017

James Hepokoski, W. Darcy

The Type 2 sonata is a “double-rotational” (or “binary”) sonata: (1) exposition (P TR’ S / C); and (2) developmental space (P and/or TR) plus tonal resolution (S / C). The Type 2 lacks the “double return” of P and the tonic at the onset of other sonata types. For that reason Sonata Theory does not use the term “recapitulation” for Type 2s. This format was widely used in sonatas c. 1740–70, after which its use began to wane sharply, though several examples of it persist throughout the nineteenth century. Because the Type 2 has been the most frequently misunderstood sonata type (sometimes misread through ahistorical claims of a supposed “reversed recapitulation”), this chapter is devoted to building a case for the Type 2 sonata, beginning with the simplest, prototypical examples in early Mozart and then moving through more extended, complex examples from later years, including toward the end, a look at two deformational Type 2s by Mozart: K. 311/i and the Overture to La clemenza di Tito. At its conclusion the chapter lays out an argument on behalf of Sonata Theory’s case for the persistence of the Type 2 and double-rotational sonatas into the nineteenth century (these include both Type 2s and expanded Type 1 sonatas, which under some conditions are almost indistinguishable) and responds to some recent critics of the Type 2 concept for romantic works, along the way presenting an overview of Wagner’s (expanded Type 1) Overture to Tannhäuser, which in this case presents the same structural questions as those of a Type 2 sonata.

2型奏鸣曲是“双旋转”(或“二元”)奏鸣曲:(1)呈示(P TR ' S / C);(2)发展空间(P和/或TR)加上音调分辨率(S / C)。类型2缺乏其他类型奏鸣曲开始时P和主音的“双重回归”。因此，《奏鸣曲理论》不使用“再现”一词来描述第2型。这种形式在1740 - 1770年的奏鸣曲中被广泛使用，此后它的使用开始急剧减少，尽管有几个例子在整个19世纪仍然存在。因为2型奏鸣曲是最常被误解的奏鸣曲类型(有时会被错误地解读为所谓的“反向重述”)，本章致力于为2型奏鸣曲建立一个案例，从莫扎特早期最简单、最典型的例子开始，然后从晚年更广泛、更复杂的例子开始，包括到最后，看看莫扎特的两个变形的2型奏鸣曲:K. 311/i和La clemenza di Tito的序曲。在结语部分，本章以奏鸣曲理论为例，对二类和双轮奏鸣曲在19世纪的持续存在进行了论证(这些包括二类和扩展的一类奏鸣曲，在某些条件下几乎无法区分)，并回应了最近对浪漫主义作品二类概念的一些批评，同时概述了瓦格纳(扩展的一类)序曲Tannhäuser。在这种情况下，呈现出与2型奏鸣曲相同的结构问题。

{"title":"The Type 2 Sonata","authors":"James Hepokoski, W. Darcy","doi":"10.1093/acprof:oso/9780195146400.003.0017","DOIUrl":"https://doi.org/10.1093/acprof:oso/9780195146400.003.0017","url":null,"abstract":"The Type 2 sonata is a “double-rotational” (or “binary”) sonata: (1) exposition (P TR’ S / C); and (2) developmental space (P and/or TR) plus tonal resolution (S / C). The Type 2 lacks the “double return” of P and the tonic at the onset of other sonata types. For that reason Sonata Theory does not use the term “recapitulation” for Type 2s. This format was widely used in sonatas c. 1740–70, after which its use began to wane sharply, though several examples of it persist throughout the nineteenth century. Because the Type 2 has been the most frequently misunderstood sonata type (sometimes misread through ahistorical claims of a supposed “reversed recapitulation”), this chapter is devoted to building a case for the Type 2 sonata, beginning with the simplest, prototypical examples in early Mozart and then moving through more extended, complex examples from later years, including toward the end, a look at two deformational Type 2s by Mozart: K. 311/i and the Overture to La clemenza di Tito. At its conclusion the chapter lays out an argument on behalf of Sonata Theory’s case for the persistence of the Type 2 and double-rotational sonatas into the nineteenth century (these include both Type 2s and expanded Type 1 sonatas, which under some conditions are almost indistinguishable) and responds to some recent critics of the Type 2 concept for romantic works, along the way presenting an overview of Wagner’s (expanded Type 1) Overture to Tannhäuser, which in this case presents the same structural questions as those of a Type 2 sonata.","PeriodicalId":164617,"journal":{"name":"A Sonata Theory Handbook","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121920885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

类型

全部化学•材料生命科学医学物理工程技术环境•农林材料科学地球科学法学管理学化学环境科学与生态学计算机科学教育学经济学农林科学人文科学生物学数学物理与天体物理心理学综合性期刊其他工业工程理学历史学农学文学信息工程

数据库

全部 ACS Publications Elsevier ieeexplore Springer The Royal Society of Chemistry Wiley

期刊

A Sonata Theory Handbook

全部 Acc. Chem. Res. ACS Applied Bio Materials ACS Appl. Electron. Mater. ACS Appl. Energy Mater. ACS Appl. Mater. Interfaces ACS Appl. Nano Mater. ACS Appl. Polym. Mater. ACS BIOMATER-SCI ENG ACS Catal. ACS Cent. Sci. ACS Chem. Biol. ACS Chemical Health & Safety ACS Chem. Neurosci. ACS Comb. Sci. ACS Earth Space Chem. ACS Energy Lett. ACS Infect. Dis. ACS Macro Lett. ACS Mater. Lett. ACS Med. Chem. Lett. ACS Nano ACS Omega ACS Photonics ACS Sens. ACS Sustainable Chem. Eng. ACS Synth. Biol. Anal. Chem. BIOCHEMISTRY-US Bioconjugate Chem. BIOMACROMOLECULES Chem. Res. Toxicol. Chem. Rev. Chem. Mater. CRYST GROWTH DES ENERG FUEL Environ. Sci. Technol. Environ. Sci. Technol. Lett. Eur. J. Inorg. Chem. IND ENG CHEM RES Inorg. Chem. J. Agric. Food. Chem. J. Chem. Eng. Data J. Chem. Educ. J. Chem. Inf. Model. J. Chem. Theory Comput. J. Med. Chem. J. Nat. Prod. J PROTEOME RES J. Am. Chem. Soc. LANGMUIR MACROMOLECULES Mol. Pharmaceutics Nano Lett. Org. Lett. ORG PROCESS RES DEV ORGANOMETALLICS J. Org. Chem. J. Phys. Chem. J. Phys. Chem. A J. Phys. Chem. B J. Phys. Chem. C J. Phys. Chem. Lett. Analyst Anal. Methods Biomater. Sci. Catal. Sci. Technol. Chem. Commun. Chem. Soc. Rev. CHEM EDUC RES PRACT CRYSTENGCOMM Dalton Trans. Energy Environ. Sci. ENVIRON SCI-NANO ENVIRON SCI-PROC IMP ENVIRON SCI-WAT RES Faraday Discuss. Food Funct. Green Chem. Inorg. Chem. Front. Integr. Biol. J. Anal. At. Spectrom. J. Mater. Chem. A J. Mater. Chem. B J. Mater. Chem. C Lab Chip Mater. Chem. Front. Mater. Horiz. MEDCHEMCOMM Metallomics Mol. Biosyst. Mol. Syst. Des. Eng. Nanoscale Nanoscale Horiz. Nat. Prod. Rep. New J. Chem. Org. Biomol. Chem. Org. Chem. Front. PHOTOCH PHOTOBIO SCI PCCP Polym. Chem.

﹀