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Beckett and nothing最新文献

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Nothing has changed 什么都没有改变
Pub Date : 2020-03-09 DOI: 10.7765/9781526146458.00010
M. Dolar
The paper pursues the thread of nothing through the work of Samuel Beckett. Beckett started off, in one of his first texts, "Whoroscope", by taking a shot at Descartes and his cogito, but one could read Beckett’s subsequent work as his own elaboration of cogito: the gradual total reduction of all redundancy, the reduction of language and the reduction of the body, his "heroes" becoming reduced to the pure point of enunciation, constantly on the verge of disappearance, but nevertheless persisting. The nothingness towards which this process seemingly drives finally emerges as a loop of the "unnullable least". Hence the double meaning of the title: in Beckett’s universe nothing ever changes, but at the same time it appears that nothing has changed in the process of reduction, so that his work can be read as the strongest antidote to nihilism.
这篇论文通过塞缪尔·贝克特的作品来追寻虚无的线索。在贝克特最早的作品之一《谁的视野》(whooroscope)中,他一开始就对笛卡尔和他的我思(cogito)进行了攻击,但我们可以把贝克特后来的作品解读为他对我思的阐述:所有冗余的逐渐减少,语言的减少和身体的减少,他的“英雄”被减少到纯粹的表达点,不断地处于消失的边缘,但仍然坚持下去。这一过程所驱使的虚无最终以“不可为空的最小值”的循环出现。因此,这个标题有双重含义:在贝克特的世界里,没有什么改变,但同时,在还原的过程中,似乎没有什么改变,所以他的作品可以被解读为虚无主义的最强解毒剂。
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引用次数: 3
Front matter 前页
Pub Date : 2020-03-09 DOI: 10.7765/9781526146458.00001
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引用次数: 0
List of contributors 贡献者名单
Pub Date : 2020-03-09 DOI: 10.7765/9781526146458.00004
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引用次数: 0
On not being there 关于不在那里
Pub Date : 2020-03-09 DOI: 10.7765/9781526146458.00008
J. Pilling
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引用次数: 0
List of figures 数字清单
Pub Date : 2020-03-09 DOI: 10.7765/9781526146458.00003
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引用次数: 0
Beckett and unheard sound 贝克特和闻所未闻的声音
Pub Date : 2020-03-09 DOI: 10.7765/9781526146458.00017
Catherine Laws
Beckett’s work has often been perceived as pushing towards its own obliteration, ever closer to the silencing of the voice. His ‘characters’ – though hardly that – with decaying, almost useless bodies, situated in barren environments, steadily insist that there is nothing to say and no possibility of knowledge or understanding, while (and by) fi zzling on with their increasingly broken, empty, repetitive, hopeless – and often very funny – narratives of their very attempts to tell meaningful stories. In the process, the language fragments and fi ssures even as it pours forth; whether truncated and percussive, or accumulative and spieling, the effect is equally one of impending exhaustion – of the voice on the brink of silence. Furthermore, this notion of a trajectory ever towards, but never quite achieving, a fi nal annihilation of the voice would seem to be validated by the author, who described his writing as ‘an unnecessary stain on the silence’.1 As Mary Bryden points out, running alongside this is ‘an extraordinarily acute attunement to sound: not just to noise, but to intimate, ambient sound’.2 An encroaching silence beyond this threatens, oxymoronically, ‘to drown all the faint breathings put together’.3 Nevertheless, Beckett’s work is always alive to the buzzings and hummings of apparently insignifi cant sound – extraneous environmental noise, but also the clamour of the mind’s endless dialogue with itself. This is often a curse or, at best, a false distraction from the painful experience of being, but its silencing is feared as much as it is craved. The overarching critical narrative of the drive towards silence
贝克特的作品常常被认为是在推动自己的毁灭,越来越接近于声音的沉默。他笔下的“人物”——尽管并非如此——有着腐烂的、几乎无用的身体,生活在贫瘠的环境中,坚定地坚持说没有什么可说的,也没有知识或理解的可能性,同时(通过)他们不断破碎、空洞、重复、无望——而且往往非常有趣——的叙述,他们试图讲述有意义的故事。在这个过程中,语言即使在涌出的时候也会支离破碎;无论是截断的、敲击的,还是累积的、敲击的,效果都是一种即将耗尽的声音——处于沉默边缘的声音。此外,作者似乎也证实了这一观点,即声音的最终消亡是朝着一个方向发展的,但从未完全实现,他将自己的作品描述为“沉默上一个不必要的污点”正如玛丽·布莱登所指出的那样,与之并行的是“对声音的异常敏锐的调谐:不仅对噪音,而且对亲密的环境声音。在这之后,一种逐渐蔓延的沉默似乎“淹没了所有微弱的呼吸”,这是自相矛盾的尽管如此,贝克特的作品总是充满了看似微不足道的嗡嗡声和嗡嗡声——外来的环境噪音,以及心灵与自身无休止对话的喧嚣。这通常是一种诅咒,或者,充其量,是一种从存在的痛苦经历中虚假的分心,但它的沉默是令人恐惧的,正如它是渴望的一样。最重要的是对沉默的批判
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引用次数: 1
Unwords 年度
Pub Date : 2020-03-09 DOI: 10.7765/9781526146458.00013
S. Weller
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引用次数: 0
Index 指数
Pub Date : 2020-03-09 DOI: 10.7765/9781526146458.00022
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引用次数: 0
Into the void 进入虚空
Pub Date : 2020-03-09 DOI: 10.7765/9781526146458.00014
J. Bignell
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引用次数: 0
期刊
Beckett and nothing
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