{"title":"China and the art of cultural diplomacy","authors":"M. Galikowski, James Beattie, R. Bullen","doi":"10.4324/9781351203470-1","DOIUrl":"https://doi.org/10.4324/9781351203470-1","url":null,"abstract":"","PeriodicalId":187845,"journal":{"name":"China in Australasia","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121441126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"White Rabbit, contemporary Chinese arts and soft power in Sydney’s Chippendale","authors":"D. Bell","doi":"10.4324/9781351203470-9","DOIUrl":"https://doi.org/10.4324/9781351203470-9","url":null,"abstract":"","PeriodicalId":187845,"journal":{"name":"China in Australasia","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127170453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Displaced gardens as sites of ‘Chineseness’","authors":"D. Campbell","doi":"10.4324/9781351203470-8","DOIUrl":"https://doi.org/10.4324/9781351203470-8","url":null,"abstract":"","PeriodicalId":187845,"journal":{"name":"China in Australasia","volume":"126 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131567851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Artistic activism, cultural diplomacy and Aotearoa New Zealand","authors":"H. Johnson","doi":"10.4324/9781351203470-7","DOIUrl":"https://doi.org/10.4324/9781351203470-7","url":null,"abstract":"","PeriodicalId":187845,"journal":{"name":"China in Australasia","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126766786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Better late than never","authors":"C. Elder","doi":"10.4324/9781351203470-2","DOIUrl":"https://doi.org/10.4324/9781351203470-2","url":null,"abstract":"","PeriodicalId":187845,"journal":{"name":"China in Australasia","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126247198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Embracing friendship through gift and exchange","authors":"James Beattie, R. Bullen","doi":"10.4324/9781351203470-4","DOIUrl":"https://doi.org/10.4324/9781351203470-4","url":null,"abstract":"","PeriodicalId":187845,"journal":{"name":"China in Australasia","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134006688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-01DOI: 10.4324/9781351203470-10
S. McIntyre
Focusing on the transformative period during Taiwan president Ma Ying-jeou’s (Ma Yingjiu) leadership (2008–16), this book chapter explores how culture, and the visual arts specifically, played a crucial, though under-explored, role in the development of Taiwan–mainland China relations. This is exemplified in the museological representation of art and by the growing number and size of exhibitions and exchanges organised by public museums on both sides of the strait that sought to emphasise Taiwan and mainland China’s shared cultural heritage. This book chapter explores how museums and exhibitions were deployed by both governments as vehicles for cultural diplomacy and soft power, used to forge economic, cultural and, perhaps, political ties between these two former arch-rivals. Three major exhibitions presented by the Taipei Fine Arts Museum of works by the prominent Chinese contemporary artists Cai Guo-Qiang, Ai Weiwei and Xu Bing are the focus of this discussion. These exhibitions signified a critical shift in museological practice in Taiwan, and this paper examines some of the issues, anxieties and tensions these exhibitions and Taiwan’s rapprochement with mainland China more generally, triggered within Taiwan’s art community.
{"title":"Soft power and the role of art in the development of Taiwan–mainland China relations 1","authors":"S. McIntyre","doi":"10.4324/9781351203470-10","DOIUrl":"https://doi.org/10.4324/9781351203470-10","url":null,"abstract":"Focusing on the transformative period during Taiwan president Ma Ying-jeou’s (Ma Yingjiu) leadership (2008–16), this book chapter explores how culture, and the visual arts specifically, played a crucial, though under-explored, role in the development of Taiwan–mainland China relations. This is exemplified in the museological representation of art and by the growing number and size of exhibitions and exchanges organised by public museums on both sides of the strait that sought to emphasise Taiwan and mainland China’s shared cultural heritage. This book chapter explores how museums and exhibitions were deployed by both governments as vehicles for cultural diplomacy and soft power, used to forge economic, cultural and, perhaps, political ties between these two former arch-rivals. Three major exhibitions presented by the Taipei Fine Arts Museum of works by the prominent Chinese contemporary artists Cai Guo-Qiang, Ai Weiwei and Xu Bing are the focus of this discussion. These exhibitions signified a critical shift in museological practice in Taiwan, and this paper examines some of the issues, anxieties and tensions these exhibitions and Taiwan’s rapprochement with mainland China more generally, triggered within Taiwan’s art community.","PeriodicalId":187845,"journal":{"name":"China in Australasia","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133434927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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