{"title":"Mapping Colonial Havana: La Condesa de Merlin’s Voyage of Return","authors":"Adriana Méndez Ródenas","doi":"10.16993/karib.73","DOIUrl":"https://doi.org/10.16993/karib.73","url":null,"abstract":"","PeriodicalId":197108,"journal":{"name":"Karib – Nordic Journal for Caribbean Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115906069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Habana caribeña en dos cuentos precursores de Antonio Benítez Rojo","authors":"Haydée Arango","doi":"10.16993/karib.68","DOIUrl":"https://doi.org/10.16993/karib.68","url":null,"abstract":"","PeriodicalId":197108,"journal":{"name":"Karib – Nordic Journal for Caribbean Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125813232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reflections on the Testimonial Genre and Casa de las Américas’ Literary Award (1970–2017)","authors":"Anna Forné","doi":"10.16993/karib.69","DOIUrl":"https://doi.org/10.16993/karib.69","url":null,"abstract":"","PeriodicalId":197108,"journal":{"name":"Karib – Nordic Journal for Caribbean Studies","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129999930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay considers two catastrophic earthquakes that took place in Kingston, Jamaica in 1907 and Port-au-Prince, Haiti in 2010. The disasters remain central to the collective memory of each place yet are often not integrated in their national narratives. The article reflects on the relationship between natural disaster and memory in the Caribbean through these two examples. It merges original archival research with photography and personal experience.
{"title":"A Tale of Two Tragedies: Forgetting and Remembering Kingston (1907) and Port-au-Prince (2010)","authors":"M. Smith","doi":"10.16993/KARIB.50","DOIUrl":"https://doi.org/10.16993/KARIB.50","url":null,"abstract":"This essay considers two catastrophic earthquakes that took place in Kingston, Jamaica in 1907 and Port-au-Prince, Haiti in 2010. The disasters remain central to the collective memory of each place yet are often not integrated in their national narratives. The article reflects on the relationship between natural disaster and memory in the Caribbean through these two examples. It merges original archival research with photography and personal experience.","PeriodicalId":197108,"journal":{"name":"Karib – Nordic Journal for Caribbean Studies","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115802500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
“Curating in Cuba: from Advertisement Websites to Night Spaces” proposes that newly established socio-commercial spaces in Cuba are more appropriate to exhibit projects of contemporary art than traditional state-owned galleries and museums. It analyses two exhibitions which took place at heterogeneous sites — Handmade Twitting (Revolico, Twelfth Havana Biennial, 2015) and Portate Bien. De lo erotico y de lo heroico: sexo y resistencia cultural (Fabrica de Arte Cubano, 2016)—by tracing how they responded to current changes in Cuba’s economic and sociopolitical landscape, and by exposing how they rethink and upset conventional ways of exhibition making. Handmade Twitting was a virtual exhibition that explored how historically opposing economic and value systems are increasingly merging in contemporary Cuba. It took place at the online auction and shopping website Revolico and was made available to the Cuban audience through the distribution of the paquete semanal: a selection of digital information distributed on Cuba’s black market. Portate bien was a nocturnal exhibition about the revolutionary potentials of sexuality which was held at the Fabrica de Arte Cubano: a fusion of a discotheque, a commercial gallery and an art space.
“古巴的策展:从广告网站到夜间空间”建议，古巴新建立的社会商业空间比传统的国有画廊和博物馆更适合展示当代艺术项目。它分析了两个在不同地点举行的展览——手工推特(Revolico，第十二届哈瓦那双年展，2015年)和门户。《性与英雄:性与反抗文化》(Fabrica De Arte Cubano, 2016)——通过追踪他们如何应对当前古巴经济和社会政治格局的变化，并揭示他们如何重新思考和颠覆传统的展览制作方式。手工推特是一个虚拟展览，探索历史上对立的经济和价值体系如何在当代古巴日益融合。它在网上拍卖和购物网站Revolico上举行，并通过分发paquete semanal向古巴观众提供:在古巴黑市上分发的精选数字信息。Portate bien是一个关于性的革命性潜力的夜间展览，在Fabrica de Arte Cubano举行:一个融合了迪斯科舞厅、商业画廊和艺术空间的地方。
{"title":"Curating in Cuba: From Advertisement Websites to Night Spaces","authors":"Stephanie Noach","doi":"10.16993/KARIB.41","DOIUrl":"https://doi.org/10.16993/KARIB.41","url":null,"abstract":"“Curating in Cuba: from Advertisement Websites to Night Spaces” proposes that newly established socio-commercial spaces in Cuba are more appropriate to exhibit projects of contemporary art than traditional state-owned galleries and museums. It analyses two exhibitions which took place at heterogeneous sites — Handmade Twitting (Revolico, Twelfth Havana Biennial, 2015) and Portate Bien. De lo erotico y de lo heroico: sexo y resistencia cultural (Fabrica de Arte Cubano, 2016)—by tracing how they responded to current changes in Cuba’s economic and sociopolitical landscape, and by exposing how they rethink and upset conventional ways of exhibition making. Handmade Twitting was a virtual exhibition that explored how historically opposing economic and value systems are increasingly merging in contemporary Cuba. It took place at the online auction and shopping website Revolico and was made available to the Cuban audience through the distribution of the paquete semanal: a selection of digital information distributed on Cuba’s black market. Portate bien was a nocturnal exhibition about the revolutionary potentials of sexuality which was held at the Fabrica de Arte Cubano: a fusion of a discotheque, a commercial gallery and an art space.","PeriodicalId":197108,"journal":{"name":"Karib – Nordic Journal for Caribbean Studies","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117205772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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