Pub Date : 2022-01-05DOI: 10.1515/9783839461112-008
V. Bühlmann
{"title":"Computational Architecture, Architectonic Models","authors":"V. Bühlmann","doi":"10.1515/9783839461112-008","DOIUrl":"https://doi.org/10.1515/9783839461112-008","url":null,"abstract":"","PeriodicalId":198141,"journal":{"name":"Architecture, Futurability and the Untimely","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114553112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-05DOI: 10.1515/9783839461112-014
Johan Bettum
{"title":"Spatial Fabulations and Other Tales of Representation in Virtual Reality","authors":"Johan Bettum","doi":"10.1515/9783839461112-014","DOIUrl":"https://doi.org/10.1515/9783839461112-014","url":null,"abstract":"","PeriodicalId":198141,"journal":{"name":"Architecture, Futurability and the Untimely","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114786925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-05DOI: 10.1515/9783839461112-011
Eugene Han
This paper reconceives of perceptual depth by integrating Sergei Eisenstein's theory of mise-en-cadre with graphic analyses using eye-tracking data. Contrary to the commonplace understanding of depth-as-distance, it is argued that techniques such as linear perspective simulate a quantitative understanding of depth, whereas depth in perception is fundamentally qualitative. Scanpath information was taken from three recordings, in which subjects viewed a variety of images. Rather than employing eye-tracking as a means to explain perceptual behaviors, it was used to provide an additional perspective into a fundamentally aesthetic problem. Depth is conceived as the collision of intra-image moments that inform a total, yet dynamic 'picture' through a subject's perception.
{"title":"Depth in Aesthetic Perception","authors":"Eugene Han","doi":"10.1515/9783839461112-011","DOIUrl":"https://doi.org/10.1515/9783839461112-011","url":null,"abstract":"This paper reconceives of perceptual depth by integrating Sergei Eisenstein's theory of mise-en-cadre with graphic analyses using eye-tracking data. Contrary to the commonplace understanding of depth-as-distance, it is argued that techniques such as linear perspective simulate a quantitative understanding of depth, whereas depth in perception is fundamentally qualitative. Scanpath information was taken from three recordings, in which subjects viewed a variety of images. Rather than employing eye-tracking as a means to explain perceptual behaviors, it was used to provide an additional perspective into a fundamentally aesthetic problem. Depth is conceived as the collision of intra-image moments that inform a total, yet dynamic 'picture' through a subject's perception.","PeriodicalId":198141,"journal":{"name":"Architecture, Futurability and the Untimely","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124074255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-05DOI: 10.1515/9783839461112-006
Pier Paolo Tamburelli
Among the ruins of ancient Rome Bramante found the pieces he needed to assemble a much more rigorous system of forms than the one known to him in Milan. His repertoire changed, the solutions typical of the Lombard period were abandoned. This change of style is perhaps the most striking aspect of Bramante's artistic production and has not failed to attract the attention of historians of architecture. To understand his work it is necessary to start from right here, from this glaring fact-and a fairly unusual one with respect to the kind of behavior that, after centuries of romantic idolizing of the self, we tend to expect from an artist. And yet these choices were fully conscious, as is evident from an unequivocal passage in a letter from Guglielmo della Porta to Bartolomeo Ammannati (circa 1560): "Bramante asserted that anyone who came to Rome to practise as an architect had to strip himself, as a snake sheds its skin, of everything he had learned elsewhere, and he proved this himself with his own example, saying that before he saw this city he used to think himself an excellent painter and architect, but that after practising for many years he became aware of his error, and this was the reason that, after having drawn a great number of the buildings of ancient Rome, of Tivoli, of Praeneste, and many other places, studying, noting and learning something new every day, he opened the way to the good and regulated architecture of antiquity." It is precisely the shedding of skin that took place in the move from Milan to Rome which we need to take as the starting point in our observation of Bramante's work. Just what changed? And what did not change?
{"title":"As a Snake Sheds its Skin","authors":"Pier Paolo Tamburelli","doi":"10.1515/9783839461112-006","DOIUrl":"https://doi.org/10.1515/9783839461112-006","url":null,"abstract":"Among the ruins of ancient Rome Bramante found the pieces he needed to assemble a much more rigorous system of forms than the one known to him in Milan. His repertoire changed, the solutions typical of the Lombard period were abandoned. This change of style is perhaps the most striking aspect of Bramante's artistic production and has not failed to attract the attention of historians of architecture. To understand his work it is necessary to start from right here, from this glaring fact-and a fairly unusual one with respect to the kind of behavior that, after centuries of romantic idolizing of the self, we tend to expect from an artist. And yet these choices were fully conscious, as is evident from an unequivocal passage in a letter from Guglielmo della Porta to Bartolomeo Ammannati (circa 1560): \"Bramante asserted that anyone who came to Rome to practise as an architect had to strip himself, as a snake sheds its skin, of everything he had learned elsewhere, and he proved this himself with his own example, saying that before he saw this city he used to think himself an excellent painter and architect, but that after practising for many years he became aware of his error, and this was the reason that, after having drawn a great number of the buildings of ancient Rome, of Tivoli, of Praeneste, and many other places, studying, noting and learning something new every day, he opened the way to the good and regulated architecture of antiquity.\" It is precisely the shedding of skin that took place in the move from Milan to Rome which we need to take as the starting point in our observation of Bramante's work. Just what changed? And what did not change?","PeriodicalId":198141,"journal":{"name":"Architecture, Futurability and the Untimely","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114341940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-05DOI: 10.1515/9783839461112-012
Maja Ozvaldič
{"title":"Virtualities of the Visible","authors":"Maja Ozvaldič","doi":"10.1515/9783839461112-012","DOIUrl":"https://doi.org/10.1515/9783839461112-012","url":null,"abstract":"","PeriodicalId":198141,"journal":{"name":"Architecture, Futurability and the Untimely","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115527769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-05DOI: 10.1515/9783839461112-013
A. Saunders
{"title":"Radical Acts in the Architectural Representation of Space","authors":"A. Saunders","doi":"10.1515/9783839461112-013","DOIUrl":"https://doi.org/10.1515/9783839461112-013","url":null,"abstract":"","PeriodicalId":198141,"journal":{"name":"Architecture, Futurability and the Untimely","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115566800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-05DOI: 10.1515/9783839461112-005
Aleksandr Mergold
In this chapter, an overview of the processes of spolia as a distinctive cultural practice from the ancient times to ours, architect Aleksandr Mergold frames the possibilities embedded in the radical reuse of the remnants of the 20th century in the contemporary moment-its materials, inventions, aesthetics and debris.
{"title":"Architecture in the Time of a (Temporal) Collapse","authors":"Aleksandr Mergold","doi":"10.1515/9783839461112-005","DOIUrl":"https://doi.org/10.1515/9783839461112-005","url":null,"abstract":"In this chapter, an overview of the processes of spolia as a distinctive cultural practice from the ancient times to ours, architect Aleksandr Mergold frames the possibilities embedded in the radical reuse of the remnants of the 20th century in the contemporary moment-its materials, inventions, aesthetics and debris.","PeriodicalId":198141,"journal":{"name":"Architecture, Futurability and the Untimely","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130314527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-05DOI: 10.1515/9783839461112-010
Skender Luarasi
{"title":"Making the Donkey Drink Water, or the “Problem” of Stopping in the Digital Age","authors":"Skender Luarasi","doi":"10.1515/9783839461112-010","DOIUrl":"https://doi.org/10.1515/9783839461112-010","url":null,"abstract":"","PeriodicalId":198141,"journal":{"name":"Architecture, Futurability and the Untimely","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131470028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1515/9783839461112-007
Benjamin Ennemoser
{"title":"Learning to “See” Like A Machine","authors":"Benjamin Ennemoser","doi":"10.1515/9783839461112-007","DOIUrl":"https://doi.org/10.1515/9783839461112-007","url":null,"abstract":"","PeriodicalId":198141,"journal":{"name":"Architecture, Futurability and the Untimely","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132572373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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