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Image, Imagination, and Cognition最新文献

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Imagination, Images, and (Im)Mortality 想象,形象,和(我)死亡
Pub Date : 2018-05-30 DOI: 10.1163/9789004365742_003
S. Boer
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引用次数: 0
What Does a Diagram Prove that Other Images Do Not? Images and Imagination in the Kepler-Fludd Controversy 图表能证明什么其他图像不能证明的?开普勒-流体争议中的图像与想象
Pub Date : 2018-05-30 DOI: 10.1163/9789004365742_011
C. Lüthy
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引用次数: 2
Minerva in the Forge of Vulcan: Ingegno, Fatica, and Imagination in Early Florentine Art Theory 火神熔炉中的密涅瓦:早期佛罗伦萨艺术理论中的Ingegno, Fatica和想象力
Pub Date : 2018-05-30 DOI: 10.1163/9789004365742_005
David Zagoury
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引用次数: 0
Agere Corporaliter: Otto Vaenius’s Theory of the Imagination Agere Corporaliter:奥托-韦尼乌斯的想象力理论
Pub Date : 2018-05-30 DOI: 10.1163/9789004365742_009
R. Dekoninck
The Dutch artist and humanist Otto Vaenius (Otto van Veen, 1556–1629), best known as an early master of Peter Paul Rubens (1577–1640), has recently been rediscovered as a talented emblematist and author of several popular emblem books published in the beginning of the seventeenth century, including Horatiana emblemata (1607), Amorum emblemata (1608), and Amoris divini emblemata (1615). Born in Leiden in 1556 into a Catholic family, Vaenius remained faithful to catholicism and to the Habsburg dynasty. In his youth, he entered the service of the Prince-Bishop of Liège as a page; after traveling to Rome and perhaps to Munich and Prague, where he may have visited the court of Holy Roman Emperor Rudolph II (1552–1612), he settled in the southern Netherlands in the service of Alexander Farnese (1545–1592), Duke of Parma and Governor of the Spanish Netherlands. In 1593, Vaenius became a master in the Antwerp painters’ guild, and later, engineer at the Antwerp Citadel (in the service of the Archdukes Albert and Isabella, sovereigns of the Spanish Netherlands). He was appointed as a surveyor of the Mint (muntwaerdein) in Brussels, a city were he settled in 1615 and died in 1629. Traditionally regarded as a Catholic artist active in the Spanish Netherlands, Vaenius was also a Dutch exile with strong attachments to his homeland, and an open mind whose sympathies extended to men of various religious and philosophical persuasions.1 In a request submitted in 1619 to the Archdukes Albert and Isabella, Vaenius declared that he would devote his remaining years to the creation of engravings ‘and other speculative works, among which the True Precepts of the Art of Painting and Sculpture with notes and images’.2 Unfortunately, the whereabouts of this treatise are unknown—and indeed, it may never have been written.
荷兰艺术家和人文主义者奥托·维纽斯(奥托·范·维恩,1556-1629),最著名的是彼得·保罗·鲁本斯(1577-1640)的早期大师,最近被重新发现是一位才华横溢的象征学家,也是17世纪初出版的几本流行的象征书籍的作者,包括《象征的Horatiana》(1607)、《象征的Amorum》(1608)和《象征的Amoris divini》(1615)。1556年,维纽斯出生于莱顿的一个天主教家庭,他一直忠于天主教和哈布斯堡王朝。他年轻时,曾到利弗里奇主教公馆当过侍童;他去了罗马,也许还去了慕尼黑和布拉格,在那里他可能拜访了神圣罗马帝国皇帝鲁道夫二世(1552-1612)的宫廷,之后他在荷兰南部定居,为亚历山大·法尔内塞(1545-1592)服务,后者是帕尔马公爵和西属荷兰总督。1593年,维纽斯成为安特卫普画家协会的大师,后来成为安特卫普城堡的工程师(为西班牙荷兰的君主阿尔伯特和伊莎贝拉大公服务)。他被任命为布鲁塞尔造币厂(muntwaerdein)的测量员,他于1615年定居于布鲁塞尔,并于1629年去世。传统上,他被认为是活跃在西属荷兰的天主教艺术家,但他也是一位荷兰流亡者,对祖国有着强烈的依恋,思想开放,同情各种宗教和哲学信仰的人在1619年提交给阿尔伯特大公和伊莎贝拉大公的一份请求中,维纽斯宣布,他将把自己的余生用于版画和其他投机作品的创作,其中包括《绘画和雕塑艺术的真实戒律》,其中包括注释和图像不幸的是,这篇论文的下落不明——事实上,它可能从未被写过。
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引用次数: 0
Aristotelian Proportioned Images and Descartes’s Dynamic Imagining 亚里士多德的比例意象与笛卡儿的动态想象
Pub Date : 2018-05-30 DOI: 10.1163/9789004365742_012
Dennis L. Sepper
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引用次数: 0
Giovan Battista Della Porta’s Imagination ports Imagination的Giovan Battista
Pub Date : 2018-05-30 DOI: 10.1163/9789004365742_007
Sergius Kodera
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引用次数: 1
Sixteenth- and Seventeenth-Century Views on Mathematical Imagination 16和17世纪的数学想象观
Pub Date : 2018-05-30 DOI: 10.1163/9789004365742_010
Guy Claessens
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引用次数: 0
‘Imaginatio’ and Visual Representation in Twelfth-Century Cosmology and Astronomy: Ibn al-Haytham, Stephen of Pisa (and Antioch), (Ps.) Māshāʾallāh, and (Ps.) Thābit ibn Qurra 12世纪宇宙学和天文学中的“想象”和视觉表现:伊本·海瑟姆,比萨(和安提阿)的斯蒂芬,(Ps.) Māshā - allāh和(Ps.) Thābit伊本·古拉
Pub Date : 2018-05-30 DOI: 10.1163/9789004365742_004
B. Obrist
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引用次数: 0
Bernardino Telesio on Spirit, Sense, and Imagination 贝纳迪诺·塞西奥谈精神、感觉和想象
Pub Date : 2018-05-30 DOI: 10.1163/9789004365742_006
L. Spruit
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引用次数: 0
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Image, Imagination, and Cognition
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