Balong International Journal of Design最新文献

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TYPOGRAPHY ON DESIGN T SHIRT SUPORTER OF PERSIB � 字体设计上的t恤支持波斯人

Balong International Journal of Design

Pub Date : 2018-07-13 DOI: 10.25134/balong.v1i1.1663

M. Hidayatulloh, Iman Somargono

AbstractAs �a �type �of �clothing �used �in �daily �life, �a �t �shirt �at �this �time often displays �images �and �text �on �the � surface. �Picture �or �text �in �a �t �shirt, �can act �as �aesthetic �element �or �a �form �of �expression �as �well �as � identity �for the wearer. �For �the �supporters �of �Persib, �t �shirt �becomes �one �of �the �attributes that �they � often �use �in �supporting �Persib �both �in �the �field �and �off �the �field. T �Shirt �of �the �supporters, �generally � uses �text �elements �as �part �of �the design �elements �and �conveys �messages �to �support �Persib. �Text �on �t � shirt supporters �of �Persib, �is �packed �in �such �a �way �to �attract �the �attention �of the audience. �In �the � perspective �of �typography, �the �letters �in �the �text �not �only play �a �role �in �preparing �a �textual �message � but �also �it �can �present �a �visual perception �that �is �able �to �support �the �message �containing �and �attract � the attention �of �the �audience.Keywords: �t �shirt, �supporter, �persib, �typography

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引用次数: 0

SUNDANESE AESTHETICS IN DARSO�S VIDEO CLIP DULANG KURING 2 darso的视频剪辑dulang kuring 2中的Sundanese美学

Balong International Journal of Design

Pub Date : 2018-07-11 DOI: 10.25134/balong.v1i1.1662

L. Agung, Mohammad Isa Pramana Koesoemadinata

Abstract This paper aims to see how the aesthetics in the video clip Dulang Kuring 2 which was popularized by Alm.Darso. We used qualitative method as a method in collecting related data and to analyze video clip DulangKuring 2, we use Homi K. Bhabha Post-Coloniam theory about mimicry, hybridity, and �the third space�. The analysis focuses on Darso, the location (landscape), and the setting-property in the video clip. From the analysis that has been done, the aesthetics in the music video clip DulangKuring 2 is paradoxical because it mixes the local and global aesthetic codes. While through the Bhabha postcolonial, we find that the place (landscape), and setting-property gradually mimicry then after that we�ll see another step which is a hybridity that produces �the third space�. From the analysis, the video clip DulangKuring 2 is aesthetically very paradoxical yet hybrid because it targets the contemporary Sundanese society.Keywords: Aesthetic, Communication, Darso, Post-colonialism

摘要本文旨在探讨由阿姆斯·达索推广的视频短片《都郎古灵2》的美学。我们以定性的方法收集相关资料，并运用Homi K. Bhabha的后殖民理论来分析影片《DulangKuring 2》中的模仿、杂糅和“第三空间”。分析的重点是Darso、位置(景观)和视频剪辑中的设置属性。从已经做过的分析来看，mv片段《DulangKuring 2》的美学是矛盾的，因为它混合了本地和全球的美学代码。而通过巴巴的后殖民，我们发现地点(景观)和环境属性逐渐被模仿，然后我们将看到另一个步骤，即产生“第三空间”的混合。从分析来看，影片《都郎古灵2》在美学上是非常矛盾而又混合的，因为它针对的是当代巽他社会。关键词:美学，传播，Darso，后殖民主义

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全部化学•材料生命科学医学物理工程技术环境•农林材料科学地球科学法学管理学化学环境科学与生态学计算机科学教育学经济学农林科学人文科学生物学数学物理与天体物理心理学综合性期刊其他工业工程理学历史学农学文学信息工程

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