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Introduction to the Political Economy of Intellectual Property 知识产权政治经济学导论
Pub Date : 2018-10-08 DOI: 10.4324/9780429501302-1
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引用次数: 0
The Law of Intellectual Property: The Videocassette Recorder and the Control of Copyrights 知识产权法:盒式录像机与版权控制
Pub Date : 2018-10-08 DOI: 10.4324/9780429501302-6
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引用次数: 0
Intellectual Property and the Politics of Resistance 知识产权与抵抗政治
Pub Date : 2018-10-08 DOI: 10.4324/9780429501302-8
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引用次数: 0
Capitalism, the State, and Intellectual Property: A Case Study of Compulsory Licenses for Cable Retransmissions 资本主义、国家和知识产权:有线电视转播强制许可的案例研究
Pub Date : 2018-10-08 DOI: 10.4324/9780429501302-5
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引用次数: 0
“Who Owns the Message?” The Ownership and Control of Culture and Information “谁拥有信息?”文化和信息的所有权和控制权
Pub Date : 2018-10-08 DOI: 10.4324/9780429501302-3
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引用次数: 0
The (Political) Economics of Intellectual Property 知识产权的(政治)经济学
Pub Date : 2018-10-08 DOI: 10.4324/9780429501302-4
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引用次数: 0
Recolonizing Communications and Culture: The Expanding Realm of International Intellectual Property Law 传播与文化的再殖民:国际知识产权法的扩展领域
Pub Date : 2018-10-08 DOI: 10.4324/9780429501302-7
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引用次数: 0
Critical Perspectives on the History and Philosophy of Copyright 版权历史与哲学的批判视角
Pub Date : 1992-06-01 DOI: 10.1080/15295039209366821
The philosophy of intellectual property reifies economic rationalism as a natural human trait and assumes that, without mechanisms such as copyrights and patents, human beings would cease to be intellectually and artistically creative. To discover the roots of this assumption, this article employs a theoretical combination of political economy and the cultural history of communications to locate the origins of the concept of literary property. With attention directed toward the modes and relations of production and communication, this study reveals that the rise of capitalism and the development of the printing press are the keys to understanding the emergence of intellectual property law and how it serves as the basis for the “enclosure” of the intellectual and cultural “commons.”
知识产权哲学将经济理性主义物化为人类的一种自然特征,并假设,如果没有版权和专利等机制,人类将不再具有智力和艺术创造力。为了发现这一假设的根源,本文运用政治经济学和传播文化史的理论结合来定位文学产权概念的起源。本研究将重点放在生产和传播的模式和关系上,揭示了资本主义的兴起和印刷机的发展是理解知识产权法出现的关键,以及它如何成为知识和文化“公地”“圈地”的基础。
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引用次数: 11
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Copyrighting Culture
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