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Cartographic Expeditions and Visual Culture in the Nineteenth-Century Americas最新文献

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Delineating Land 描述土地
Pub Date : 2020-11-16 DOI: 10.4324/9780429319211-13
Julia B. Rosenbaum
This chapter reconsiders the work of renowned US landscape artist Frederic Church within the rubric of expeditionary aesthetics. His study of earth and sky occupied his entire life, taking form not only on paper and canvas but also in actual land, the site of Olana, a 250-acre hillside property that became a decades-long creative project. Church’s monumental paintings as well as Olana stand out not merely as an “explorative,” scientific interest but also an artistic practice deeply engaged with the tools of nineteenth-century investigations of the natural world. Church’s efforts underscore the challenges, for artists and cartographers alike, of delineating land in pursuit of meaning.
本章重新考虑了著名的美国风景艺术家弗雷德里克教堂在远征美学的标题下的工作。他对大地和天空的研究占据了他的整个生命,不仅在纸上和画布上表现出来,而且在实际的土地上表现出来,奥拉纳的场地,一个250英亩的山坡财产,成为一个长达数十年的创意项目。丘奇的纪念性绘画以及奥拉纳的作品不仅是一种“探索性”的科学兴趣,而且是一种与19世纪自然世界调查工具密切相关的艺术实践。丘奇的努力强调了艺术家和制图师在追求意义的过程中描绘土地的挑战。
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引用次数: 1
Alexander von Humboldt 亚历山大·冯·洪堡
Pub Date : 2020-11-16 DOI: 10.4324/9780429319211-3
Alicia Lubowski-Jahn
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引用次数: 0
Intervisible Border Intervisible边境
Pub Date : 2020-11-16 DOI: 10.4324/9780429319211-8
Katherine G. Morrissey
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引用次数: 0
Albert Operti
Pub Date : 2020-11-16 DOI: 10.4324/9780429319211-14
E. Capello
This chapter examines the creation of a “popular sublime” focusing particularly on Albert Operti, who accompanied Robert Peary’s 1890s Arctic expeditions. Nineteenth-century images of the Arctic translated the sublime from aesthetic discourse to entertainment while also transforming explorers such as John Franklin, Elijah Kent Kane, or Robert Peary into household names. A self-dubbed “Arctic historical painter,” Operti crafted a visual corpus that presented the Arctic both in museum galleries and in popular media, ranging from magazine illustrations to dioramas to penny tobacco cards. Operti’s project, the chapter argues, bolstered the public imaginary of the Arctic as a sublime landscape even as the region became more mapped and more accessible.
这一章考察了“大众崇高”的创造,特别关注阿尔伯特·奥普蒂,他曾陪同罗伯特·皮尔里在19世纪90年代进行北极探险。19世纪的北极图像将崇高从美学话语转化为娱乐,同时也将约翰·富兰克林、伊利亚·肯特·凯恩或罗伯特·皮尔里等探险家转变为家喻户晓的名字。他自诩为“北极历史画家”,制作了一个视觉语料库,在博物馆画廊和大众媒体上展示了北极,从杂志插图到立体模型再到便士烟草卡。这一章认为,奥普蒂的计划强化了公众对北极的想象,使其成为一处壮丽的景观,尽管该地区的地图越来越清晰,也越来越容易接近。
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引用次数: 0
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Cartographic Expeditions and Visual Culture in the Nineteenth-Century Americas
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