{"title":"Dissonances du thriller chez Brian De Palma.","authors":"sans prénom Eric Gatefin (Tours)","doi":"10.58282/colloques.4113","DOIUrl":"https://doi.org/10.58282/colloques.4113","url":null,"abstract":"","PeriodicalId":265467,"journal":{"name":"Les genres littéraires, les genres cinématographiques et leurs émotions","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124772577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La fiction jouée, les émotions en action","authors":"sans prénom Stello Bonhomme (Nice)","doi":"10.58282/colloques.4116","DOIUrl":"https://doi.org/10.58282/colloques.4116","url":null,"abstract":"","PeriodicalId":265467,"journal":{"name":"Les genres littéraires, les genres cinématographiques et leurs émotions","volume":"233 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114603825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sylvain Louet (Marne-la-vallée, sans prénom LISAA EA 4120)
{"title":"Éthique et esthétique de l’émotion. Le mélodrame hollywoodien classique sous l’égide de la pitié douloureuse","authors":"Sylvain Louet (Marne-la-vallée, sans prénom LISAA EA 4120)","doi":"10.58282/colloques.4088","DOIUrl":"https://doi.org/10.58282/colloques.4088","url":null,"abstract":"","PeriodicalId":265467,"journal":{"name":"Les genres littéraires, les genres cinématographiques et leurs émotions","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125137349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L’Astrée d’Honoré d’Urfé à Éric Rohmer : entre mélancolie et enjouement.","authors":"sans prénom Lise Forment (Paris)","doi":"10.58282/colloques.4106","DOIUrl":"https://doi.org/10.58282/colloques.4106","url":null,"abstract":"","PeriodicalId":265467,"journal":{"name":"Les genres littéraires, les genres cinématographiques et leurs émotions","volume":"164 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117266661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
sans prénom Nicolas Aude (Université Paris Ouest Nanterre La D
{"title":"Sémiotique de la honte : lire les « signes du repentir » dans le confessionnal du roman (Ann Radcliffe, Fédor Dostoïevski)","authors":"sans prénom Nicolas Aude (Université Paris Ouest Nanterre La D","doi":"10.58282/colloques.4097","DOIUrl":"https://doi.org/10.58282/colloques.4097","url":null,"abstract":"","PeriodicalId":265467,"journal":{"name":"Les genres littéraires, les genres cinématographiques et leurs émotions","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128889535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Un genre fondé sur le « goût de l’atroce ». Le romantisme frénétique","authors":"sans prénom Émilie Pezard (ENS Lyon– UMR LIRE)","doi":"10.58282/colloques.4094","DOIUrl":"https://doi.org/10.58282/colloques.4094","url":null,"abstract":"","PeriodicalId":265467,"journal":{"name":"Les genres littéraires, les genres cinématographiques et leurs émotions","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116932514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Les lamentations de Roland Barthes. Enjeux poétiques des larmes pour la représentation","authors":"sans prénom Noémie Christen (St Gall)","doi":"10.58282/colloques.4100","DOIUrl":"https://doi.org/10.58282/colloques.4100","url":null,"abstract":"","PeriodicalId":265467,"journal":{"name":"Les genres littéraires, les genres cinématographiques et leurs émotions","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124638611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De l’action humanitaire à une poétique de la compassion : Le cas des récits de Raymond Courvoisier1","authors":"Sophie Milquet","doi":"10.58282/colloques.4103","DOIUrl":"https://doi.org/10.58282/colloques.4103","url":null,"abstract":"","PeriodicalId":265467,"journal":{"name":"Les genres littéraires, les genres cinématographiques et leurs émotions","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129623885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
sans prénom Benjamin Flores (LSLAR Université De Caen Basse-No
{"title":"La reprise des genres, la reprise des émotions : le cinéma néoclassique","authors":"sans prénom Benjamin Flores (LSLAR Université De Caen Basse-No","doi":"10.58282/colloques.4109","DOIUrl":"https://doi.org/10.58282/colloques.4109","url":null,"abstract":"","PeriodicalId":265467,"journal":{"name":"Les genres littéraires, les genres cinématographiques et leurs émotions","volume":"126 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128045418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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