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Healing the Image: A Conceptual Investigation of the Healing Narrative in Cultural Representations of BDSM 影像疗愈:BDSM文化表征中疗愈叙事的概念研究
Pub Date : 2021-08-16 DOI: 10.1108/978-1-83982-918-520211017
M. Schotanus
Since Barker, Gupta, and Iantaffi (2007), in both mainstream cultural products and academic literature dealing with BDSM, there has been an increase in emanations of the “healing narrative,” which suggests that BDSM practices offer therapeutic potential. However, no significant attempt has been made to explore in greater detail the problematic relationship between this healing narrative and the history of pathologization of sadomasochistic desires and practices. Barker et al. (2007) rightly point out that in suggesting BDSM has healing potential, one runs the risk of implying that individuals who practice BDSM are in need of healing to begin with. This could be damaging to the image of BDSM, which after centuries of pathologization finally appears to be moving into a realm of acceptability. However, the experiences of BDSM practitioners who describe their practices as healing should not be discounted and could actually help to cultivate a more positive reputation, which makes the issue a political one. In this chapter, through an exploration of the concept of “healing” in cultural objects such as the film Secretary (2002, directed by Steven Shainberg) and the Showtime cable television series Billions (2016–present), this issue will be investigated further, leading to a way out of the apparent double bind. The aim is to come to an understanding of the therapeutic potential of BDSM, which would not only reframe the discourse of pathologization surrounding BDSM but also further the political goal of creating space for BDSM practitioners to explore their desires without having to experience stigmatization.
自Barker, Gupta和iantafi(2007)以来,在处理BDSM的主流文化产品和学术文献中,“治疗叙事”的传播都有所增加,这表明BDSM实践具有治疗潜力。然而,对于这种治疗叙事与施虐受虐欲望和行为的病态化历史之间的问题关系,并没有进行更详细的探索。Barker等人(2007)正确地指出,在暗示BDSM具有治疗潜力时,人们冒着暗示实施BDSM的人一开始就需要治疗的风险。这可能会损害BDSM的形象,在几个世纪的病理化之后,BDSM终于进入了一个可接受的领域。然而,BDSM从业者描述他们的实践是治愈的经验不应该被忽视,实际上可以帮助培养更积极的声誉,这使得这个问题成为一个政治问题。在本章中,通过对文化对象中“治愈”概念的探索,如电影《秘书》(2002年,由史蒂文·谢恩伯格执导)和Showtime有线电视连续剧《数十亿》(2016年至今),这个问题将得到进一步研究,从而走出明显的双重束缚。目的是了解BDSM的治疗潜力,这不仅会重塑围绕BDSM的病理化论述,而且还会进一步实现为BDSM从业者创造空间以探索他们的欲望而不必经历污名化的政治目标。
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引用次数: 0
Index 指数
Pub Date : 2021-08-16 DOI: 10.1108/978-1-83982-918-520211021
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引用次数: 0
Kink in the Time of Sexology: An Interdisciplinary Approach to “Abnormal Sexuality” in Victorian Culture 性学时代的扭结:维多利亚文化中“异常性行为”的跨学科研究
Pub Date : 2021-08-16 DOI: 10.1108/978-1-83982-918-520211014
Lorraine Rumson
The historical study of sexuality during the Victorian period has been influenced heavily by the development of sexology as a scientific field. The impetus of sexology to delineate and categorize “types” of sexuality and sexual behavior has situated the late nineteenth century as a starting point for studies of contemporary concepts of sexual “abnormality.” However, research into this subject, while drawing on both legal and medical discourses, has overwhelmingly ignored the value of porn in reconstructing the dynamics of Victorian sexuality. Accordingly, this chapter integrates legal, medical, and pornographic discourses of the late nineteenth century to develop a more thorough examination of Victorian sexual experiences that fell outside the limits of prescribed legal and medical “normalcy.”
维多利亚时期对性的历史研究受到性学作为一门科学领域的发展的严重影响。性学对性和性行为的“类型”进行描述和分类的推动力,已在19世纪后期成为研究当代性“异常”概念的起点。然而,对这一主题的研究,虽然借鉴了法律和医学话语,但却压倒性地忽视了色情在重建维多利亚时代性行为动态方面的价值。因此,本章整合了19世纪晚期的法律、医学和色情话语,对维多利亚时代的性经历进行了更彻底的考察,这些经历超出了法律和医学规定的“正常”范围。
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引用次数: 0
Prelims 预备考试
Pub Date : 2021-08-16 DOI: 10.1108/978-1-83982-918-520211020
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引用次数: 0
Kinky Sex Lives and Groundbreaking (Exploitation) Cinema 古怪的性生活和开创性的(剥削)电影
Pub Date : 2021-08-16 DOI: 10.1108/978-1-83982-918-520211016
Kylo-Patrick R. Hart
Over the past few decades, mainstream and independent films have increasingly represented kinky sexual behaviors of their characters, in ways that are frequently inaccurate, inappropriately titillating, and intentionally extreme. This chapter examines the representation of kinky sex lives in two groundbreaking (although extremely violent) offerings of exploitation cinema: director William Friedkin's 1980 film, Cruising, one of the first feature-length Hollywood movies to portray the sex lives of gay men in New York City's leather bars and sex clubs; and director Brett Leonard's 2005 film, Feed, one of the first feature-length independent offerings to explicitly explore the phenomena of fat fetishism and feederism. Both works are noteworthy for openly depicting nonnormative sexual activities and ways of being targeted primarily to mainstream audiences, at historical moments when doing so was quite rare. At the same time, this analysis demonstrates how both films, because of their exploitative approaches to their subject matter, ultimately communicate that the individuals and sexual activities they represent are “deviant” ones that must be contained or even eradicated in a civilized society.
在过去的几十年里,主流和独立电影越来越多地以不准确、不恰当的刺激和故意极端的方式表现角色的变态性行为。本章考察了在两部开创性的(尽管极其暴力的)剥削电影中古怪的性生活的表现:导演威廉·弗里德金1980年的电影《巡航》,这是第一部描绘纽约皮革酒吧和性俱乐部中男同性恋者性生活的好莱坞电影;以及导演布雷特·伦纳德2005年的电影《喂食》,这是第一部明确探索肥胖恋物癖和喂食癖现象的独立长片之一。这两部作品都值得注意,因为它们公开描绘了非规范性的性活动,以及主要针对主流观众的方式,在这样做的历史时刻是相当罕见的。与此同时,这一分析表明,由于两部电影对主题的剥削手法,它们最终传达的信息是,它们所代表的个人和性活动是“越轨”的,必须在文明社会中得到遏制,甚至根除。
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引用次数: 0
There Has to Be a Better Way: Kink-ifying Campus Culture to Overcome Communication Challenges 必须有更好的方法:扭曲校园文化以克服沟通挑战
Pub Date : 2021-08-16 DOI: 10.1108/978-1-83982-918-520211013
Noelle Summers
As emerging adults on college campuses, undergraduates are at a key stage of developing their identities and deciding the role that intimacy and sexuality will play in relationships for the rest of their lives. Experimentation through casual sex, which modern researchers have dubbed the hookup culture, plays a part in this development. While hooking up has been linked with sexual gratification and value clarification, there are negative aspects of the culture as well, including a lack of communication leading to regret, shame, and sexual assault. This chapter proposes looking to the bondage and discipline, dominance and submission, and sadism and masochism (BDSM) community as experts in the field of sexual communication and consent, and utilizing skills developed by this community to fill in the gaps where hookup culture has failed emerging adults. Through the use of a novel intervention called the Hookup Card, emerging adults could be empowered to increase their communication skills and see more positive outcomes as they navigate their sexual and identity development.
作为大学校园里的新生成年人,大学生正处于发展自我认同和决定亲密和性行为在他们余生的人际关系中所扮演的角色的关键阶段。通过随意性行为进行实验,现代研究人员称之为“勾搭文化”,在这种发展中起到了一定作用。虽然勾搭与性满足和价值澄清有关,但这种文化也有消极的一面,包括缺乏沟通导致后悔、羞耻和性侵犯。本章建议将束缚与约束、支配与服从、施虐与受虐(BDSM)社区视为性交流与性同意领域的专家,并利用该社区开发的技能来填补勾搭文化对新兴成年人失败的空白。通过使用一种名为“勾搭卡”的新型干预手段,新成人可以增强他们的沟通技巧,并在他们的性取向和身份发展过程中看到更多积极的结果。
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引用次数: 1
Conclusion: Kink and the Way Forward 结论:扭结和前进的道路
Pub Date : 2021-08-16 DOI: 10.1108/978-1-83982-918-520211019
Teresa Cutler-Broyles
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引用次数: 1
Ooh, Shiny! From Catwoman and Mrs. Peel to the Latex Submissive 哦,闪亮的!从猫女和皮尔夫人到乳胶服
Pub Date : 2021-08-16 DOI: 10.1108/978-1-83982-918-520211015
Jeremy R. Vaughan
This chapter addresses the prevalence of the shiny body in the kink aesthetic. Through an exploration of Freud's ideas on fetishism and Benjamin's thoughts on the aura, the author argues that the aesthetic of the kink community is shiny and that quality is often overlooked, and also that if we do look at the shiny kink aesthetic, we find a process that leads to a fetishized subject and to us dismissing that the objectification of people is unethical. By exploring the different qualities of the shiny body as well as the relationship between subject and object and the aura – achieved in part through the author's reflections on his own experiences with the attraction to shiny objects from his early childhood and adolescence – the resulting analysis articulates the effects of donning a fetishized shiny outfit and offers a theoretical re-empowerment of the fetishized body.
本章论述了在扭结美学中闪亮身体的流行。通过对弗洛伊德的拜物教思想和本雅明的光环思想的探索,作者认为,扭结群体的审美是闪亮的,而这种品质往往被忽视,如果我们真的看看闪亮的扭结美学,我们会发现一个过程,导致一个被拜物教的主体,并使我们摒弃对人的物化是不道德的。通过探索闪亮身体的不同特质,以及主体与客体和光环之间的关系——部分是通过作者对自己童年早期和青少年时期被闪亮物体吸引的经历的反思来实现的——由此产生的分析阐明了穿上闪亮服装的影响,并提供了一种理论上的重新赋予被崇拜的身体权力。
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引用次数: 0
United Collars of BDSM: Critical Exploration of Changes in the New BDSM Scene in a Postcommunist Environment BDSM的联合衣领:在后共产主义环境中对新BDSM场景变化的批判性探索
Pub Date : 2021-08-16 DOI: 10.1108/978-1-83982-918-520211011
Lucie Drdová, Adéla Mölzer Hrabáková
In the last decade, much has been debated about the topic of BDSM in various scientific fields. With the slow and steady blending of BDSM with mainstream culture, which escalated rapidly with the appearance and extreme popularity of Fifty Shades of Grey, BDSM has become a current topic of discussion in a broad variety of contexts. Moreover, with the recent change in medical classification of BDSM practices in ICD-11 (World Health Organization, 2018), which strictly clinically separated the sexological diagnosis of nonconsensual sadism from consensual SM practices, BDSM has also become a hot issue in the community of diagnostic experts. This chapter explores three aspects of the evolution of BDSM subculture in the postcommunist Czech Republic in the context of the continuous worldwide development of BDSM subculture – (1) role-play, (2) unification, and (3) commodification in the BDSM subculture – situating them within the broader context of the development of society in the postcommunist environment and the development of the BDSM scene worldwide.
在过去的十年里,关于BDSM的话题在各个科学领域都有很多争论。随着BDSM与主流文化缓慢而稳定的融合,随着《五十度灰》的出现和极端流行而迅速升级,BDSM已经成为当前各种背景下讨论的话题。此外,随着ICD-11 (World Health Organization, 2018)最近对BDSM行为的医学分类进行了更改,临床上严格将非合意性虐的性学诊断与合意性SM行为分开,BDSM也成为诊断专家界的热点问题。本章探讨了BDSM亚文化在全球范围内持续发展的背景下,后共产主义捷克共和国BDSM亚文化演变的三个方面——(1)角色扮演,(2)统一,(3)BDSM亚文化的商品化——将它们置于后共产主义环境下社会发展的更广泛背景下,以及世界范围内BDSM场景的发展。
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引用次数: 0
期刊
Kink and Everyday Life
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