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Belonging and Narrative最新文献

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Frontmatter
Pub Date : 2018-12-31 DOI: 10.14361/9783839446003-fm
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引用次数: 0
4. Dwelling in What is Found 4. 生活在已发现的事物中
Pub Date : 2018-12-31 DOI: 10.14361/9783839446003-005
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引用次数: 0
Works Cited 作品的引用
Pub Date : 2018-12-31 DOI: 10.14361/9783839446003-007
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引用次数: 0
Frontmatter
Pub Date : 2018-12-31 DOI: 10.1515/9783839446003-fm
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引用次数: 0
Works Cited 作品的引用
Pub Date : 2018-12-31 DOI: 10.1515/9783839446003-007
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引用次数: 0
1. Belonging, Narrative, and the Art of the Novel 1. 归属感、叙事与小说艺术
Pub Date : 2018-12-31 DOI: 10.14361/9783839446003-002
L. Bieger
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引用次数: 0
2. Poisoned Letters from a Gothic Frontier 2. 来自哥特式边境的有毒信件
Pub Date : 2018-12-31 DOI: 10.14361/9783839446003-003
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引用次数: 0
5. Of Cranes and Brains 5. 鹤与脑
Pub Date : 2018-12-31 DOI: 10.14361/9783839446003-006
Richard Powers’s
With The Echo Maker (2006) these explorations of the novel’s investment in giving narrative voice and form to concerns with belonging reach our late-modern present, depicted by Richard Powers in an intricate double perspective: as an encompassing ecosystem in which human troubles shrink in geological scale, and as a tenuous product of a specific narrative economy—that of the human brain. There is a striking congruence to these themes that begs to be read as counteracting the “hyper-liquefying” tendencies of late modernity. Speaking from a world in which daily routines and social relations have become intangible, short-lived and unpredictable to an unprecedented degree, the novel insists on the stoic materiality of that world and pairs it with a narrative activity that is located not in the lofty realm of the psyche but in the materiality of the brain. And if the brain’s narrative capacity is firmly grounded in the materialist worldview of cognitive science, the novel renders it, quite naturalistically, as a product of evolutionary contingency. Powers is known as a “content-intense” and “brainy” writer. He thinks of the novel as “a supreme connection machine—the most complex artifact of networking that we have developed” (Williams 104), and of connectivity as the baseline of late-modern problems with belonging.1 His fiction seeks to enhance the novel’s
随着《回声制造者》(2006)的出版,理查德·鲍尔斯以复杂的双重视角描绘了小说在赋予对归属感的关注的叙事声音和形式方面的探索,并将其延伸到我们的现代晚期:作为一个包围圈的生态系统,人类的麻烦在地质尺度上缩小了;作为一个特定叙事经济的脆弱产物——人类大脑的经济。这些主题之间有着惊人的一致性,可以被解读为对晚期现代性的“超液化”趋势的抵制。小说讲述了一个日常生活和社会关系变得无形、短暂和不可预测的世界,达到了前所未有的程度,小说坚持了那个世界的坚韧不拔的物质性,并将其与一种叙事活动相结合,这种叙事活动不是位于心灵的崇高领域,而是位于大脑的物质性。如果说大脑的叙事能力牢牢地建立在认知科学的唯物主义世界观之上,那么小说则相当自然地将其描述为进化偶然性的产物。鲍尔斯以“内容密集”和“聪明”著称。他认为小说是“一台至高无上的连接机器——我们所开发的网络中最复杂的人工制品”(Williams 104),而连接则是现代晚期归属问题的基础他的小说力求提高小说的质量
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引用次数: 0
3. The Art of Attachment 3.依恋的艺术
Pub Date : 2018-12-31 DOI: 10.14361/9783839446003-004
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引用次数: 0
期刊
Belonging and Narrative
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