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The Vindel Parchment and Martin Codax / O Pergamiño Vindel e Martin Codax最新文献

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Chapter 10. A lingua de Martin Codax, entre a tradición e o xénero
Manuel Ferreiro
This chapter studies the language used by Martin Codax in his seven cantigas from two perspectives. 1) Codax’s linguistic expression within the cantiga de amigo genre, with phono-morphological traces that are specific to this genre, namely the presence of forms preserving intervocalic Latin -l-, -n-, and use of the verb form treides, among others. 2) The use and presence of words that single out the literary production of this jongleur from the other troubadours, either because they are forms that belong almost exclusively to the poetic register and the amigo genre (senneira, ergas, velida), or because they are unusual words in medieval texts (mirar).
本章从两个角度研究马丁·科达克斯在他的七首诗中所使用的语言。1) Codax在camaga de amigo体裁中的语言表达,具有该体裁特有的音素形态痕迹,即保留中间拉丁语-l-, -n-形式的存在,以及动词形式treides的使用等。2)这些词的使用和出现使这个jongleur的文学作品从其他游吟诗人中脱颖而出,要么是因为这些词的形式几乎完全属于诗歌和朋友类型(senneira, ergas, velida),要么是因为它们是中世纪文本中不常见的词(mirar)。
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引用次数: 0
Chapter 1. Romanística, antropología y comparatismo 1章。浪漫主义、人类学和比较主义
Vicenç Beltran
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引用次数: 0
Chapter 9. Il Pergamiño Vindel 第9章.金日成PergamiñVindel啊!
Mariña Arbor Aldea, A. Ciaralli
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引用次数: 0
Chapter 7. Literatura en galego e mecenado na Idade Media
Ramón Mariño Paz
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引用次数: 0
Chapter 5. As personagens femininas do Pergaminho Vindel 五章。文德尔羊皮纸上的女性角色
Ria Lemaire-Mertens
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引用次数: 0
Chapter 13. Tradicionalismo e inovação musical na cantiga paralelística 13章。传统主义和音乐创新的平行歌曲
M. P. Ferreira
Taking into account the different views penned since 1917 on the melodic style found in Martin Codax, and also the connection with the larger sphere of parallelistic song featuring a woman’s voice, this chapter tries to ascertain which musical traits echo oral composition procedures and might point to an earlier style of women’s song symbolized by the ‘boyfriend’ and related keywords. Differences between cantigas II and III and the remaining, and the metrics of the latter, are discussed, and a new musical edition is proposed for these two (and also, in passing, for cantiga V). Finally, those stylistic aspects that in the Vindel MS may betray an earlier tradition, in contrast to those that can be attributed to the artistic initiative of Galician jongleurs, are tentatively identified.
考虑到自1917年以来对Martin Codax的旋律风格的不同看法,以及与以女性声音为特征的更大范围的平行歌曲的联系,本章试图确定哪些音乐特征与口头创作过程相呼应,并可能指出以“男朋友”和相关关键词为标志的早期女性歌曲风格。讨论了悬臂II和III与其余部分之间的差异,以及后者的度量,并为这两者提出了一个新的音乐版本(顺便也为悬臂V提出了一个新的音乐版本)。最后,与那些可以归因于加利西亚jongleurs的艺术主动性相比,Vindel MS中可能背叛早期传统的风格方面被初步确定。
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引用次数: 1
Chapter 3. The Metrics of Martin Codax 第三章。Martin Codax的参数
Rip Cohen
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引用次数: 0
期刊
The Vindel Parchment and Martin Codax / O Pergamiño Vindel e Martin Codax
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