Pub Date : 2019-01-07DOI: 10.5149/northcarolina/9781469646909.003.0007
C. Wall
This chapter charts the relationship between two prolific African American essayists, June Jordan and Alice Walker. Unlike Ellison and Baldwin, who were contemporaries but not allies, Jordan and Walker corresponded with one another, lectured together, and commented on each other’s works. It is argued that Walker and Jordan’s essays record their lifelong quest for redemptive art and politics. This project is marked by a desire for a freer, more hopeful future that comes to terms with a painful, oppressive past. As both essayists came to political consciousness during the civil rights movement, they utilized the rhetoric of rights to redefine ideas of national belonging. In doing so, they expanded the scope of the essay to includeissues of gender and sexuality. Through analyzing their essays, this chapter illustrates how Jordan and Walker in distinct, yet complementary ways, shape the art of the essay.
{"title":"On Women, Rights, and Writing","authors":"C. Wall","doi":"10.5149/northcarolina/9781469646909.003.0007","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469646909.003.0007","url":null,"abstract":"This chapter charts the relationship between two prolific African American essayists, June Jordan and Alice Walker. Unlike Ellison and Baldwin, who were contemporaries but not allies, Jordan and Walker corresponded with one another, lectured together, and commented on each other’s works. It is argued that Walker and Jordan’s essays record their lifelong quest for redemptive art and politics. This project is marked by a desire for a freer, more hopeful future that comes to terms with a painful, oppressive past. As both essayists came to political consciousness during the civil rights movement, they utilized the rhetoric of rights to redefine ideas of national belonging. In doing so, they expanded the scope of the essay to includeissues of gender and sexuality. Through analyzing their essays, this chapter illustrates how Jordan and Walker in distinct, yet complementary ways, shape the art of the essay.","PeriodicalId":291011,"journal":{"name":"On Freedom and the Will to Adorn","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122993995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-07DOI: 10.5149/northcarolina/9781469646909.003.0003
C. Wall
This chapter accounts for the centrality of nineteenth-century black oral culture to the development of the essay as a distinct African American literary genre. The author illustrates how the sermons and orations of nineteenth-century men and women such as David Walker, Maria Stewart, Henry Highland Garnet, Frances Harper, and Fredrick Douglass laid the foundation for the African American essay. It is shown how these authors combined accounts of their personal experience with traditions of oral performance. Because the line between the spoken and written word was blurred by nineteenth-century conventions, these authors blended various rhetorical and performance strategies to shape the art of the essay. In doing so, these writers became “voices of thunder.”The essayists discussed in this chapter used biblical references and appropriated democratic discourse to advance anti-slavery agendas. They appropriated the rhetoric of the founding documents of the American republic and remade them into the rhetoric of counterrevolution. Their works emphasized the material realities of life in America for blacks, both enslaved and free. Their expressions of freedom, and the rhetorical strategies they modelled informed the work of their literary descendants.
{"title":"Voices of Thunder","authors":"C. Wall","doi":"10.5149/northcarolina/9781469646909.003.0003","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469646909.003.0003","url":null,"abstract":"This chapter accounts for the centrality of nineteenth-century black oral culture to the development of the essay as a distinct African American literary genre. The author illustrates how the sermons and orations of nineteenth-century men and women such as David Walker, Maria Stewart, Henry Highland Garnet, Frances Harper, and Fredrick Douglass laid the foundation for the African American essay. It is shown how these authors combined accounts of their personal experience with traditions of oral performance. Because the line between the spoken and written word was blurred by nineteenth-century conventions, these authors blended various rhetorical and performance strategies to shape the art of the essay. In doing so, these writers became “voices of thunder.”The essayists discussed in this chapter used biblical references and appropriated democratic discourse to advance anti-slavery agendas. They appropriated the rhetoric of the founding documents of the American republic and remade them into the rhetoric of counterrevolution. Their works emphasized the material realities of life in America for blacks, both enslaved and free. Their expressions of freedom, and the rhetorical strategies they modelled informed the work of their literary descendants.","PeriodicalId":291011,"journal":{"name":"On Freedom and the Will to Adorn","volume":"99 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125216011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-07DOI: 10.5149/northcarolina/9781469646909.003.0004
C. Wall
This chapter charts the debates on art and aesthetics that preoccupied writers during the Harlem Renaissance. It is argued that because African Americans had made slight political and economic progress they turned to the arts as the primary site for social justice. The questions generated by the ensuing aesthetic debates about the purpose of racial art, its form, its audience, and the efficacy of cultural difference, reverberated throughout the twentieth century. This chapter also analyzes the formal innovations made by African American essayists. It is shown through the examples of Alain Locke’s intellectual detachment, Langston Hughes’ fiery polemic, George Schuyler’s acerbic satire, and Zora Neale Hurston’s “jagged harmonies” that the essayists of the Harlem Renaissance both formulated and enacted the aesthetic they proposed in their writings.
{"title":"On Art and Such","authors":"C. Wall","doi":"10.5149/northcarolina/9781469646909.003.0004","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469646909.003.0004","url":null,"abstract":"This chapter charts the debates on art and aesthetics that preoccupied writers during the Harlem Renaissance. It is argued that because African Americans had made slight political and economic progress they turned to the arts as the primary site for social justice. The questions generated by the ensuing aesthetic debates about the purpose of racial art, its form, its audience, and the efficacy of cultural difference, reverberated throughout the twentieth century. This chapter also analyzes the formal innovations made by African American essayists. It is shown through the examples of Alain Locke’s intellectual detachment, Langston Hughes’ fiery polemic, George Schuyler’s acerbic satire, and Zora Neale Hurston’s “jagged harmonies” that the essayists of the Harlem Renaissance both formulated and enacted the aesthetic they proposed in their writings.","PeriodicalId":291011,"journal":{"name":"On Freedom and the Will to Adorn","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116885122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-07DOI: 10.5149/northcarolina/9781469646909.003.0006
C. Wall
Although best known for his novel Invisible Man, Ralph Ellison’s essays, and the array of cultural and political agendas which prompt their conception, are integral to American literary theory and criticism. His essays defined the terms for ongoing debates around nineteenth and twentieth century American fiction, modernist aesthetics, and American culture. This chapter charts the various cultural, literary, and political interventions made by Ellison’s essays. Like James Baldwin (chapter 4), Ellison confronts the question of American identity, but he recasts it in terms of culture rather than of the individual. Through Ellison’s use of the vernacular process, which blends high and low styles, he maps cultural concerns onto the political stage. By emphasizing the cultural contributions made by African Americans, Ellison’s work complicates, reworks, and redefines our understanding of American culture.
{"title":"The Mystery of American Identity","authors":"C. Wall","doi":"10.5149/northcarolina/9781469646909.003.0006","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469646909.003.0006","url":null,"abstract":"Although best known for his novel Invisible Man, Ralph Ellison’s essays, and the array of cultural and political agendas which prompt their conception, are integral to American literary theory and criticism. His essays defined the terms for ongoing debates around nineteenth and twentieth century American fiction, modernist aesthetics, and American culture. This chapter charts the various cultural, literary, and political interventions made by Ellison’s essays. Like James Baldwin (chapter 4), Ellison confronts the question of American identity, but he recasts it in terms of culture rather than of the individual. Through Ellison’s use of the vernacular process, which blends high and low styles, he maps cultural concerns onto the political stage. By emphasizing the cultural contributions made by African Americans, Ellison’s work complicates, reworks, and redefines our understanding of American culture.","PeriodicalId":291011,"journal":{"name":"On Freedom and the Will to Adorn","volume":"156 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132349021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-10-26DOI: 10.5149/northcarolina/9781469646909.003.0002
C. Wall
Although they have written in various genres, African American writers as notable and diverse as W. E. B. Du Bois, James Baldwin, and Alice Walker have done their most influential work in the essay form. The Souls of Black Folk, The Fire Next Time, and In Search of Our Mothers' Gardens are landmarks in African American literary history. Many other writers, such as Ralph Ellison, Zora Neale Hurston, James Weldon Johnson, and Richard Wright, are acclaimed essayists but achieved greater fame for their work in other genres; their essay work is often overlooked or studied only in the contexts of their better-known works. Here Cheryl A. Wall offers the first sustained study of the African American essay as a distinct literary genre. Beginning with the sermons, orations, and writing of nineteenth-century men and women like Frederick Douglass who laid the foundation for the African American essay, Wall examines the genre's evolution through the Harlem Renaissance. She then turns her attention to four writers she regards as among the most influential essayists of the twentieth century: Baldwin, Ellison, June Jordan, and Alice Walker. She closes the book with a discussion of the status of the essay in the twenty-first century as it shifts its medium from print to digital in the hands of writers like Ta-Nehisi Coates and Brittney Cooper. Wall's beautifully written and insightful book is nothing less than a redefinition of how we understand the genres of African American literature.
尽管非裔美国作家的写作体裁多种多样，但w·e·b·杜波依斯、詹姆斯·鲍德温和爱丽丝·沃克等著名的非裔美国作家最具影响力的作品是散文形式。《黑人的灵魂》、《下一次的火》和《寻找我们母亲的花园》是美国黑人文学史上的里程碑。许多其他作家，如拉尔夫·埃里森、佐拉·尼尔·赫斯顿、詹姆斯·韦尔登·约翰逊和理查德·赖特，都是广受赞誉的散文家，但他们在其他流派的作品中获得了更大的名气;他们的论文作品往往被忽视，或者只在他们更知名的作品的背景下研究。Cheryl a . Wall首次将非裔美国人散文作为一种独特的文学体裁进行了持续的研究。沃尔从19世纪的布道、演讲和写作开始，比如为非裔美国人散文奠定基础的弗雷德里克·道格拉斯(Frederick Douglass)，他考察了这种体裁在哈莱姆文艺复兴时期的演变。然后，她把注意力转向了她认为是二十世纪最有影响力的散文家中的四位作家:鲍德温、埃里森、琼·乔丹和爱丽丝·沃克。在书的最后，她讨论了21世纪散文的地位，因为它在像塔-内希西·科茨(Ta-Nehisi Coates)和布里特尼·库珀(Brittney Cooper)这样的作家手中，从印刷媒介转向了数字媒介。沃尔这本文笔优美、见解深刻的书对我们理解非裔美国文学流派的方式进行了重新定义。
{"title":"On Freedom and the Will to Adorn","authors":"C. Wall","doi":"10.5149/northcarolina/9781469646909.003.0002","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469646909.003.0002","url":null,"abstract":"Although they have written in various genres, African American writers as notable and diverse as W. E. B. Du Bois, James Baldwin, and Alice Walker have done their most influential work in the essay form. The Souls of Black Folk, The Fire Next Time, and In Search of Our Mothers' Gardens are landmarks in African American literary history. Many other writers, such as Ralph Ellison, Zora Neale Hurston, James Weldon Johnson, and Richard Wright, are acclaimed essayists but achieved greater fame for their work in other genres; their essay work is often overlooked or studied only in the contexts of their better-known works. Here Cheryl A. Wall offers the first sustained study of the African American essay as a distinct literary genre.\u0000Beginning with the sermons, orations, and writing of nineteenth-century men and women like Frederick Douglass who laid the foundation for the African American essay, Wall examines the genre's evolution through the Harlem Renaissance. She then turns her attention to four writers she regards as among the most influential essayists of the twentieth century: Baldwin, Ellison, June Jordan, and Alice Walker. She closes the book with a discussion of the status of the essay in the twenty-first century as it shifts its medium from print to digital in the hands of writers like Ta-Nehisi Coates and Brittney Cooper. Wall's beautifully written and insightful book is nothing less than a redefinition of how we understand the genres of African American literature.","PeriodicalId":291011,"journal":{"name":"On Freedom and the Will to Adorn","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125965777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：