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The Hangover after the Handover最新文献

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Introduction: 作品简介:
Pub Date : 2020-09-12 DOI: 10.2307/j.ctv16h2hmh.4
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引用次数: 0
Connecting with the Local, or Not: 是否与本地连接:
Pub Date : 2020-09-12 DOI: 10.2307/j.ctv16h2hmh.8
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引用次数: 0
Another Rock, Another Hong Kong Story: 另一块石头,另一个香港故事:
Pub Date : 2020-09-12 DOI: 10.2307/j.ctv16h2hmh.9
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引用次数: 0
Conclusion: 结论:
Pub Date : 2020-09-12 DOI: 10.2307/j.ctv16h2hmh.10
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引用次数: 0
Local Relations and Their Postcolonial Outlooks 地方关系及其后殖民前景
Pub Date : 2020-09-12 DOI: 10.2307/j.ctv16h2hmh.5
Helena Wu
With an eye to museum exhibitions, governments’ narratives, historical accounts and scholarly analyses, among others, Chapter 1 examines the underlying political, social and cultural connotations in different narratives about Hong Kong. By uncovering the hegemony of representing Hong Kong through “the Hong Kong story”, the chapter exposes the unequal powers at work, arguing for the need to hybridize different local milieus, positionings and perspectives by redistributing significances to both human and nonhuman agencies and rekindling connections to Hong Kong’s local on different levels. Highlighting the interconnection between the social, political and cultural realms in facilitating representation, interpretation and mediation, the chapter maps out the multiple realities, contrasting stances and varied connotations wherein different “Hong Kongs” are constructed and local relations are entailed in varying constellations.
第一章从博物馆展览、政府叙述、历史记载和学术分析等方面,探讨不同叙述中隐含的政治、社会和文化内涵。本章通过“香港故事”揭示了代表香港的霸权,揭示了在工作中的不平等权力,主张需要通过重新分配人类和非人类机构的意义来混合不同的本地环境,定位和观点,并在不同层面上重新点燃与香港本地的联系。该章强调社会、政治和文化领域之间的相互联系,以促进代表、解释和调解,并描绘了不同“香港”的多重现实、不同立场和不同内涵,以及不同星座所涉及的地方关系。
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引用次数: 0
Index 指数
Pub Date : 2020-09-12 DOI: 10.2307/j.ctv16h2hmh.12
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引用次数: 0
Hong Kong’s Local: 香港本地:
Pub Date : 2020-09-12 DOI: 10.2307/j.ctv16h2hmh.6
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引用次数: 0
All Hail the King of Kowloon! Mediating Malleable Materiality 九龙王万岁!中介可塑物质性
Pub Date : 2020-09-12 DOI: 10.2307/j.ctv16h2hmh.7
Helena Wu
In Chapter 3, Tsang Tsou-choi—named “one of the oldest graffiti artists in the world” by the 50th Venice Biennale in 2003—comes into the picture. As a self-proclaimed “king” since the 1950s, Tsang spent decades writing his family’s “(hi)stories” on different surfaces in the streets of Hong Kong, ranging from walls, lampposts and post boxes to electricity boxes. Alongside the writings he produced and the places he reinvented in the city, the connection Tsang made with the local territory and local history is examined in this chapter as a confluence of local relations which reverberate and fluctuate on their own according to different footprints and traces Tsang left in the city and in the mind of his fellow urban dwellers.
第三章是2003年第50届威尼斯双年展上被誉为“世界上最年长的涂鸦艺术家之一”的曾秀才。自20世纪50年代以来,曾荫权自封为“国王”,几十年来,他在香港街头的不同表面,从墙壁、灯柱、邮筒到电箱,写下了他家族的“(hi)故事”。除了他创作的作品和他在城市中改造的地方,曾荫权与当地领土和当地历史的联系在本章中被视为当地关系的汇合,这些关系根据曾荫权在城市和他的城市居民心中留下的不同足迹和痕迹,自行回响和波动。
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引用次数: 0
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The Hangover after the Handover
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