In this paper, how cultural activities in Ankara were shaped, towards what direction the lives of the people who resided in Ankara were changed, and how individuals became influential within the scope of Turkish-American relations and in terms of social relations are examined in the post-war era which is regarded as a turning point of Turkish political history. This period not only witnessed radical changes in both foreign and domestic policies but also a deep change in cultural and social life. The radical change of political authorities, economic policies, and foreign relations brought a new dimension to urban life in Ankara, the capital of the country. Focused on the Turkish-American associations that were formed in Ankara in the post-war era, this paper explores how the Turkish-American rapprochement influenced social life in Ankara and how such associations and societies shaped Turkish-American relations. In addition to the activities of these associations and societies, through an examination of the individuals who became prominent members in the associations, a cultural analysis of Ankara in the early Cold War is also presented. In short, while this study takes up the urban life in Ankara from 1945 to 1955, which has been neglected by the existing literature, from a comprehensive perspective, it also argues that Geliş tarihi Received : 16.07.2018 Kabul tarihi Accepted : 04.09.2018 Hakemli Makale n Refereed Article Erken Soğuk Savaş Döneminde Türk-Amerikan Yakınlaşmasının Ankara Kent Kültürüne Etkileri* The Effects of the Turkish-American Rapprochement on Ankara City Culture during the Early Cold War** DOI: 10.5505/jas.2018.03522 * Bu çalışmaya konu olan araştırma 2017 yılı Koç Üniversitesi-VEKAM Kütüphanesi ve Arşivi Araştırma Ödülü’ne hak kazanmıştır. ** The research covered in this work was prepared for the Koç University-VEKAM Library and Archive Research Award in 2017. S. Gökatalay, Erken Soğuk Savaş Döneminde Türk-Amerikan Yakınlaşmasının Ankara Kent Kültürüne Etkileri n 212 Ankara Araştırmaları Dergisi 2018, 6(2), 211-235 Giriş İkinci Dünya Savaşı yılları, Türk dış politikasında oldukça köklü değişiklikleri de beraberinde getirmiştir. Savaş yıllarına kadar, Türkiye ile Sovyetler Birliği arasında stratejik bir dostluk vardır. İki devlet arasındaki iktisadi, kültürel ve sosyal ilişkiler, iki dünya savaşı arası dönemde gittikçe artmıştır (Hirst, 2013, ss. 32-53). Aynı yıllarda Türkiye’nin Batılı devletler ile kurduğu ilişkiler ise görece sınırlı kalmış, özellikle Amerika Birleşik Devletleri (ABD) ile kurduğu ilişkiler, dönem boyunca oldukça düşük bir seyir izlemiştir. Öyle ki, 1917’de, Birinci Dünya Savaşı yıllarında, son bulan Türk-Amerikan diplomatik ilişkileri, Türkiye Cumhuriyeti’nin kuruluşundan yaklaşık üç buçuk yıl sonra, 1927 Şubat’ında tekrar kurulmuştur (Kurat, 1959, ss. 43,44). 1927’den sonra da Türk-Amerikan ilişkileri kısıtlı kalmıştır. Örneğin, ABD, Ankara’da bir elçilik açma fikrinden uzun süre uzak durmuştur. 1936 yılı
本文考察了被视为土耳其政治历史转折点的战后时期，安卡拉的文化活动是如何形成的，居住在安卡拉的人们的生活是朝着什么方向改变的，以及个人是如何在土耳其-美国关系范围内和社会关系方面产生影响的。这一时期不仅国内外政策发生了根本性变化，而且文化和社会生活也发生了深刻变化。政治当局、经济政策和外交关系的根本变化给该国首都安卡拉的城市生活带来了新的维度。本文以战后在安卡拉形成的土耳其-美国协会为重点，探讨了土耳其-美国的和解如何影响安卡拉的社会生活，以及这些协会和协会如何塑造了土耳其-美国的关系。除了这些协会和社团的活动之外，通过对成为这些协会重要成员的个人的审查，还对冷战初期的安卡拉进行了文化分析。简而言之，虽然本研究从一个全面的角度审视了1945年至1955年被现有文献所忽视的安卡拉城市生活，但它也认为，在冷战初期，土耳其与美国的和解对安卡拉城市文化的影响** DOI: Etkileri10.5505/jas.2018.03522 * Bu çalışmaya konu olan araştırma 2017 yılı Koç Üniversitesi-VEKAM k<e:1> t<e:1> phanesi ve ar<s:1> ivi Araştırma Ödülü ' ne hak kazanmıştır。**本工作所涉及的研究是为2017年Koç大学- vekam图书馆档案研究奖而准备的。s . Gokatalay Erken所以ğ英国萨瓦河şDoneminde Turk-Amerikan牦牛ı国民şmasını安卡拉肯特Kulturune Etkileri n 212安卡拉AraştırmalarıDergisi 2018 6(2), 211 - 235年Girişİkinci Dunya萨瓦河şıyılları,土耳其dışpolitikasında oldukca koklu değ我şiklikleri de beraberinde getirmiş行动。萨瓦伊茨yıllarına卡达尔，<s:1> rkiye ile Sovyetler Birliği arasında stratejik birdostluk vardır。İki devlet arasındaki iktisadi, k<s:1> ltlt<e:1> rel ve sosyal ili<e:1> kiler， İki d<e:1> nya sava<e:1> iktisadi araski dönemde gittik<e:1> <e:1> artmıştır(赫斯特，2013,s. 32-53)。aynyi yıllarda t<e:1> rkiye 'nin Batılı devletler ile kurduğu ilil<e:1> kiler ise görece sınırlı kalmış， özellikle Amerika birle<e:1> Devletleri (ABD) ile kurduğu ilil<e:1> kiler, dönem boyunca olduka d<e:1> <e:1> kbirseyir izlemil <e:1> tir。Öyle ki, 1917'de, Birinci d<e:1> nya sava<e:1> yıllarında, son bulan t<e:1>， rk-美国外交官ilil<e:1> kileri, t<s:1> rkiye Cumhuriyeti ' nin kurulmu<e:1> <e:1>， undan yaklaşık üç buuk yıl sonra, 1927 Şubat ' ında tekrar kurulmu<e:1> <e:1> (Kurat, 1959, ss. 43,44)。1927年，美国人ilil<s:1>基列里kısıtlı kalmıştır。Örneğin, ABD, Ankara 'da bir elilik apma fikrinden uzun sre uzak durmu<e:1> turr。1936 yılında t<e:1> rkiye 'ye gelen dönemin ABD t<e:1> rkiye b<e:1> y<e:1> kelisi约翰·范·安特卫普·麦克默里，安卡拉'nın t<e:1> rk h<e:1> k<e:1> meti tarafından ba<e:1> kent seilmesini " bağnazlık " olarak değerlendirmiştir。ABD Ankara elçiliğinin yapım sreci ise andak 1939'da başlamıştır (Kemal, 1983, s. 13)。İkinci d<e:1> nya sava<e:1> ' ' na giden süreç i<s:1> erisinde t<e:1> rkiye ' nin Batılı devletler ile olan ilil<s:1> kileri, dönemin siyasi konjonkt<s:1> rn<e:1> n sonucunda bir değişim göstermiştir。23 Ağustos 1939'da imzalanan Alman-Sovyet Saldırmazlık paktyi, t<e:1> rk siyasi evrelerince kaygyile karşılanmıştır。[1990 ' ler ' ve ' lar boyunca dostluk ili<s:1> kileri geliştirdiği Sovyetler Birliği 'nin, Nazi Almanya ' sile antla<e:1> masyi karşısında trkiye, areyi İngiltere ve Fransa ile yakınlaşmakta bulmu<e:1> <e:1> turr] (Oran, 2002, s. 250)。但是üç devlet 19 Ekim 1939'da bir ittifak antlamasyi imzalamıştır (Bilgin ve Morewood, 2004, s. 27)。Alman-Sovyet Saldırmazlık paktyi, Al
{"title":"The Effects of the Turkish-American Rapprochement on Ankara City Culture during the Early Cold War","authors":"Semih Gökatalay","doi":"10.5505/JAS.2018.03522","DOIUrl":"https://doi.org/10.5505/JAS.2018.03522","url":null,"abstract":"In this paper, how cultural activities in Ankara were shaped, towards what direction the lives of the people who resided in Ankara were changed, and how individuals became influential within the scope of Turkish-American relations and in terms of social relations are examined in the post-war era which is regarded as a turning point of Turkish political history. This period not only witnessed radical changes in both foreign and domestic policies but also a deep change in cultural and social life. The radical change of political authorities, economic policies, and foreign relations brought a new dimension to urban life in Ankara, the capital of the country. Focused on the Turkish-American associations that were formed in Ankara in the post-war era, this paper explores how the Turkish-American rapprochement influenced social life in Ankara and how such associations and societies shaped Turkish-American relations. In addition to the activities of these associations and societies, through an examination of the individuals who became prominent members in the associations, a cultural analysis of Ankara in the early Cold War is also presented. In short, while this study takes up the urban life in Ankara from 1945 to 1955, which has been neglected by the existing literature, from a comprehensive perspective, it also argues that Geliş tarihi Received : 16.07.2018 Kabul tarihi Accepted : 04.09.2018 Hakemli Makale n Refereed Article Erken Soğuk Savaş Döneminde Türk-Amerikan Yakınlaşmasının Ankara Kent Kültürüne Etkileri* The Effects of the Turkish-American Rapprochement on Ankara City Culture during the Early Cold War** DOI: 10.5505/jas.2018.03522 * Bu çalışmaya konu olan araştırma 2017 yılı Koç Üniversitesi-VEKAM Kütüphanesi ve Arşivi Araştırma Ödülü’ne hak kazanmıştır. ** The research covered in this work was prepared for the Koç University-VEKAM Library and Archive Research Award in 2017. S. Gökatalay, Erken Soğuk Savaş Döneminde Türk-Amerikan Yakınlaşmasının Ankara Kent Kültürüne Etkileri n 212 Ankara Araştırmaları Dergisi 2018, 6(2), 211-235 Giriş İkinci Dünya Savaşı yılları, Türk dış politikasında oldukça köklü değişiklikleri de beraberinde getirmiştir. Savaş yıllarına kadar, Türkiye ile Sovyetler Birliği arasında stratejik bir dostluk vardır. İki devlet arasındaki iktisadi, kültürel ve sosyal ilişkiler, iki dünya savaşı arası dönemde gittikçe artmıştır (Hirst, 2013, ss. 32-53). Aynı yıllarda Türkiye’nin Batılı devletler ile kurduğu ilişkiler ise görece sınırlı kalmış, özellikle Amerika Birleşik Devletleri (ABD) ile kurduğu ilişkiler, dönem boyunca oldukça düşük bir seyir izlemiştir. Öyle ki, 1917’de, Birinci Dünya Savaşı yıllarında, son bulan Türk-Amerikan diplomatik ilişkileri, Türkiye Cumhuriyeti’nin kuruluşundan yaklaşık üç buçuk yıl sonra, 1927 Şubat’ında tekrar kurulmuştur (Kurat, 1959, ss. 43,44). 1927’den sonra da Türk-Amerikan ilişkileri kısıtlı kalmıştır. Örneğin, ABD, Ankara’da bir elçilik açma fikrinden uzun süre uzak durmuştur. 1936 yılı","PeriodicalId":30717,"journal":{"name":"Ankara Arastirmalari Dergisi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71087466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article the Ottoman poet Râzî, his works, poetry and poems written on Ankara is examined and the transcriptions of poems are evaluated. There is no information about the poet’s life among the biographical sources of Ottoman literature. When Razi’s historical poetry is investigated, it is discovered that he was born in 1668-1669 and died after 1740-1741. Looking closer at Râzî’s poems, it can be deduced that he lived his whole life in Ankara. Moreover, we understand that he was a dervish of the Mevlevî and Bayramî orders. For now, he is known only by a single collection of poetry and there is no information if he wrote any other book. His divan poetry is in manuscript form and only one copy has reached the present day. He generally wrote mystical poems. The most important thing about Râzi’s poems is the information he gives about eighteenth century Ankara. We have almost no knowledge about the social and cultural life of Ankara in the Ottoman period. In Râzî’s collection of poetry, there are 42 poems written about Ankara, making his poetry an important resource. In this sense, it can be accepted as Râzi’s works are a treasury of information about the history and culture of Ankara.
{"title":"Ankara’s Unknown History: XVIIIth Century Poet Râzî and His Poems About Ankara","authors":"M. Erdoğan","doi":"10.5505/JAS.2016.39200","DOIUrl":"https://doi.org/10.5505/JAS.2016.39200","url":null,"abstract":"In this article the Ottoman poet Râzî, his works, poetry and poems written on Ankara is examined and the transcriptions of poems are evaluated. There is no information about the poet’s life among the biographical sources of Ottoman literature. When Razi’s historical poetry is investigated, it is discovered that he was born in 1668-1669 and died after 1740-1741. Looking closer at Râzî’s poems, it can be deduced that he lived his whole life in Ankara. Moreover, we understand that he was a dervish of the Mevlevî and Bayramî orders. For now, he is known only by a single collection of poetry and there is no information if he wrote any other book. His divan poetry is in manuscript form and only one copy has reached the present day. He generally wrote mystical poems. The most important thing about Râzi’s poems is the information he gives about eighteenth century Ankara. We have almost no knowledge about the social and cultural life of Ankara in the Ottoman period. In Râzî’s collection of poetry, there are 42 poems written about Ankara, making his poetry an important resource. In this sense, it can be accepted as Râzi’s works are a treasury of information about the history and culture of Ankara.","PeriodicalId":30717,"journal":{"name":"Ankara Arastirmalari Dergisi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71087514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Giulio Mongeri is an Italian architect credited as behind some of the most important structures all across Turkey, but foremost in Istanbul and Ankara. He served the Ottoman state in the first quarter of the 20th century, and provided a noteworthy contribution to Ankara in the Early Republican era. Mongeri carried out his first visit to Ankara in 1897. His observations of the era are extremely interesting. Mongeri’s notes on this visit were published over a few weeks in the 25th volume of Illustrazione Italiana journal, which rarely sees daylight nowadays and is barely spoken of in the Ankara research literature. As a contribution to Turkish publications about Ankara, this study aims to evaluate this visit and compare it from various perspectives to other publications and the Ankara of today. Sedat BORNOVALI Yrd. Doç. Dr., Öğretim Üyesi, Nişantaşı Üniversitesi, Mimarlık Fakültesi, İstanbul sed@bornova.li Bir İtalyan Mimarın İlk Ankara Ziyareti: Giulio Mongeri – 1897* An Italian Architect’s First Visit to Ankara: Giulio Mongeri – 1897** * Bu makale, Società Operaia Italiana restorasyon projesini tamamlayıcı araştırmalar kapsamında hazırlanmıştır. Proje Sn. Gianluca Alberini’nin (2010-2014 arasında İtalya’nın İstanbul Başkonsolosu) girişimleriyle başlatılmış ve TÜRSAB tarafından Sn. Başaran Ulusoy’un iradesiyle desteklenmiştir. ** This article is part of the complementary research undertaken in conjunction with the Istanbul Società Operaia Italiana restoration project, which was carried out on the initiative of Mr. Gianluca Alberini (Consul General of Italy in Istanbul between 2010-2014) and supported by TÜRSAB thanks to Mr. Başaran Ulusoy’s will. Geliş tarihi Received : 27.09.2016 Kabul tarihi Accepted : 05.12.2016 Hakemli Makale n Refereed Article S. Bornovalı, Bir İtalyan Mimarın İlk Ankara Ziyareti: Giulio Mongeri – 1897 n 132 Ankara Araştırmaları Dergisi 2016, 4(2), 131-157 First of all, new digital imaging was carried out in place of the low-resolution digitalized copies published by the Italian Ministry of Culture and Tourism, then a field examination of Mongeri’s route was carried out, and following study comparing this to historical sources, it was made ready for detailed investigations to be carried out by later researchers. On certain issues, Mongeri was not well informed, but on many others his deep interest in history emerges thanks to the education he had received in Milan. These travel notes may catch the eye as showing from an earlier age the basics of the historicist approach he would take in his professional life as a historian..
朱利奥·蒙格里是一位意大利建筑师，他设计了土耳其各地最重要的一些建筑，但最重要的是在伊斯坦布尔和安卡拉。他在20世纪的前25年为奥斯曼帝国服务，并在共和初期为安卡拉做出了显著的贡献。蒙格里于1897年首次访问安卡拉。他对那个时代的观察非常有趣。Mongeri关于这次访问的笔记在几周内发表在《Illustrazione Italiana》杂志的第25卷上，这本杂志现在很少见到日光，在安卡拉研究文献中几乎没有提及。作为对有关安卡拉的土耳其出版物的贡献，本研究旨在评估这次访问，并从不同角度将其与其他出版物和当今安卡拉进行比较。博尔诺瓦利市。医生。博士，Öğretim Üyesi, ni antta Üniversitesi, Mimarlık fak ltesi， İstanbul sed@bornova.li Bir İtalyan Mimarın İlk安卡拉Ziyareti: Giulio Mongeri - 1897*一位意大利建筑师首次访问安卡拉:Giulio Mongeri - 1897** * Bu makale, societ Operaia Italiana restorason projesini tamamlayıcı araştırmalar kapsamında hazırlanmıştır。按Sn。Gianluca Alberini 'nin (2010-2014 arasında İtalya 'nın İstanbul ba konsolosu) giri leriyle başlatılmış ve TÜRSAB tarafından Sn。bau。**本文是伊斯坦布尔意大利歌剧协会修复项目补充研究的一部分，该项目由Gianluca Alberini先生(2010-2014年意大利驻伊斯坦布尔总领事)发起，并得到TÜRSAB的支持，感谢ba aran Ulusoy先生的遗嘱。gelikan tarihi 收稿日期:27.09.2016喀布尔tarihi 收稿日期:05.12.2016 Hakemli Makale n ref . Article S. bornovalyi, Bir İtalyan Mimarın İlk安卡拉齐亚雷提:Giulio Mongeri - 1897 n 132 Ankara Araştırmaları Dergisi 2016, 4(2)， 131-157首先，进行了新的数字成像，取代了意大利文化和旅游部发布的低分辨率数字副本，然后对Mongeri的路线进行了实地检查，并将其与历史资料进行了比较研究，为后来的研究人员进行详细调查做好了准备。在某些问题上，蒙格里不是很了解情况，但在许多其他问题上，他对历史的浓厚兴趣得益于他在米兰接受的教育。这些游记可能会引起人们的注意，因为它从早期就展示了他作为历史学家的职业生涯中所采用的历史主义方法的基本原理。
{"title":"An Italian Architect’s First Visit to Ankara: Giulio Mongeri – 1897","authors":"Sedat Bornovalı","doi":"10.5505/JAS.2016.50469","DOIUrl":"https://doi.org/10.5505/JAS.2016.50469","url":null,"abstract":"Giulio Mongeri is an Italian architect credited as behind some of the most important structures all across Turkey, but foremost in Istanbul and Ankara. He served the Ottoman state in the first quarter of the 20th century, and provided a noteworthy contribution to Ankara in the Early Republican era. Mongeri carried out his first visit to Ankara in 1897. His observations of the era are extremely interesting. Mongeri’s notes on this visit were published over a few weeks in the 25th volume of Illustrazione Italiana journal, which rarely sees daylight nowadays and is barely spoken of in the Ankara research literature. As a contribution to Turkish publications about Ankara, this study aims to evaluate this visit and compare it from various perspectives to other publications and the Ankara of today. Sedat BORNOVALI Yrd. Doç. Dr., Öğretim Üyesi, Nişantaşı Üniversitesi, Mimarlık Fakültesi, İstanbul sed@bornova.li Bir İtalyan Mimarın İlk Ankara Ziyareti: Giulio Mongeri – 1897* An Italian Architect’s First Visit to Ankara: Giulio Mongeri – 1897** * Bu makale, Società Operaia Italiana restorasyon projesini tamamlayıcı araştırmalar kapsamında hazırlanmıştır. Proje Sn. Gianluca Alberini’nin (2010-2014 arasında İtalya’nın İstanbul Başkonsolosu) girişimleriyle başlatılmış ve TÜRSAB tarafından Sn. Başaran Ulusoy’un iradesiyle desteklenmiştir. ** This article is part of the complementary research undertaken in conjunction with the Istanbul Società Operaia Italiana restoration project, which was carried out on the initiative of Mr. Gianluca Alberini (Consul General of Italy in Istanbul between 2010-2014) and supported by TÜRSAB thanks to Mr. Başaran Ulusoy’s will. Geliş tarihi Received : 27.09.2016 Kabul tarihi Accepted : 05.12.2016 Hakemli Makale n Refereed Article S. Bornovalı, Bir İtalyan Mimarın İlk Ankara Ziyareti: Giulio Mongeri – 1897 n 132 Ankara Araştırmaları Dergisi 2016, 4(2), 131-157 First of all, new digital imaging was carried out in place of the low-resolution digitalized copies published by the Italian Ministry of Culture and Tourism, then a field examination of Mongeri’s route was carried out, and following study comparing this to historical sources, it was made ready for detailed investigations to be carried out by later researchers. On certain issues, Mongeri was not well informed, but on many others his deep interest in history emerges thanks to the education he had received in Milan. These travel notes may catch the eye as showing from an earlier age the basics of the historicist approach he would take in his professional life as a historian..","PeriodicalId":30717,"journal":{"name":"Ankara Arastirmalari Dergisi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71087452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this study is to consider a new understanding of the complex and multi-layered structure of Ankara music, which is situated between tradition and modernity and has become an important form of popular culture in the region, in the context of local and global relationships.. The theoretical framework of the study is based on Appadurai’s “global cultural flow” model. The ethnoscape, finanscape, mediascape, technoscape and ideoscape of Ankara music is examined in accordance with this approach to reveal the dynamics that make this music different. In the light of these findings, it is concluded that the ethnoscape of Ankara music is based on a broad demographic coalition that has created an independent music industry with a finanscape depending on production, distribution and consumption. While this type of music is represented through a network-based social structure, it gains legitimacy outside its bounds within the media environment. The “Ankara” genre and its quest for authenticity described in this work reveal the ideoscape of the new Ankara music.
{"title":"A New Understanding of Ankara Music within the Context of Global Cultural Flow","authors":"Ömer Can Satır, Songül Karahasanoğlu","doi":"10.5505/JAS.2015.74946","DOIUrl":"https://doi.org/10.5505/JAS.2015.74946","url":null,"abstract":"The aim of this study is to consider a new understanding of the complex and multi-layered structure of Ankara music, which is situated between tradition and modernity and has become an important form of popular culture in the region, in the context of local and global relationships.. The theoretical framework of the study is based on Appadurai’s “global cultural flow” model. The ethnoscape, finanscape, mediascape, technoscape and ideoscape of Ankara music is examined in accordance with this approach to reveal the dynamics that make this music different. In the light of these findings, it is concluded that the ethnoscape of Ankara music is based on a broad demographic coalition that has created an independent music industry with a finanscape depending on production, distribution and consumption. While this type of music is represented through a network-based social structure, it gains legitimacy outside its bounds within the media environment. The “Ankara” genre and its quest for authenticity described in this work reveal the ideoscape of the new Ankara music.","PeriodicalId":30717,"journal":{"name":"Ankara Arastirmalari Dergisi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71087373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Art Deco Furniture Designs in Republican Era: Selahattin Refik Sırmalı and the Study Room of Atatürk","authors":"Çiler Buket Tosun, Arda Can Özsu","doi":"10.5505/jas.2014.80299","DOIUrl":"https://doi.org/10.5505/jas.2014.80299","url":null,"abstract":"","PeriodicalId":30717,"journal":{"name":"Ankara Arastirmalari Dergisi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71087361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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