Antonio de Guevara (1480?-1545) es una figura singular de la cultura iberica del siglo XVI. La proximidad al emperador Carlos V marcara su trayectoria personal y su produccion literaria. La publicacion, en 1528, del Libro Aureo de Marco Aurelio, dara comienzo a una carrera literaria que hara de Guevara uno de los autores mas leidos y apreciados de la Europa del siglo XVI. Procurando inscribir su carrera vital en la coyuntura historica de la Espana de su tiempo, este texto analiza la trayectoria y fortuna del Relox de Principes, publicado en 1529, y su irradiacion iberica y europea, con especial incidencia para el caso portugues.
{"title":"Corte, poder e utopia : \" o Relox de Príncipes\" (1529) de Fr. Antonio de Guevara e a sua fortuna na Europa do século XVI","authors":"Ana Isabel Buescu","doi":"10.18002/EHH.V0I8.3125","DOIUrl":"https://doi.org/10.18002/EHH.V0I8.3125","url":null,"abstract":"Antonio de Guevara (1480?-1545) es una figura singular de la cultura iberica del siglo XVI. La proximidad al emperador Carlos V marcara su trayectoria personal y su produccion literaria. La publicacion, en 1528, del Libro Aureo de Marco Aurelio, dara comienzo a una carrera literaria que hara de Guevara uno de los autores mas leidos y apreciados de la Europa del siglo XVI. Procurando inscribir su carrera vital en la coyuntura historica de la Espana de su tiempo, este texto analiza la trayectoria y fortuna del Relox de Principes, publicado en 1529, y su irradiacion iberica y europea, con especial incidencia para el caso portugues.","PeriodicalId":331499,"journal":{"name":"ehumanista Journal of Iberian Studies","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134026758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested. Besides the analysis of the suitable contexts and staging procedures associated to the appearance of sacred images on stage, static performances, closer to painting than to drama, are also taken into account as a device which contribute to create that transcendent meaning which is essential to hagiographical comedias.
{"title":"Imaginería sacra y espacios pictóricos en las comedias de santos de Lope de Vega","authors":"N. F. Rodríguez","doi":"10.7892/BORIS.67267","DOIUrl":"https://doi.org/10.7892/BORIS.67267","url":null,"abstract":"Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested. Besides the analysis of the suitable contexts and staging procedures associated to the appearance of sacred images on stage, static performances, closer to painting than to drama, are also taken into account as a device which contribute to create that transcendent meaning which is essential to hagiographical comedias.","PeriodicalId":331499,"journal":{"name":"ehumanista Journal of Iberian Studies","volume":"195 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115662508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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