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The Mummy on Screen最新文献

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The Mutating Mummy: From ancient artefact to modern attraction 变异的木乃伊:从古代文物到现代景点
Pub Date : 2019-04-19 DOI: 10.5040/9781350134331.0010
Basil Glynn
This paper explores the history of the Mummy in popular culture with a particular focus on its presentation in the cinema. It argues that the Mummy is a figure who has constantly transformed in response to changing public attitudes towards the science of archaeology and the cultural beliefs of the non-western culture from which it originated. As prolific in screen appearances and as established in the public consciousness as virtually any other screen monster, whilst additionally having a longer history than any of them, the Mummy has been dismissed again and again in books on cinema and horror as the star of a repetitive and derivative genre, making the Mummy as misrepresented and misunderstood as any figure in the history of cinema itself. Far from being maddeningly repetitive, the Mummy has instead been a refreshingly diverse figure and the Mummy's myriad on-screen incarnations have evidenced continued novelty and inventiveness as it has wavered between a creature born of the supernatural and one reanimated through the science of galvanism or serums and potions. After briefly discussing the Mummy’s appearances in literature and on the stage, the main focus will be on the early years of cinema and the Mummy’s presence on the silent screen and how these informed the heated debates that surrounded the discovery and consequent autopsy of Tutankhamen.
本文探讨了木乃伊在流行文化中的历史,特别关注它在电影中的表现。它认为,木乃伊是一个不断变化的人物,以回应公众对考古科学的态度和它起源于非西方文化的文化信仰的变化。与其他银幕怪物一样,木乃伊在银幕上的出现次数和公众意识都很丰富,同时它的历史也比他们中的任何一个都长,在电影和恐怖书籍中,木乃伊被一次又一次地视为重复和衍生类型的明星,这使得木乃伊像电影史上的任何一个人物一样被歪曲和误解。木乃伊并没有让人疯狂地重复,相反,它是一个令人耳目一新的多样化形象,木乃伊在银幕上无数的化身证明了它持续的新奇和创造性,因为它在超自然的生物和通过电刺激或血清和药水的科学复活之间摇摆不定。在简短地讨论了木乃伊在文学和舞台上的出现之后,主要的焦点将是早期的电影和木乃伊在无声银幕上的出现,以及这些是如何影响围绕图坦卡蒙的发现和随后的尸检的激烈辩论的。
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引用次数: 0
Introduction: Death is only the beginning – Unravelling the Mummy on Screen 简介:死亡只是一个开始——揭开银幕上的木乃伊
Pub Date : 1900-01-01 DOI: 10.5040/9781350134331.0007
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引用次数: 0
Hammer’s resurrection of the Mummy: Sex and digs and wrap and roll 哈默的《木乃伊复活》:性爱、挖掘、包裹和翻滚
Pub Date : 1900-01-01 DOI: 10.5040/9781350134331.0018
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引用次数: 0
On the page and stage: The Mummy movie’s literary and theatrical influences 在纸面和舞台上:木乃伊电影的文学和戏剧的影响
Pub Date : 1900-01-01 DOI: 10.5040/9781350134331.0012
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引用次数: 0
Wrapping up the Mummy: The last sixty years 包裹木乃伊:过去的六十年
Pub Date : 1900-01-01 DOI: 10.5040/9781350134331.0019
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引用次数: 0
Preserved on film: The silent Mummy of early cinema 保存在胶片上:早期电影的无声木乃伊
Pub Date : 1900-01-01 DOI: 10.5040/9781350134331.0013
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引用次数: 0
The 1940s Mummy film: A decade of decay 20世纪40年代的木乃伊电影:腐朽的十年
Pub Date : 1900-01-01 DOI: 10.5040/9781350134331.0016
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引用次数: 0
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The Mummy on Screen
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