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Beyond the Return of Religion: Art and the Postsecular最新文献

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Beyond the Return of Religion: Art and the Postsecular 超越宗教的回归:艺术与后世俗
Pub Date : 2018-06-07 DOI: 10.1163/24688878-12340005
L. Wijnia
Beyond the Return of Religion: Art and the Postsecular explores the conceptual potential of the postsecular for investigations of (late) modern art and religion. Indicating a public co-existence and merging of religion and the secular, the postsecular is approached as an alternative to the return of religion narrative. Rather than framing artistic concerns with religion as a recurrence after temporary absence, it is argued how the postsecular allows for seeing the interaction between art and religion as enduring, albeit transforming relationship of mutual nature. Whereas secularization theories are intrinsically connected to modernity, the postsecular requires a pluralized perspective, covering the processes of secularization, diversification, and spiritualization. The postsecular reinforces the interconnectedness of these processes, which are, in turn, embodied in the concept’s interdisciplinary nature. While this essay predominantly focuses on visual art and its institutional context of the museum, the postsecular has interdisciplinary relevance for broader artistic and academic disciplines.
《超越宗教的回归:艺术与后世俗》探讨了后世俗对(晚期)现代艺术和宗教研究的概念潜力。后世俗是宗教与世俗的公共共存与融合,是对宗教叙事回归的一种替代。与其将艺术关注与宗教作为短暂缺席后的复发,不如争论后世俗如何允许将艺术与宗教之间的相互作用视为持久的,尽管是相互性质的转变关系。尽管世俗化理论与现代性有着内在的联系,但后世俗主义需要一个多元化的视角,涵盖世俗化、多样化和精神化的过程。后世俗强化了这些过程的相互联系,而这些过程又体现在这个概念的跨学科性质中。虽然本文主要关注视觉艺术及其博物馆的制度背景,但后世俗主义与更广泛的艺术和学术学科具有跨学科的相关性。
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Beyond the Return of Religion: Art and the Postsecular
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