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The Rights Paradox最新文献

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The Group Antipathy Theory of Supreme Court Legitimacy 最高法院合法性的群体反感理论
Pub Date : 2021-04-01 DOI: 10.1017/9781108937764.002
Michael A. Zilis
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引用次数: 0
Appendix 附录
Pub Date : 2018-12-31 DOI: 10.2307/j.ctvkwnqg0.12
Xueqing Deng, Dawei Sun, S. Newsam, Peng Wang
In this section, we present the implementation details on the experiments performed on transformer. We select ViT-B [2] with patch size of 16 as our teacher model and DeiT-Tiny [4] as our student model. We reproduce the baseline result with 4 GPUs and the total batch size is 1024. However, for searching the distillation process, we have to reduce the batch size to 256 due to limited GPU memory as we have pathways between the feature maps from teacher and student. Meanwhile, we keep the same batch size for retraining after searching. The most significant difference between the implementations of convolutional neural networks (CNNs) and transformers is the transform block. Our experimental results show that the proposed transform block on CNNs is not applicable to transformer yielding much worse performance on distillation compared to non-distillation. Therefore, we employ a transformer-style block to serve as a transform block for feature transfer between the teacher and student whose architectures are transformers as shown in Fig. 1. We follow similar search pipeline with a search learning rate of 1e-3. Once the distillation process is obtained, we train the models with 150 epochs for both ReviewKD [1] and our proposed DistPro following the same configurations in DeiT [4].
在本节中,我们介绍了在变压器上进行的实验的实现细节。我们选择patch大小为16的ViT-B[2]作为我们的教师模型,DeiT-Tiny[4]作为我们的学生模型。我们用4个gpu重现基线结果,总批大小为1024。然而,对于搜索蒸馏过程,由于GPU内存有限,我们必须将批处理大小减少到256个,因为我们在教师和学生的特征映射之间有路径。同时,我们在搜索后保持相同的批大小进行再训练。卷积神经网络(cnn)与变压器实现的最大区别在于变换块。实验结果表明,本文提出的变换块算法不适用于变压器,在蒸馏处理上的性能明显低于非蒸馏处理。因此,我们采用变压器式块作为师生之间特征传递的转换块,其架构为变压器,如图1所示。我们遵循类似的搜索管道,搜索学习率为1e-3。一旦获得了蒸馏过程,我们按照DeiT[4]中相同的配置,对ReviewKD[1]和我们提出的DistPro进行150 epoch的模型训练。
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引用次数: 0
Opening the Floodgates 打开闸门
Pub Date : 2016-02-13 DOI: 10.1017/9781108937764.004
Homi K. Bhabha
The very title of this book demands that we begin to revalue the progress of contemporary post-structuralist theory by standing outside its "modernist" European canon-Mallarm6, Joyce, Bataille, Beckett, Celine. Black Literature and Literary Theory attempts not only to articulate the former in terms of the latter; to apply the rules of an innovative, adversarial method to the "miscreants" of its culture to produce an alternative counter-culture. For the theoretical problem raised by the title of this volume-implicit in the essays themselves-is resistant to the polarities and complicities of "culture and counter-culture." Black Literature, with its Afro-American heritage is implacably "two-toned" or double-voiced as Gates and his band of improvising, innovating contrapunctualists ably demonstrate. What is black, as cultural sign or social text, cannot be contained within an essentialist or Romantic myth of the literary as the expression of "authenticity and sincerity," as Trilling called it. Nor will it be appropriately represented in those grand nineteenth century narratives of social, national mimesis. Blackness, these writers insist, is itself a signifying trope with origins in the Yoruba figure of the Signifying Monkey and its tradition of Trickster Tales, revised and relocated in those re-sounding repetitions of the oral traditions of slave narratives. What emerges is an Afro-American "indeterminacy" that has a natural affinity with the post-structuralist trope of textuality as double inscription, or dissemination. Blackness, like the signifier, is neither the One thing nor the Other; its doubleness, traditionally misread as the duplicitous utterance of slave and native, breaks the mold of the binary divisions of Subject (Self/Other) and Sign (Signifier/ Signified). Like the differance of signification itself, Blackness becomes the trope of the entre, playing its tricks of meaning and
正是这本书的标题要求我们站在“现代主义”的欧洲经典——马拉姆、乔伊斯、巴塔耶、贝克特、塞琳——之外,重新审视当代后结构主义理论的进展。黑人文学和文学理论不仅试图用后者来表达前者;将一种创新的、对抗性的方法的规则应用于其文化中的“恶棍”,以产生另一种反文化。因为这本书的标题所提出的理论问题——隐含在文章本身——是抵制“文化和反文化”的两极和复杂性的。黑人文学有着非裔美国人的传统,不可避免地具有“双调”或双调,正如盖茨和他的即兴创作、创新的反时机主义乐队所表现的那样。什么是黑色,作为文化符号或社会文本,不能包含在本质主义或浪漫主义的文学神话中作为“真实性和真诚”的表达,正如特里林所说的那样。也不会在19世纪那些宏大的社会,国家模仿叙事中恰当地表现出来。这些作家坚持认为,黑色本身就是一种象征的修辞,起源于约鲁巴人的象征猴子形象及其传统的魔术师故事,在奴隶叙述的口头传统的重复中被修改和重新定位。出现的是一种非裔美国人的“不确定性”,它与后结构主义的文本性比喻有一种天然的亲和力,即双重铭文或传播。黑暗,像能指一样,既不是一物也不是他者;它的双重性,传统上被误读为奴隶和本地人的双重话语,打破了主体(自我/他者)和符号(能指/所指)二元划分的模式。就像意义本身的差异一样,黑色成为了中心的修辞,玩弄着它的意义和诡计
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引用次数: 0
Index 指数
Pub Date : 1900-01-01 DOI: 10.1017/9781108937764.011
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引用次数: 0
Experimental Tests of the Group Antipathy Model 群体反感模型的实验检验
Pub Date : 1900-01-01 DOI: 10.1017/9781108937764.005
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引用次数: 0
Group Antipathy and Strategic Behavior on the Supreme Court 最高法院的群体反感和战略行为
Pub Date : 1900-01-01 DOI: 10.1017/9781108937764.007
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引用次数: 0
Conclusion 结论
Pub Date : 1900-01-01 DOI: 10.1017/9781108937764.008
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引用次数: 0
期刊
The Rights Paradox
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