Pub Date : 2020-07-14DOI: 10.4324/9781003071259-13
Wilson G. Knight, T. Eliot
{"title":"The Shakespearian Metaphysic","authors":"Wilson G. Knight, T. Eliot","doi":"10.4324/9781003071259-13","DOIUrl":"https://doi.org/10.4324/9781003071259-13","url":null,"abstract":"","PeriodicalId":350842,"journal":{"name":"The Wheel of Fire","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129191960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-14DOI: 10.4324/9781003071259-12
Wilson G. Knight, T. Eliot
{"title":"Symbolic Personification","authors":"Wilson G. Knight, T. Eliot","doi":"10.4324/9781003071259-12","DOIUrl":"https://doi.org/10.4324/9781003071259-12","url":null,"abstract":"","PeriodicalId":350842,"journal":{"name":"The Wheel of Fire","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132287866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Macbeth and the Metaphysic of Evil","authors":"Wilson G. Knight, T. Eliot","doi":"10.4324/9781003071259-7","DOIUrl":"https://doi.org/10.4324/9781003071259-7","url":null,"abstract":"","PeriodicalId":350842,"journal":{"name":"The Wheel of Fire","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130694634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
It is usual in Shakespeare's plays for the main theme to be reflected in subsidiary incidents, persons, and detailed suggestion throughout. Now the theme of Hamlet is death. Life that is bound for the disintegration of the grave, love that does not survive the loved one's life— both, in their insistence on death as the primary fact of nature, are branded on the mind of Hamlet, burned into it, searing it with agony. The bereavement of Hamlet and his consequent mental agony bordering on madness is mirrored in the bereavement of Ophelia and her madness. The death of the Queen's love is reflected in the swift passing of the love of the Player-Queen, in the 'Murder of Gonzago.' Death is over the whole play. Polonius and Ophelia die during the action, and Ophelia is buried before our eyes. Hamlet arranges the deaths of Rosencrantz and Guildenstern. The plot is set in motion by the murder of Hamlet's father, and the play opens with the apparition of the Ghost:
{"title":"The Embassy of Death: An Essay on Hamlet","authors":"G. Knight","doi":"10.4324/9781003071259-2","DOIUrl":"https://doi.org/10.4324/9781003071259-2","url":null,"abstract":"It is usual in Shakespeare's plays for the main theme to be reflected in subsidiary incidents, persons, and detailed suggestion throughout. Now the theme of Hamlet is death. Life that is bound for the disintegration of the grave, love that does not survive the loved one's life— both, in their insistence on death as the primary fact of nature, are branded on the mind of Hamlet, burned into it, searing it with agony. The bereavement of Hamlet and his consequent mental agony bordering on madness is mirrored in the bereavement of Ophelia and her madness. The death of the Queen's love is reflected in the swift passing of the love of the Player-Queen, in the 'Murder of Gonzago.' Death is over the whole play. Polonius and Ophelia die during the action, and Ophelia is buried before our eyes. Hamlet arranges the deaths of Rosencrantz and Guildenstern. The plot is set in motion by the murder of Hamlet's father, and the play opens with the apparition of the Ghost:","PeriodicalId":350842,"journal":{"name":"The Wheel of Fire","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132233439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"King Lear and the Comedy of the Grotesque","authors":"G. Knight","doi":"10.4324/9781003071259-8","DOIUrl":"https://doi.org/10.4324/9781003071259-8","url":null,"abstract":"","PeriodicalId":350842,"journal":{"name":"The Wheel of Fire","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121767224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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