Pub Date : 1900-01-01DOI: 10.36059/978-966-397-139-1/18-35
I. IlinskaN., Bart, J. Droysen, L. Hutchen, E. Wesseling, A. Compagnon, S. Heym
S. Heym. Mythologizing strategies, trends, complexes of dominant myths, processes of transformations and creations of new models, coupled with the dynamics of spiritual and aesthetic search, determine the multi-genre nature of S. Heym’s novel “The Wandering Jew”. Its multi-level structure covers the genre elements of a historical-philosophical novel, a religious-historical novel, a myth / anti-myth novel, an apocryphal novel. The boundaries between these genre structures are
{"title":"STRATEGIES OF MYTH-MAKING IN THE HISTORICAL AND PHILOSOPHICAL DISCOURSE OF THE NOVEL “THE WANDERING JEW” BY S. HEYM","authors":"I. IlinskaN., Bart, J. Droysen, L. Hutchen, E. Wesseling, A. Compagnon, S. Heym","doi":"10.36059/978-966-397-139-1/18-35","DOIUrl":"https://doi.org/10.36059/978-966-397-139-1/18-35","url":null,"abstract":"S. Heym. Mythologizing strategies, trends, complexes of dominant myths, processes of transformations and creations of new models, coupled with the dynamics of spiritual and aesthetic search, determine the multi-genre nature of S. Heym’s novel “The Wandering Jew”. Its multi-level structure covers the genre elements of a historical-philosophical novel, a religious-historical novel, a myth / anti-myth novel, an apocryphal novel. The boundaries between these genre structures are","PeriodicalId":355798,"journal":{"name":"WORLD LITERATURE AT THE INTERSECTION OF CULTURES AND CIVILIZATIONS","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121473497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.36059/978-966-397-139-1/73-90
O. htepenko
{"title":"AUTHOR’S CONCEPT OF SELF-CONSCIOUSNESS IN THE NOVEL “THE ENDLESS DEADLOCK” BY DMITRY GALKOVSKY","authors":"O. htepenko","doi":"10.36059/978-966-397-139-1/73-90","DOIUrl":"https://doi.org/10.36059/978-966-397-139-1/73-90","url":null,"abstract":"","PeriodicalId":355798,"journal":{"name":"WORLD LITERATURE AT THE INTERSECTION OF CULTURES AND CIVILIZATIONS","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116995531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.36059/978-966-397-139-1/36-53
O. Keba
{"title":"MAPPING SPACE IN FICTION OF ANDREI PLATONOV","authors":"O. Keba","doi":"10.36059/978-966-397-139-1/36-53","DOIUrl":"https://doi.org/10.36059/978-966-397-139-1/36-53","url":null,"abstract":"","PeriodicalId":355798,"journal":{"name":"WORLD LITERATURE AT THE INTERSECTION OF CULTURES AND CIVILIZATIONS","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122407553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.36059/978-966-397-139-1/1-17
H. Bokshan
INTRODUCTION The mysterious figures and motifs of the Celtic mythology have inspired writers to create numerous characters and construct multiple plots of the world literature. The Celtic myths are an inexhaustible source of the poetics of fantasy books. It seems quite natural when they are adopted and incorporated by the authors whose biography is geographically or ethnically related to Ireland. For instance, in Iris Murdoch’s fiction, namely in her novel “The Unicorn”, the reception of the Celtic mythology is obvious, since the writer was born in Ireland. We share J. Jarząb’s opinion who underlines that “throughout her life, Murdoch always took pride in her Irish roots” 1 . However, there are some Ukrainian authors, whose literary works manifest an overwhelming interest in the Celtic folkloric stories on the level of their mythopoetics. The renowned Ukrainian writer, the Shevchenko prize winner of 2010, Halyna Pahutiak finds a striking similarity of the Carpathian landscapes and the Irish sceneries, and also feels “the Celtic magic” in the lands of boikos, one of the Western Ukrainian ethnic groups, therefore she “sought the decoration for her future novel about Those flying in the air” 2 in her native Drohobych region. The writer’s essays contain the stories about the supernatural beings, in particular, elves, dancing on the valleys near the cave Pryima at night 3 . The author also relates the recurring character of her novels – The Gentleman in a black suit with lustrous buttons – to the figures of the Celtic folklore, “called fairies by the British
{"title":"THE MYTH OF THE FAIRY LOVER IN THE NOVELS “THE UNICORN” BY IRIS MURDOCH, “THE ENCHANTED MUSICIANS” BY HALYNA PAHUTIAK AND “LIUTETSIIA” BY YURII VYNNYCHUK","authors":"H. Bokshan","doi":"10.36059/978-966-397-139-1/1-17","DOIUrl":"https://doi.org/10.36059/978-966-397-139-1/1-17","url":null,"abstract":"INTRODUCTION The mysterious figures and motifs of the Celtic mythology have inspired writers to create numerous characters and construct multiple plots of the world literature. The Celtic myths are an inexhaustible source of the poetics of fantasy books. It seems quite natural when they are adopted and incorporated by the authors whose biography is geographically or ethnically related to Ireland. For instance, in Iris Murdoch’s fiction, namely in her novel “The Unicorn”, the reception of the Celtic mythology is obvious, since the writer was born in Ireland. We share J. Jarząb’s opinion who underlines that “throughout her life, Murdoch always took pride in her Irish roots” 1 . However, there are some Ukrainian authors, whose literary works manifest an overwhelming interest in the Celtic folkloric stories on the level of their mythopoetics. The renowned Ukrainian writer, the Shevchenko prize winner of 2010, Halyna Pahutiak finds a striking similarity of the Carpathian landscapes and the Irish sceneries, and also feels “the Celtic magic” in the lands of boikos, one of the Western Ukrainian ethnic groups, therefore she “sought the decoration for her future novel about Those flying in the air” 2 in her native Drohobych region. The writer’s essays contain the stories about the supernatural beings, in particular, elves, dancing on the valleys near the cave Pryima at night 3 . The author also relates the recurring character of her novels – The Gentleman in a black suit with lustrous buttons – to the figures of the Celtic folklore, “called fairies by the British","PeriodicalId":355798,"journal":{"name":"WORLD LITERATURE AT THE INTERSECTION OF CULTURES AND CIVILIZATIONS","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127714323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.36059/978-966-397-139-1/54-72
J. O. Pomohaibo
{"title":"THE GERMAN INTERCULTURAL NOVEL OF THE 21ST CENTURY. «THE GREAT HOMECOMING» BY ANNA KIM","authors":"J. O. Pomohaibo","doi":"10.36059/978-966-397-139-1/54-72","DOIUrl":"https://doi.org/10.36059/978-966-397-139-1/54-72","url":null,"abstract":"","PeriodicalId":355798,"journal":{"name":"WORLD LITERATURE AT THE INTERSECTION OF CULTURES AND CIVILIZATIONS","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122339918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.36059/978-966-397-139-1/91-108
A. Vysotsky
{"title":"THE RULERS OF EARLY KIEVAN RUS IN T. BABITSKAYA’S STORY “PRINCESS OLGA”: LITERARY CONTEXT AND PECULIARITIES OF THE AUTHOR’S INTERPRETATION OF THE SOURCE BASE AND HISTORIOGRAPHICAL EXPERIENCE","authors":"A. Vysotsky","doi":"10.36059/978-966-397-139-1/91-108","DOIUrl":"https://doi.org/10.36059/978-966-397-139-1/91-108","url":null,"abstract":"","PeriodicalId":355798,"journal":{"name":"WORLD LITERATURE AT THE INTERSECTION OF CULTURES AND CIVILIZATIONS","volume":"237 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121116955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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