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Hegelian-Lacanian Variations on Late Modernity最新文献

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Speculative topology 投机拓扑
Pub Date : 2020-11-12 DOI: 10.4324/9781003057390-4
A. Taheri
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引用次数: 0
Life and death 生与死
Pub Date : 2020-11-12 DOI: 10.4324/9781003057390-19
A. Taheri
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引用次数: 0
Truth and lies 真理与谎言
Pub Date : 2020-11-12 DOI: 10.4324/9781003057390-17
A. Taheri
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引用次数: 0
Conclusion 结论
Pub Date : 2020-11-12 DOI: 10.4324/9781003057390-27
A. Taheri
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引用次数: 0
The paradox of identity 身份的悖论
Pub Date : 2020-11-12 DOI: 10.4324/9781003057390-8
A. Taheri
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引用次数: 0
Religion and atheism 宗教与无神论
Pub Date : 2020-11-12 DOI: 10.4324/9781003057390-24
A. Taheri
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引用次数: 0
Faith and reason 信仰与理性
Pub Date : 2020-11-12 DOI: 10.4324/9781003057390-6
A. Taheri
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引用次数: 0
The death of God 上帝之死
Pub Date : 2020-11-12 DOI: 10.4324/9781003057390-25
A. Taheri
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引用次数: 0
Good and evil 善与恶
Pub Date : 2020-03-01 DOI: 10.2307/j.ctvzcz36w.21
Alireza Taheri
In this essay, I examine the literary works of Dante’s Inferno and Mark Cain’s Circles in Hell series, focusing on the values of good and evil and the way in which society has tolerated these two dichotomies. The essay also demonstrates the way punishments are used in these two works in order to show how tolerance influences different aspects of life. I also show how these values have changed through the years and how literature can be used to reflect upon the nature of change. Moreover, I examine the relationship between contemporary society and Christian theology. I show how the centre of power has shifted from the latter to the former as the culture has changed with respect to ethical choices. We also see how the protagonists deal with dilemmas in different ways according to the rules of the society in which they live. In this essay, I compare two literary works, separated by time. However, there is more to this separation than time. There is also the notion of style, namely that Dante chose to write a poem which is an allegory, while Circles in Hell is a satire. Circles in Hell is also a commentary on our contemporary society, a society in which religion is no longer at its centre. The focus in this paper is Inferno and not the other parts of The Divine Comedy, meaning the thesis explores depictions of Hell. However, interestingly, Hell seems to be a more tolerant realm than we might expect. It is because these are literary works and not oral that they are representative of their time and can be used as a resource, unlike the oral tradition which morphs with time.
在这篇文章中,我研究了但丁的《地狱》和马克·凯恩的《地狱之圈》系列的文学作品,重点关注善与恶的价值观以及社会容忍这两种二分法的方式。这篇文章还展示了在这两部作品中惩罚的使用方式,以展示宽容如何影响生活的不同方面。我还展示了这些价值观是如何随着时间的推移而变化的,以及如何利用文学来反映变化的本质。此外,我还研究了当代社会与基督教神学之间的关系。我展示了随着文化在伦理选择方面的变化,权力中心是如何从后者转移到前者的。我们也看到主人公如何根据他们所生活的社会规则以不同的方式处理困境。在这篇文章中,我比较了两部被时间分开的文学作品。然而,这次分离不仅仅是时间的问题。还有风格的概念,即但丁选择写一首讽喻的诗,而地狱之圈是讽刺的诗。《地狱之圈》也是对我们当代社会的一种评论,在这个社会中,宗教不再是其中心。这篇论文的重点是地狱篇,而不是《神曲》的其他部分,也就是说,这篇论文探讨的是对地狱的描述。然而,有趣的是,地狱似乎是一个比我们想象的更宽容的领域。因为这些都是文学作品,而不是口头的,所以它们代表了他们的时代,可以作为一种资源,而不像口头传统那样随着时间的推移而变化。
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引用次数: 20
期刊
Hegelian-Lacanian Variations on Late Modernity
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