Pub Date : 2005-09-03DOI: 10.1163/9789047404620_017
{"title":"Black & White Plates","authors":"","doi":"10.1163/9789047404620_017","DOIUrl":"https://doi.org/10.1163/9789047404620_017","url":null,"abstract":"","PeriodicalId":376725,"journal":{"name":"The Art of the Franciscan Order in Italy","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114905983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2005-09-03DOI: 10.1163/9789047404620_008
{"title":"Cimabue at Assisi: The Virgin, the ‘Song of Songs’, and the Gift of Love","authors":"","doi":"10.1163/9789047404620_008","DOIUrl":"https://doi.org/10.1163/9789047404620_008","url":null,"abstract":"","PeriodicalId":376725,"journal":{"name":"The Art of the Franciscan Order in Italy","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133913081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2005-09-03DOI: 10.1163/9789047404620_010
{"title":"The Beholder as Witness: The Crib at Greccio from the Upper Church of San Francesco, Assisi and Franciscan Influence on Late Medieval Art in Italy","authors":"","doi":"10.1163/9789047404620_010","DOIUrl":"https://doi.org/10.1163/9789047404620_010","url":null,"abstract":"","PeriodicalId":376725,"journal":{"name":"The Art of the Franciscan Order in Italy","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122434788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2005-09-03DOI: 10.1163/9789047404620_001
{"title":"Preliminary Material","authors":"","doi":"10.1163/9789047404620_001","DOIUrl":"https://doi.org/10.1163/9789047404620_001","url":null,"abstract":"","PeriodicalId":376725,"journal":{"name":"The Art of the Franciscan Order in Italy","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128121197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2005-09-03DOI: 10.1163/9789047404620_011
{"title":"‘I Speak not yet of Proof ’: Dante and the Art of Assisi","authors":"","doi":"10.1163/9789047404620_011","DOIUrl":"https://doi.org/10.1163/9789047404620_011","url":null,"abstract":"","PeriodicalId":376725,"journal":{"name":"The Art of the Franciscan Order in Italy","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116573820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2005-09-03DOI: 10.1163/9789047404620_009
{"title":"The Date of the St Francis Cycle in the Upper Church of San Francesco at Assisi: The Evidence of Copies and Considerations of Method","authors":"","doi":"10.1163/9789047404620_009","DOIUrl":"https://doi.org/10.1163/9789047404620_009","url":null,"abstract":"","PeriodicalId":376725,"journal":{"name":"The Art of the Franciscan Order in Italy","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125818582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2005-09-03DOI: 10.1163/9789047404620_006
{"title":"The Pilgrim’s Progress: Reinterpreting the Trecento Fresco Programme in the Lower Church at Assisi","authors":"","doi":"10.1163/9789047404620_006","DOIUrl":"https://doi.org/10.1163/9789047404620_006","url":null,"abstract":"","PeriodicalId":376725,"journal":{"name":"The Art of the Franciscan Order in Italy","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132121874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2005-09-03DOI: 10.1163/9789047404620_007
{"title":"Prophecy in Stone: The Exterior Facade of the Basilica of St. Francis in Assisi","authors":"","doi":"10.1163/9789047404620_007","DOIUrl":"https://doi.org/10.1163/9789047404620_007","url":null,"abstract":"","PeriodicalId":376725,"journal":{"name":"The Art of the Franciscan Order in Italy","volume":"778 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117023955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2005-09-03DOI: 10.1163/9789047404620_013
Nancy M. Thompson
When the Franciscan friars of Santa Croce in Florence began rebuilding their church in the late thirteenth century, they included a program of stained glass windows in the new basilica. The Santa Croce friars were most likely following the model of the mother Franciscan church in Assisi, where narrative stained glass appeared in Italy for the first time in the mid-thirteenth century. While the Santa Croce friars likely planned and paid for the glass that remains in the high altar chapel from the 1320s, the private patrons of Santa Croce financed the windows in the transept chapels of the church (see plan, Fig. 1). In fact, soon after the transept was completed in 1310, private Florentine citizens, spurred on by the promise of papal indulgences, began to purchase entire chapels and finance their decoration with stained glass, fresco and panel paintings. While only about half
{"title":"Cooperation and Conflict: Stained Glass in the Bardi Chapel of Santa Croce","authors":"Nancy M. Thompson","doi":"10.1163/9789047404620_013","DOIUrl":"https://doi.org/10.1163/9789047404620_013","url":null,"abstract":"When the Franciscan friars of Santa Croce in Florence began rebuilding their church in the late thirteenth century, they included a program of stained glass windows in the new basilica. The Santa Croce friars were most likely following the model of the mother Franciscan church in Assisi, where narrative stained glass appeared in Italy for the first time in the mid-thirteenth century. While the Santa Croce friars likely planned and paid for the glass that remains in the high altar chapel from the 1320s, the private patrons of Santa Croce financed the windows in the transept chapels of the church (see plan, Fig. 1). In fact, soon after the transept was completed in 1310, private Florentine citizens, spurred on by the promise of papal indulgences, began to purchase entire chapels and finance their decoration with stained glass, fresco and panel paintings. While only about half","PeriodicalId":376725,"journal":{"name":"The Art of the Franciscan Order in Italy","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2005-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115049994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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