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Maria Stuart
Pub Date : 2020-11-01 DOI: 10.1163/2405-8262_rgg4_sim_13587
F. Schiller
M aria tu rt Maria Stuart, described as Schiller’s most perfect play, is a fi nely balanced, inven� ve account of the last day of the cap� ve Queen of Scotland, caught up in a great contest for the throne of England a� er the death of Henry VIII and over the ques� on of England’s religious confession. Hope for and doubt about Mary’s deliverance grow in the fi rst two acts, given to the Sco� sh and the English queen respec� vely, reach crisis at the center of the play, where the two queens meet in a famous scene in a castle park, and die away in acts four and fi ve, as the ac� on advances to its inevitable end. The play is at once classical tragedy of great fi neness, costume drama of the highest order—a spectacle on the stage—and one of the great moments in the long tradi� on of classical rhetoric, as Elizabeth’s ministers argue for and against execu� on of a royal prisoner.
《玛丽亚·斯图尔特的玛利亚》被称为席勒最完美的戏剧,它是一部非常平衡、充满创造性的作品,讲述了苏格兰女王的最后一天,在亨利八世去世后,她陷入了一场争夺英格兰王位的伟大斗争,以及英格兰宗教信仰的问题。在前两幕中,对玛丽的救赎的希望和怀疑分别出现在Sco女王和英国女王的面前,在戏剧的中心,两位女王在城堡公园的一个著名场景中相遇,并在第四幕和第五幕中死去,随着戏剧走向不可避免的结局。这出戏既是一部精雕巨制的古典悲剧,又是一出舞台上的顶级古装剧,同时也是古典修辞学悠久传统中最伟大的时刻之一,因为伊丽莎白的大臣们支持或反对处决一名王室囚犯。
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引用次数: 0
Translator’s Note 译者注
Pub Date : 2020-11-01 DOI: 10.11647/obp.0217.04
Flora Kimmich
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引用次数: 0
期刊
Maria Stuart
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