Pub Date : 2015-04-23DOI: 10.5325/JMODEPERISTUD.5.2.0160
HowardAlexander
This article focuses on the early editorial and literary career of Charles Henri Ford (1908–2002). Spanning much of the twentieth century, Ford's multiform aesthetic sensibility incorporated poetry, visual art, filmmaking, photography, and magazine editing. Despite the breath and depth of his interests and achievements, little critical attention has been paid to Ford. My article addresses this imbalance. It recovers an unfairly marginalized poet and editor whose little magazine sought to renovate modernism along decidedly queer lines. The first section contextualizes Ford and his second-generation modernist little magazine. The subsequent sections chart the magazine's trajectory.
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Pub Date : 2014-08-14DOI: 10.5325/JMODEPERISTUD.5.1.0027
Murphy J. Stephen, G. Mark
Taking their cue from the recommendation systems of Amazon and Netflix, which use networks of like-minded customers to suggest new titles to users, the authors investigate how networks in little magazines a hundred years ago helped readers navigate an overloaded literary market by recommending to them a taste for modernism. Focusing on The Freewoman, The New Freewoman and The Egoist—and drawing on data generated by the Modernist Journals Project—this essay shows how authors in these magazines' review and co-appearance networks became increasingly well-connected, and appeared more frequently, as the magazines became more modernistic and exclusive over time.
{"title":"You Might Also Like","authors":"Murphy J. Stephen, G. Mark","doi":"10.5325/JMODEPERISTUD.5.1.0027","DOIUrl":"https://doi.org/10.5325/JMODEPERISTUD.5.1.0027","url":null,"abstract":"Taking their cue from the recommendation systems of Amazon and Netflix, which use networks of like-minded customers to suggest new titles to users, the authors investigate how networks in little magazines a hundred years ago helped readers navigate an overloaded literary market by recommending to them a taste for modernism. Focusing on The Freewoman, The New Freewoman and The Egoist—and drawing on data generated by the Modernist Journals Project—this essay shows how authors in these magazines' review and co-appearance networks became increasingly well-connected, and appeared more frequently, as the magazines became more modernistic and exclusive over time.","PeriodicalId":39045,"journal":{"name":"Journal of Modern Periodical Studies","volume":"5 1","pages":"27"},"PeriodicalIF":0.3,"publicationDate":"2014-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5325/JMODEPERISTUD.5.1.0027","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70849677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
prohibitions against consulting the archives in the countries of the former communist block. Numerous research projects have allowed scholars to advance their knowledge of the active avant-garde circles in Central Europe in the 1920s and 1930s—a taboo subject during the postwar period. Some remarkable fi ndings have already brought to light a wealth of artistic creations. This impulse of rediscovery has offered new views of the theory of centers and peripheries: one removes Paris from its throne as the capital of arts, one pits the cosmopolitan Berlin against the infl uential Moscow, and between these east-west poles, one revalorizes Warsaw, Prague, Zagreb and Bucharest. However, within this revised historic-artistic geography, there are some areas of relative obscurity. There is considerable disparity between the amount of research into (and presentation of ) art and literature of the Czech Republic, Hungary, and Poland on the one hand compared to that of Bulgaria, Romania, and Slovakia on the other. 1
{"title":"A Dot on the Map: Some Remarks on the Magazine Nová Bratislava","authors":"Sonia de Puineuf","doi":"10.1353/jmp.0.0003","DOIUrl":"https://doi.org/10.1353/jmp.0.0003","url":null,"abstract":"prohibitions against consulting the archives in the countries of the former communist block. Numerous research projects have allowed scholars to advance their knowledge of the active avant-garde circles in Central Europe in the 1920s and 1930s—a taboo subject during the postwar period. Some remarkable fi ndings have already brought to light a wealth of artistic creations. This impulse of rediscovery has offered new views of the theory of centers and peripheries: one removes Paris from its throne as the capital of arts, one pits the cosmopolitan Berlin against the infl uential Moscow, and between these east-west poles, one revalorizes Warsaw, Prague, Zagreb and Bucharest. However, within this revised historic-artistic geography, there are some areas of relative obscurity. There is considerable disparity between the amount of research into (and presentation of ) art and literature of the Czech Republic, Hungary, and Poland on the one hand compared to that of Bulgaria, Romania, and Slovakia on the other. 1","PeriodicalId":39045,"journal":{"name":"Journal of Modern Periodical Studies","volume":"1 1","pages":"100 - 111"},"PeriodicalIF":0.3,"publicationDate":"2010-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/jmp.0.0003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66461230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2010-01-01DOI: 10.5325/JMODEPERISTUD.1.1.0100
Sonia de Puineuf
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Pub Date : 2010-01-01DOI: 10.5325/JMODEPERISTUD.1.1.0038
D. Tracy
{"title":"INVESTING IN “MODERNISM”:","authors":"D. Tracy","doi":"10.5325/JMODEPERISTUD.1.1.0038","DOIUrl":"https://doi.org/10.5325/JMODEPERISTUD.1.1.0038","url":null,"abstract":"","PeriodicalId":39045,"journal":{"name":"Journal of Modern Periodical Studies","volume":"1 1","pages":"38"},"PeriodicalIF":0.3,"publicationDate":"2010-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5325/JMODEPERISTUD.1.1.0038","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70849870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}