{"title":"Reflections","authors":"K. Temple","doi":"10.2307/j.ctvpj7c8w.3","DOIUrl":"https://doi.org/10.2307/j.ctvpj7c8w.3","url":null,"abstract":"","PeriodicalId":404410,"journal":{"name":"This Place Called Notre Dame","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122205087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Back Matter","authors":"","doi":"10.2307/j.ctvpj7c8w.9","DOIUrl":"https://doi.org/10.2307/j.ctvpj7c8w.9","url":null,"abstract":"","PeriodicalId":404410,"journal":{"name":"This Place Called Notre Dame","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129150297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
1.1, Tripushkar Playing, Mathura, 200 B.C. 1.2, Tripushkar playing, Bharhut, 200 B.C 1.3,Tripushkar playing, 150 B.C. Sanchi 1.4, Orchestra with dance, Padaya, 500 A.D. 1.5, Orchestra with dance, Ajanta, Cave no. 26 1.6, Tripushkar playing by Siva with orchestra, 600 A.D 1.7, Siva dancing, Pallava, 7th century A.D 1.8, Siva dancing with music orchestra, Pandya, 8th century A.D. 1.9, Natesa, Gurjara Pratihara, 9th century AD., Abaneri. 1.10, Nataraja, Gurjara Pratihara, Minai 9th century A.D. 1.11, Picture for Dipushkar player, a). Ballaibadi, Dhaka, 10th century A.D. 1.11, Picture for Dipushkar player, b). Maduraha, 17th century A.D. 1.12, Picture for ladies Tabla player, Delhi in 17tl? century A.D. 1.13, a). Picture for a Tabla player, at Jammu 1.13, b). Picture for a Tabla player at Kangda. 1.14, The covering page of Table ka Udgam, Vikas Aur Vadan Shailiyan, by Yogmaya Shukla, pic-1. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-21. Bharatiya Sangeet Vadya, by Dr. Lalmani Mishra, pic-3. Bharatiya Sangeet Vadya, by Dr. Lalmani Mishra, pic-9. Bharatiya Sangeet Vadya, by Dr. Lalmani Mishra, pic-12. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-173. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-193. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-137.
1.1, Tripushkar演奏，马图拉，公元前200年1.2,Tripushkar演奏，Bharhut，公元前200年1.3,Tripushkar演奏，公元前150年Sanchi 1.4，管弦乐队舞蹈，Padaya，公元500年1.5，管弦乐队舞蹈，Ajanta，洞穴号。261.6，由希瓦与管弦乐队演奏的特里普什卡，公元600年。公元1.7年，湿婆跳舞，帕拉瓦，公元7世纪1.8年，湿婆与管弦乐队跳舞，潘迪亚，公元8世纪1.9年，Natesa，古加拉·普拉提哈拉，公元9世纪。， Abaneri, 1.10, Nataraja, Gurjara Pratihara, Minai，公元9世纪1.11,Dipushkar乐手图片，a)， Ballaibadi，达卡，公元10世纪1.11,Dipushkar乐手图片，b)， Maduraha，公元17世纪1.12，女性手鼓乐手图片，17世纪?公元1.13世纪，a)。查谟1.13时手鼓演奏者的照片，b)。1.14时康达手鼓演奏者的照片，Vikas Aur Vadan Shailiyan的Table ka Udgam的封面，图片1。艺术、思想和文学中的Nataraja, C. Sivarananurti著，第21页。Lalmani Mishra博士的《Bharatiya Sangeet Vadya》，图3。Lalmani Mishra博士的《Bharatiya Sangeet Vadya》，图9。Lalmani Mishra博士的《Bharatiya Sangeet Vadya》，图12《艺术、思想和文学中的Nataraja》，C. Sivarananurti著，第173页。艺术、思想和文学中的Nataraja, C. Sivarananurti著，第193页。艺术、思想和文学中的Nataraja, C. Sivarananurti著，第137页。
{"title":"INDEX OF PHOTOGRAPHS","authors":"Gurjara Pratihara","doi":"10.2307/j.ctvpj7c8w.8","DOIUrl":"https://doi.org/10.2307/j.ctvpj7c8w.8","url":null,"abstract":"1.1, Tripushkar Playing, Mathura, 200 B.C. 1.2, Tripushkar playing, Bharhut, 200 B.C 1.3,Tripushkar playing, 150 B.C. Sanchi 1.4, Orchestra with dance, Padaya, 500 A.D. 1.5, Orchestra with dance, Ajanta, Cave no. 26 1.6, Tripushkar playing by Siva with orchestra, 600 A.D 1.7, Siva dancing, Pallava, 7th century A.D 1.8, Siva dancing with music orchestra, Pandya, 8th century A.D. 1.9, Natesa, Gurjara Pratihara, 9th century AD., Abaneri. 1.10, Nataraja, Gurjara Pratihara, Minai 9th century A.D. 1.11, Picture for Dipushkar player, a). Ballaibadi, Dhaka, 10th century A.D. 1.11, Picture for Dipushkar player, b). Maduraha, 17th century A.D. 1.12, Picture for ladies Tabla player, Delhi in 17tl? century A.D. 1.13, a). Picture for a Tabla player, at Jammu 1.13, b). Picture for a Tabla player at Kangda. 1.14, The covering page of Table ka Udgam, Vikas Aur Vadan Shailiyan, by Yogmaya Shukla, pic-1. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-21. Bharatiya Sangeet Vadya, by Dr. Lalmani Mishra, pic-3. Bharatiya Sangeet Vadya, by Dr. Lalmani Mishra, pic-9. Bharatiya Sangeet Vadya, by Dr. Lalmani Mishra, pic-12. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-173. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-193. Nataraja in Art, Thought and Literature, by C. Sivarananurti, p-137.","PeriodicalId":404410,"journal":{"name":"This Place Called Notre Dame","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134522581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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