Pub Date : 2023-05-01DOI: 10.24192/2386-7027(2023)(v19)(11)
Alberto López del Río
In 1954, the poet and composer Vinicius de Moraes published Orfeu da Conceição, adapting the classical Greek myth to Brazilian culture. When it comes to taking the work on stage, de Moraes surrounds himself with friends and regular collaborators, including Oscar Niemeyer, who will be in charge of building the spatial framework in which the piece will take place, for its premiere at the Municipal Theater in Rio de Janeiro in 1956. Niemeyer, in one of his few forays into the field of scenography, will design an installation with a clear architectural character. In addition to reflecting the spatial concretion proposed by de Moraes in his text, the architect will collect some of the recurring ideas in his own work, building an architectural object full of references and symbolism, whose complexity will go beyond the small size and the ephemeral nature of the theatrical production.
1954年，诗人兼作曲家Vinicius de Moraes出版了《Orfeu da conce o》，将古典希腊神话改编为巴西文化。在把作品搬上舞台的时候，德·莫莱斯身边都是朋友和固定的合作者，其中包括奥斯卡·尼迈耶(Oscar Niemeyer)，他将负责构建作品的空间框架，1956年，这部作品将在里约热内卢的市政剧院(Municipal Theater)首映。尼迈耶将设计一个具有明显建筑特征的装置，这是他为数不多的进入场景学领域的尝试之一。除了反映de Moraes在他的文本中提出的空间具体化之外，建筑师将在自己的作品中收集一些反复出现的想法，构建一个充满参考和象征意义的建筑对象，其复杂性将超越戏剧制作的小尺寸和短暂性。
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