Gabriele Rossi Rognoni, Brady Michael Kuhl, A. Myers, Jen Schnitker
The COVID-19 pandemic has arguably caused the biggest disruption to the museum and heritage sector since the Second World War. All over the world, museums have had to close, some never to reopen, and many have had to suspend their operations for prolonged periods. However, the disruption has also invited – sometimes forced – substantial changes in the way museums perceive themselves and their interactions with their audiences. This has included an increased focus on digital offers, a reconsideration of the human relationships with external as well as internal stakeholders, new ways to guarantee the preservation, documentation and availability of collections and revised financial and sustainability planning. Some of these changes will be transitory, while others are likely to leave permanent footprints on the identity of museums and the way they operate even after the emergency has passed. This conference will highlight and discuss some of the initiatives and innovations that emerged from the past year, with particular attention to curatorship, conservation, learning and participation, and documentation and research. Critical perspectives, as well as case studies are invited to focus on the long-term impact of the pandemic and on the way the identity of music museums, their value and relevance to society and research, and their ways of operating internally and externally may have been transformed. CIMCIM 2021 Conference Organising Committee Gabriele Rossi Rognoni (Royal College of Music, London, UK) Mimi Waitzman (Horniman Museum and Gardens, London, UK) Marie Martens (The Danish Music Museum, Copenhagen, Denmark) Arnold Myers (University of Edinburgh and Royal Conservatoire of Scotland, Glasgow, UK) Jen Schnitker (Metropolitan Museum of Art, New York, USA)
{"title":"CIMCIM Call for Papers ‘Global Crises and Music Museums: Representing Music after the Pandemic’","authors":"Gabriele Rossi Rognoni, Brady Michael Kuhl, A. Myers, Jen Schnitker","doi":"10.46477/seca7941","DOIUrl":"https://doi.org/10.46477/seca7941","url":null,"abstract":"The COVID-19 pandemic has arguably caused the biggest disruption to the museum and heritage sector since the Second World War. All over the world, museums have had to close, some never to reopen, and many have had to suspend their operations for prolonged periods. However, the disruption has also invited – sometimes forced – substantial changes in the way museums perceive themselves and their interactions with their audiences. This has included an increased focus on digital offers, a reconsideration of the human relationships with external as well as internal stakeholders, new ways to guarantee the preservation, documentation and availability of collections and revised financial and sustainability planning. Some of these changes will be transitory, while others are likely to leave permanent footprints on the identity of museums and the way they operate even after the emergency has passed. This conference will highlight and discuss some of the initiatives and innovations that emerged from the past year, with particular attention to curatorship, conservation, learning and participation, and documentation and research. Critical perspectives, as well as case studies are invited to focus on the long-term impact of the pandemic and on the way the identity of music museums, their value and relevance to society and research, and their ways of operating internally and externally may have been transformed. CIMCIM 2021 Conference Organising Committee Gabriele Rossi Rognoni (Royal College of Music, London, UK) Mimi Waitzman (Horniman Museum and Gardens, London, UK) Marie Martens (The Danish Music Museum, Copenhagen, Denmark) Arnold Myers (University of Edinburgh and Royal Conservatoire of Scotland, Glasgow, UK) Jen Schnitker (Metropolitan Museum of Art, New York, USA)","PeriodicalId":40774,"journal":{"name":"World of Music-New Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90244466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-20DOI: 10.4324/9780367823498-13
T. Miller, Andrew Shahriari
{"title":"North America: Canada and the United States","authors":"T. Miller, Andrew Shahriari","doi":"10.4324/9780367823498-13","DOIUrl":"https://doi.org/10.4324/9780367823498-13","url":null,"abstract":"","PeriodicalId":40774,"journal":{"name":"World of Music-New Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85125662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyzes the historical role of Vajira, the first professional female dancer of the Sinhalese style, analyzed according to her influence on the culture of Sri Lanka. Her life-work played a decisive role not only for the development of female stage dance, but also for the more recent movements of Sinhalese female ritualists. Here, Vajira's extraordinary career is described, and her most important ballets, tours, and awards are named. The article outlines some examples of her numerous contributions to modern dance training in some detail, and highlights her pedagogical role in the development of children's dance training techniques and children's ballet. Finally, it briefly presents Vajira's newest project for the preservation of traditional Sinhalese male up-country dance.
{"title":"Vajira : The first professional female dancer of the sinhalese style","authors":"Marianne Nurnberger","doi":"10.4038/SLJH.V40I0.7232","DOIUrl":"https://doi.org/10.4038/SLJH.V40I0.7232","url":null,"abstract":"This article analyzes the historical role of Vajira, the first professional female dancer of the Sinhalese style, analyzed according to her influence on the culture of Sri Lanka. Her life-work played a decisive role not only for the development of female stage dance, but also for the more recent movements of Sinhalese female ritualists. Here, Vajira's extraordinary career is described, and her most important ballets, tours, and awards are named. The article outlines some examples of her numerous contributions to modern dance training in some detail, and highlights her pedagogical role in the development of children's dance training techniques and children's ballet. Finally, it briefly presents Vajira's newest project for the preservation of traditional Sinhalese male up-country dance.","PeriodicalId":40774,"journal":{"name":"World of Music-New Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83953881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Before the Trip Begins: Fundamental Issues","authors":"T. Miller, Andrew Shahriari","doi":"10.4324/9780203152980-6","DOIUrl":"https://doi.org/10.4324/9780203152980-6","url":null,"abstract":"","PeriodicalId":40774,"journal":{"name":"World of Music-New Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76002169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aural Analysis: Listening to the World’s Musics","authors":"T. Miller, Andrew Shahriari","doi":"10.4324/9780367823498-2","DOIUrl":"https://doi.org/10.4324/9780367823498-2","url":null,"abstract":"","PeriodicalId":40774,"journal":{"name":"World of Music-New Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2008-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74738814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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