{"title":"Using and Creating Celebrity","authors":"B. Robertson-Kirkland","doi":"10.4324/9781003009160-3","DOIUrl":"https://doi.org/10.4324/9781003009160-3","url":null,"abstract":"","PeriodicalId":414298,"journal":{"name":"Venanzio Rauzzini and the Birth of a New Style in English Singing","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122396224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Natural or Learned?","authors":"B. Robertson-Kirkland","doi":"10.4324/9781003009160-4","DOIUrl":"https://doi.org/10.4324/9781003009160-4","url":null,"abstract":"","PeriodicalId":414298,"journal":{"name":"Venanzio Rauzzini and the Birth of a New Style in English Singing","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124008712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Though the castrato has been absent from the operatic stage since the nineteenth century, this voice is often described as the mysterious link in understanding the vocal techniques attributed to bel canto. The mystery lies in the fact that the voice of the operatic castrato cannot be heard by modern ears; and yet its legacy can be seen in the vocal tuition of several successful opera singers at the turn of the nineteenth century. What is unusual about this period is that some of the most successful singers of the day, including Nancy Storace, John Braham and Elizabeth Billington were British and shared the same vocal teacher. The castrato Venanzio Rauzzini (1746-1810) began his career as a primo uomo on the continent and while he established himself in various areas of musical activity, his main contribution and legacy was as a vocal teacher. During his residency in Britain from 1774 until his death, he trained several leading British professional singers who were the stars of opera in London and on the continent. They each demonstrated a use of techniques associated with the castrato vocal aesthetic and popularised a new vocal style, which can be traced to Rauzzini. Through this thesis, I will draw attention to the importance of Rauzzini’s impact on vocal teaching practice in Britain and his wider influence on the development of vocal style. I will demonstrate that Rauzzini should be considered part of the vocal teaching canon to which Pier Francesco Tosi (c.1653-1732), Nicola Porpora (1686-1768) and Manual Garcia II (1805-1906), three other foreign vocal teachers, who were resident in Britain, already belong. By examining exactly what the expected vocal aesthetics were for all singers, castrato, non-castrated male and female during the period in which Rauzzini was active, I will demystify the castrato technique and provide a more tangible understanding of what this encompassed, demonstrating that many of these techniques were learned, performed and popularised by other voice types such as the female soprano and the male tenor.
虽然阉伶自19世纪以来就从歌剧舞台上消失了，但这种声音经常被描述为理解美声唱法的声乐技巧的神秘环节。神秘之处在于歌剧阉割者的声音是现代人听不到的;然而，它的遗产可以从19世纪初几位成功的歌剧演唱家的声乐教学中看到。这一时期的不同寻常之处在于，当时一些最成功的歌手，包括南希·斯托雷斯、约翰·伯拉罕和伊丽莎白·比灵顿都是英国人，而且都是同一个声乐老师。阉割手维南齐奥·劳齐尼(1746-1810)作为欧洲大陆的首席音乐家开始了他的职业生涯，虽然他在音乐活动的各个领域建立了自己的地位，但他的主要贡献和遗产是作为一名声乐教师。从1774年到去世，他一直居住在英国，在此期间，他培养了几位顶尖的英国专业歌手，他们都是伦敦和欧洲大陆的歌剧明星。他们都展示了与阉割声乐美学相关的技巧，并推广了一种新的声乐风格，这种风格可以追溯到Rauzzini。通过本文，我将关注劳齐尼对英国声乐教学实践的重要影响，以及他对声乐风格发展的更广泛影响。我将证明，Rauzzini应该被视为声乐教学经典的一部分，而其他三位居住在英国的外国声乐教师Pier Francesco Tosi (c.1653-1732)， Nicola Porpora(1686-1768)和Manual Garcia II(1805-1906)已经属于声乐教学经典。在Rauzzini活跃的时期，通过对所有歌手(阉割者，未阉割的男性和女性)所期望的声乐美学的准确研究，我将揭开阉割技术的神秘面纱，并对其所包含的内容提供更切实的理解，证明许多这些技术是由其他声音类型(如女高音和男高音)学习，表演和普及的。
{"title":"‘The Father of a New Style in English Singing’?","authors":"B. Robertson-Kirkland","doi":"10.4324/9781003009160-5","DOIUrl":"https://doi.org/10.4324/9781003009160-5","url":null,"abstract":"Though the castrato has been absent from the operatic stage since the nineteenth century, this voice is often described as the mysterious link in understanding the vocal techniques attributed to bel canto. The mystery lies in the fact that the voice of the operatic castrato cannot be heard by modern ears; and yet its legacy can be seen in the vocal tuition of several successful opera singers at the turn of the nineteenth century. What is unusual about this period is that some of the most successful singers of the day, including Nancy Storace, John Braham and Elizabeth Billington were British and shared the same vocal teacher. The castrato Venanzio Rauzzini (1746-1810) began his career as a primo uomo on the continent and while he established himself in various areas of musical activity, his main contribution and legacy was as a vocal teacher. During his residency in Britain from 1774 until his death, he trained several leading British professional singers who were the stars of opera in London and on the continent. They each demonstrated a use of techniques associated with the castrato vocal aesthetic and popularised a new vocal style, which can be traced to Rauzzini. \u0000Through this thesis, I will draw attention to the importance of Rauzzini’s impact on vocal teaching practice in Britain and his wider influence on the development of vocal style. I will demonstrate that Rauzzini should be considered part of the vocal teaching canon to which Pier Francesco Tosi (c.1653-1732), Nicola Porpora (1686-1768) and Manual Garcia II (1805-1906), three other foreign vocal teachers, who were resident in Britain, already belong. By examining exactly what the expected vocal aesthetics were for all singers, castrato, non-castrated male and female during the period in which Rauzzini was active, I will demystify the castrato technique and provide a more tangible understanding of what this encompassed, demonstrating that many of these techniques were learned, performed and popularised by other voice types such as the female soprano and the male tenor.","PeriodicalId":414298,"journal":{"name":"Venanzio Rauzzini and the Birth of a New Style in English Singing","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123022982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Britain's Music Education in Decline","authors":"B. Robertson-Kirkland","doi":"10.4324/9781003009160-2","DOIUrl":"https://doi.org/10.4324/9781003009160-2","url":null,"abstract":"","PeriodicalId":414298,"journal":{"name":"Venanzio Rauzzini and the Birth of a New Style in English Singing","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125110472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The best ebooks about Master Servant that you can get for free here by download this Master Servant and save to your desktop. This ebooks is under topic such as the master becomes a servant calvary chapel costa mesa masters and servants: an important part of the tempest the master and his servant faith manhattan master and servant master's liability to wife of servant master and servant the harvester online master and servant: love and labour in the english master and servant: family purpose doctrine in connection i master and servant arkansas out of the household: master-servant relations and master-servant abolition of assumption of risk as a defense master and servant nigerianlawguru the master becomes a servant calvary curriculum master and servant: love and labour in the english government in america— master or servant? master service agreement eog resources master and servant in arkansas secret servants: household domestics and courtship in master and servant--torts--liability of the master for illinois law manual querrey & harrow jesusâ€ÂTM parables in chronological order parable #22 — luke master or servant? common agency and the political economy jesus on leadership becoming a servant leader the employer's indemnity action lsu law center othello and the master-servant dialectic master and servant assets master and servant--'lent' servant--independent contractor xii lesson 12 parent-child & master-servant relationships master of arts in servant leadership viterbo university coloring pages master and servant pdfslibforyou “master― versus “servant―: contradictions in drama and revising the roles of master and servant: a theory of work law master's vicarious liability for torts under article 2320 master arts servant leadership winter 2011 the servant leader master and servant wikipedia master and servant legal definition of master and servant master and servant act wikipedia depeche mode master and servant lyrics | metrolyrics master-servant rule investopedia
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{"title":"Master or Servant","authors":"B. Robertson-Kirkland","doi":"10.4324/9781003009160-7","DOIUrl":"https://doi.org/10.4324/9781003009160-7","url":null,"abstract":"The best ebooks about Master Servant that you can get for free here by download this Master Servant and save to your desktop. This ebooks is under topic such as the master becomes a servant calvary chapel costa mesa masters and servants: an important part of the tempest the master and his servant faith manhattan master and servant master's liability to wife of servant master and servant the harvester online master and servant: love and labour in the english master and servant: family purpose doctrine in connection i master and servant arkansas out of the household: master-servant relations and master-servant abolition of assumption of risk as a defense master and servant nigerianlawguru the master becomes a servant calvary curriculum master and servant: love and labour in the english government in america— master or servant? master service agreement eog resources master and servant in arkansas secret servants: household domestics and courtship in master and servant--torts--liability of the master for illinois law manual querrey & harrow jesusâ€ÂTM parables in chronological order parable #22 — luke master or servant? common agency and the political economy jesus on leadership becoming a servant leader the employer's indemnity action lsu law center othello and the master-servant dialectic master and servant assets master and servant--'lent' servant--independent contractor xii lesson 12 parent-child & master-servant relationships master of arts in servant leadership viterbo university coloring pages master and servant pdfslibforyou “master― versus “servant―: contradictions in drama and revising the roles of master and servant: a theory of work law master's vicarious liability for torts under article 2320 master arts servant leadership winter 2011 the servant leader master and servant wikipedia master and servant legal definition of master and servant master and servant act wikipedia depeche mode master and servant lyrics | metrolyrics master-servant rule investopedia","PeriodicalId":414298,"journal":{"name":"Venanzio Rauzzini and the Birth of a New Style in English Singing","volume":"2006 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125840362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Postlude","authors":"B. Robertson-Kirkland","doi":"10.4324/9781003009160-9","DOIUrl":"https://doi.org/10.4324/9781003009160-9","url":null,"abstract":"","PeriodicalId":414298,"journal":{"name":"Venanzio Rauzzini and the Birth of a New Style in English Singing","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129672255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Master's Treatise","authors":"B. Robertson-Kirkland","doi":"10.4324/9781003009160-6","DOIUrl":"https://doi.org/10.4324/9781003009160-6","url":null,"abstract":"","PeriodicalId":414298,"journal":{"name":"Venanzio Rauzzini and the Birth of a New Style in English Singing","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129455358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Respectable Master or a Scandalous Lover?","authors":"B. Robertson-Kirkland","doi":"10.4324/9781003009160-8","DOIUrl":"https://doi.org/10.4324/9781003009160-8","url":null,"abstract":"","PeriodicalId":414298,"journal":{"name":"Venanzio Rauzzini and the Birth of a New Style in English Singing","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121783488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prelude","authors":"B. Robertson-Kirkland","doi":"10.4324/9781003009160-1","DOIUrl":"https://doi.org/10.4324/9781003009160-1","url":null,"abstract":"","PeriodicalId":414298,"journal":{"name":"Venanzio Rauzzini and the Birth of a New Style in English Singing","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115077290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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