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The Spatiality of Emotion in Early Modern China最新文献

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Winds, Dreams, Theater: A Genealogy of Emotion-Realms 风,梦,戏剧:情感领域的谱系
Pub Date : 2018-12-31 DOI: 10.7312/lam-18794-003
Ling Hon Lam
in Chinese literature and culture centered on the idea of emotion as space—which the Chinese call “emotion-realm” (qingjing)—rather than a state of mind. If The Peony Pavilion (Mudan ting, 1598) is the romantic play par excellence in early modern China, it is not because, as many assume, it celebrates emotion as the innermost essence of a liberated individual. Rather, it is because the play eloquently encapsulates the three major historical regimes of the spatiality of emotion: winds, dreamscapes, and theatricality. The Peony Pavilion has deployed these various regimes in an anachronistic juxtaposition, obliterating their timeline and structural differences. Lam will give an archaeological reading of the play that renders visible the subtle transformation of Chinese theater and subject formation—of which the transfiguration of the dream and the 5:00 pm 1930 Buchanan 10 MAY
在中国文学和文化中,情感是一种空间,中国人称之为“情境”,而不是一种精神状态。如果说《牡丹亭》(牡丹亭,1598)是中国近代早期最杰出的浪漫主义戏剧,那并不像许多人认为的那样,是因为它歌颂了一个解放了的人内心深处的情感。更确切地说,这是因为该剧雄辩地概括了情感空间性的三种主要历史制度:风、梦境和戏剧性。《牡丹亭》将这些不同的政权以一种不合时宜的方式并置,抹去了它们的时间和结构差异。林将对这部戏剧进行考古解读,展现中国戏剧和主题形成的微妙转变,其中包括梦的变形和1930年5月10日下午5点的布坎南
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引用次数: 0
Prologue: Weather and Landscape 前言:天气和景观
Pub Date : 2018-12-31 DOI: 10.7312/lam-18794-002
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引用次数: 0
“Not Even Close to Emotion”: A Genealogy of Knowledge 《甚至不接近情感》:知识谱系
Pub Date : 2018-12-31 DOI: 10.7312/lam-18794-006
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引用次数: 0
Acknowledgments 致谢
Pub Date : 2018-12-31 DOI: 10.7312/lam-18794-001
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引用次数: 0
What Is Wrong with The Wrong Career? A Genealogy of Playgrounds 错的职业有什么错?《游乐场家谱
Pub Date : 2018-12-31 DOI: 10.7312/lam-18794-005
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引用次数: 0
Frontmatter
Pub Date : 2018-12-31 DOI: 10.7312/lam-18794-fm
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引用次数: 0
Time-Space Is Emotion 时空即情感
Pub Date : 2018-12-31 DOI: 10.7312/lam-18794-007
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引用次数: 0
The Heart Beside Itself: A Genealogy of Morals 心在其旁:道德谱系
Pub Date : 2018-12-31 DOI: 10.7312/lam-18794-004
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引用次数: 0
期刊
The Spatiality of Emotion in Early Modern China
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