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The Collected Works of Walter Pater, Vol. 8: Classical Studies最新文献

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The Beginnings of Greek Sculpture 希腊雕塑的起源
Pub Date : 2020-11-26 DOI: 10.1017/CBO9781139062275.006
W. Pater
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引用次数: 1
Shadwell's 'Preface' to Greek Studies (1895) 沙德威尔的《希腊研究序言》(1895)
Pub Date : 1900-01-01 DOI: 10.1093/oseo/instance.00271318
Charles Lancelot Shadwell
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引用次数: 0
The Bacchanals of Euripides 欧里庇得斯的酒神
Pub Date : 1889-05-01 DOI: 10.1093/oseo/instance.00271316
W. Pater
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引用次数: 0
The Marbles of Aegina 埃伊纳岛的大理石
Pub Date : 1880-04-01 DOI: 10.1093/oseo/instance.00271315
W. Pater
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引用次数: 1
II. The Age of Graven Images 2雕刻图像的时代
Pub Date : 1880-03-01 DOI: 10.1093/oseo/instance.00271314
W. Pater
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引用次数: 0
I. The Heroic Age of Greek Art 一、希腊艺术的英雄时代
Pub Date : 1880-02-01 DOI: 10.1093/oseo/instance.00271313
W. Pater
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引用次数: 2
A Study of Dionysus: The Spiritual Form of Fire and Dew 酒神研究:火与露的精神形态
Pub Date : 1876-12-01 DOI: 10.1017/CBO9781139062275.002
W. Pater
WRITERS on mythology speak habitually of the religion of the Greeks. In thus speaking, they are really using a misleading expression, and should speak rather of religions; each race and class of Greeks--the Dorians, the people of the coast, the fishers--having had a religion of its own, conceived of the objects that came nearest to it and were most in its thoughts, and the resulting usages and ideas never having come to have a precisely harmonised system, after the analogy of some other religions. The religion of Dionysus is the religion of people who pass their lives among the vines. As the religion of Demeter carries us back to the cornfields and farmsteads of Greece, and places us, in fancy, among a primitive race, in the furrow and beside the granary; so the religion of Dionysus carries us back to its vineyards, and is a monument of the ways and thoughts of people whose days go by beside the winepress, and under the green and purple shadows, and whose material happiness depends on the crop of grapes. For them the thought of Dionysus and his circle, a little Olympus outside the greater, covered the whole of life, and was a complete religion, a sacred representation or interpretation of the whole human experience, modified by the special limitations, the special privileges of insight or suggestion, incident to their peculiar mode of existence.
写神话的作家习惯性地谈到希腊人的宗教。在这样说的时候,他们实际上是在使用一种误导性的表达方式,而应该谈论宗教;希腊的每一个种族和阶级——多里安人、沿海居民、渔民——都有自己的宗教,设想出最接近自己的、最符合自己思想的对象,而由此产生的习俗和观念,在与其他一些宗教类比之后,从来没有形成一个精确协调的体系。酒神的宗教是那些在葡萄树中度过一生的人们的宗教。就像得墨忒耳的宗教把我们带回到希腊的玉米地和农庄,把我们想象成一个原始民族,在犁沟里,在粮仓旁;因此,酒神的宗教把我们带回到它的葡萄园,它是人们生活方式和思想的纪念碑,他们的日子在酒榨机旁度过,在绿色和紫色的阴影下,他们的物质幸福依赖于葡萄的收成。对他们来说,酒神和他的圈子的思想,是大奥林匹斯山之外的一个小奥林匹斯山,覆盖了整个生活,是一种完整的宗教,是对整个人类经验的神圣的表现或解释,是由于他们特殊的生存方式所特有的洞察力或暗示的特殊限制和特权而改变的。
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引用次数: 4
The Myth of Demeter and Persephone 德墨忒耳和珀尔塞福涅的神话
Pub Date : 1876-02-01 DOI: 10.1093/oseo/instance.00271310
W. Pater
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引用次数: 4
期刊
The Collected Works of Walter Pater, Vol. 8: Classical Studies
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