Pub Date : 2024-02-12DOI: 10.12731/2576-9782-2024-8-1-218
Alexander N. Mikhailov, Larisa B. Mikhaylova
The article is devoted to the formulation of the problem of the iconographic canon and to the study of the specifics of canonical works in Orthodox church painting. For this purpose, we study the relationship between the artistic-aesthetic canon in general and the iconographic canon in particular. To clarify the semantic content of the concepts “iconographic canon” and “iconography”, a distinction is proposed between the terms “iconographic model” and “iconographic type”. The specifics of the Eastern Christian iconographic canon are studied in the context of the special gnosiological role of visual arts in the system of Orthodox culture, which determined the features of iconographic symbolism. General and specific principles of the canonical system are formulated, revealing the religious-philosophical and artistic-aesthetic integrity of iconographic images intended for the non-rational expression of divine revelation and acting as a connection between the “earthly” and “celcetial”, immanent and transcendental levels of being.
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Pub Date : 2024-02-12DOI: 10.12731/2576-9782-2024-8-1-218
Alexander N. Mikhailov, Larisa B. Mikhaylova
The article is devoted to the formulation of the problem of the iconographic canon and to the study of the specifics of canonical works in Orthodox church painting. For this purpose, we study the relationship between the artistic-aesthetic canon in general and the iconographic canon in particular. To clarify the semantic content of the concepts “iconographic canon” and “iconography”, a distinction is proposed between the terms “iconographic model” and “iconographic type”. The specifics of the Eastern Christian iconographic canon are studied in the context of the special gnosiological role of visual arts in the system of Orthodox culture, which determined the features of iconographic symbolism. General and specific principles of the canonical system are formulated, revealing the religious-philosophical and artistic-aesthetic integrity of iconographic images intended for the non-rational expression of divine revelation and acting as a connection between the “earthly” and “celcetial”, immanent and transcendental levels of being.
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Pub Date : 2024-02-11DOI: 10.12731/2576-9782-2023-4-42-61
M. Kulyan-Kozionova, Oksana V. Leshkova, Elena G. Shchekina
The article is devoted to understanding the ideas that influence the understanding of the essence of the city and its image in the process of historical development. Through historical and comparative analysis, key changes are illuminated, including the shift from the ideal of social justice to individualism. The research is relevant in the context of the impact of technology on urban life; it can become the basis for developing strategies for sustainable urban development and creating favorable social conditions. Aspects that influence the perception of residents and researchers of the urban image are identified for subsequent analysis of the modern city.
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Pub Date : 2024-02-11DOI: 10.12731/2576-9782-2023-4-42-61
M. Kulyan-Kozionova, Oksana V. Leshkova, Elena G. Shchekina
The article is devoted to understanding the ideas that influence the understanding of the essence of the city and its image in the process of historical development. Through historical and comparative analysis, key changes are illuminated, including the shift from the ideal of social justice to individualism. The research is relevant in the context of the impact of technology on urban life; it can become the basis for developing strategies for sustainable urban development and creating favorable social conditions. Aspects that influence the perception of residents and researchers of the urban image are identified for subsequent analysis of the modern city.
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